This was my first class at a glass art studio, and I'm very pleased that I chose John Mooney's studio.
I initially had trouble reaching John through the website form, but I was able to quickly establish contact with him through his Facebook page.
As advertised on his website, the price is $165 per student, for a 3 hour class. As the class was for myself and a friend, the total was $330. John was very good about accepting PayPal for advance payment, and we were able to lock down an appointment for a 2PM Wednesday class.
John was very good about quickly replying to my emails, and helpfully advised the following attire for the class:
*Comfortable thin cotton (T-shirt and shorts are acceptable).
*Tennis shoes or boots.
*No flip-flops.
*Sunglasses.
(Note: If you have long hair, bring hairties or other means of securing your hair, for obvious safety reasons.)
Due to unforeseen circumstances, my friend and I ended up running a few minutes later for our class, but John was very patient and understanding about it.
As anyone who has been in Venice can attest to, parking availability in the area was a very dicey proposition - but I was still lucky enough to get a spot on the curb not too far away from Vernon Ave.
As the glass studio apparently shares land space with/behind an auto shop (they also share the restroom, oddly enough), we were initially unsure if we had arrived at the correct location. Luckily, the helpful gentlemen at the auto shop directed us to the glass studio, at which point we were cordially greeted by John.
Before beginning the class, John provided us with a liability release waiver apiece to fill out, as obvious and inherent risks of injury are involved when working with molten glass (curse this litigious age we live in).
While filling out the waivers, we could not help but notice the glass gift shop adjacent to the entrance of the studio, and wandered in for a look.
John had many of his fine glassworks on display for sale, including cups, Betta fish (small and large), bowls, vases, roses, etc.
I ended up purchasing a pair of pink roses for myself, and a large Betta fish (blue and green) for my beloved friend. I did not happen to have $400+ in cash handy, but luckily John accepts credit cards - he generously waived the 2.7% CC fee, and even applied a slight discount to the item prices. :)
After carefully bubble-wrapping and boxing our purchases, he led us to the work area, and began our class.
For our first project, John started us on the most simple piece of glass art possible: a paperweight.
Before actually having us begin, John first gave us a lecture and demonstration of the steps involved, and asked us to select our respective desired colors for our glassware.
I'm going to go ahead and say that making glass turned out to be MUCH harder than the pros make it look. I made many a bumbling mistake along the way, and proved to be quite the slowpoke. Nevertheless, I'd say John was very much patient with my sluggish learning curve and ADD, and never once yelled at (or lashed out at) me for my novice performance. Instead, he very tactfully addressed the things I did wrong, and helpfully corrected and assisted me as needed.
Our completed glassworks were placed in a kiln for annealing, and John stated that we could pick them up 2 days later.
Although the class was only supposed to be 3 hours (stated ending time at 5PM), John actually stayed and worked with us until 6:30PM (at which point he was forced to shut down the studio and head for a meeting elsewhere).
As we only ended up having time to make 3 pieces of glass (instead of the promised 4), John made it up to us by allowing us to take an additional glass ornament home (we were allowed to choose from several in his personal work area).
(Note: We started the class a bit late due to excessive dillydallying in the gift shop. My advice for any prospective students is to not set foot in the gift shop until AFTER your class is over.)
The class ended without any of us being injured or killed by molten glass, so I'd call that a good day. :)
ADDITIONAL TIPS
I suggest keeping your sunglasses on at all times: not only do they protect your retinas from being seared (should you inadvertently stare inside the ovens a bit too directly/long), but they will provide some shielding for your eyes if some of the glass fragments in the ovens should pop out and fly towards you (hearing the snap/crackle/pop of the glass is incredibly disconcerting).
The metal rods with which you work with can get quite hot - if you're heat-sensitive, bringing light gloves may not be a bad idea. If (like me) you didn't bring any, John has a few (fingerless) gloves he will loan you, if needed.
I would drink plenty of water before coming to the class - it can get insanely hot in the studio, and you are likely to be sweating profusely as you work on your projects. Having said that, John was kind enough to provide us with glasses and access to his water cooler. read more