In many ways, Volta is a departure from their previous shows: less focused on costumes, less a hard-driven theme and more minimal, both in concept and visuals. And that's where people will either like the show or not. With a Cirque show, we expect a high level of acrobatics and superior gymnastics; you'll get that. What you won't see are finely crafted costumes (e.g. Ovo), tons of whimsical characters (e.g. KOOZA), or stagecraft that can sometimes overcomplicate the show (e.g. Kurios). Even the lighting seems simpler and brighter against performers who are usually on a bare stage or using simple stage pieces.
The acts are typical Cirque stuff we've sorta seen in other shows in various ways: the trampowall, tumbling passes through shapes, dancers, and a bungee ballet. There's the usual Cirque clown; not as annoying as previous clown characters (and no audience participation this time). Volta features a few things I hadn't seen before: the most amazing BMX racers, and a balancing unicyclist (do people still do that? YES!). But the showstopper is Danila Bim and her hair suspension acrobatics. I'd heard about it; never seen it done. Easily my favorite act and the most beautiful both in simplicity of music, lighting and pure human artistry. This is definitely not your 2000s Cirque show. The soundtrack throughout the show is also much different than other soundtracks (Anthony Gonzalez of M83)--my new favorite along with Saltimbanco, Alegria, and Journey of Man.
I loved the location this time: in Soldier Field's south parking lot. A short walk to the 146 bus line near the Field Museum. I saw more than a hundred people trying to find their Uber or LYFT. Good luck. Save the $$$ and grab the bus. read more