I love this place and will likely be a regular. (Having relocated away from the east coast shortly after it first opened, and then come back, I missed most of its first year but have been going a lot recently now that I have the opportunity.) The lack of that last star is due to relatively minor things that nonetheless could be improved on, but which will not stop me from coming back again and again.
First off, the main reason to go to Metrograph is the film selection. It is one of the better theaters in the city to catch newer smaller and indie releases, which is saying something as relative to most cities NYC offers an embarrassment of riches in that department. Maybe even better though, in its regular rotation the Metrograph includes a number of different film series and classics around different themes - as of the time of this writing, for instance, they've been running a series including various sci-fi films involving cyborgs and artificial intelligence, and on tap are series like films David Letterman made cameos in (what an eclectic choice) and various Universal Pictures releases from the '70s. When listing the films on its site, The Metrograph helpfully indicates how the film is being screened - i.e. digital or 35mm - and the 35mm selections are quite plentiful and appreciated. Although there are some other theaters that do this (the IFC for instance), it's still a rarity to be able to see films on actual film prints these days, and Metrograph seems to make a pretty concentrated effort to show as many of its older films in that format as possible. In my experience the prints are usually quite nice, too. (Obviously some specs and scratches will come with the territory, but it's so much richer and nicer than most film projections these days, and especially as compared to most mainstream theaters' projections of classics which often look very cheap. No joke, outside of New York I've had theaters charge money for screenings of Blu-Ray/DVD copies before. I saw the menus come up at the end.) While the midnight movie circuit in particular at other theaters can be a bit repetitious, even the mainstream films at Metrograph are pretty varied - how often can you see the likes of A.I.: Artificial Intelligence or Beavis and Butthead Do America in the revival theaters these days? On authentic film projection prints no less?
The space itself is also pretty nice. The lobby is clean and pleasant, and in my experience the employees are friendly and helpful. The seats are comfortable enough and the theater rooms are among the nicer ones I've been in.
Now, there are some drawbacks. The first problem is that the theaters are a bit small (although one of them is at least pretty good sized). This can be slightly disappointing when you've booked tickets for one of those rare classics, or even a newer film, and find that you're not getting the biggest screen in the world, although the screen itself is quite nice. The bigger problem though is simply that it can be hard to get tickets at all; although it will obviously vary by film, I wouldn't expect to be able to walk an hour before a screening and expect to get good seats. The seats themselves are by reservation and the good ones tend to fill up, sometimes well in advance (and often shows sell out). Thankfully, it's pretty easy to book tickets online (they don't even force you to make a log in with some external service like so many other theaters do), but it is something to keep in mind. There are also nice schedules put up every day in the lobby that show the times and which shows are sold out, but is simply an unavoidable problem of the relatively small space that unless you book well in advance you may be sitting in not the greatest seat or not be able to get in at all. So don't treat it as you would the multiplex and just show up assuming you'll get in!
The other more avoidable problem is some of the prices; the tickets are fine (within the understanding that NYC ticket prices are always going to be a bit inflated, even at the multiplex), but the food prices are really kind of ridiculous. 6 dollars gets you a popcorn, which sounds fine until you realize it's a pretty small, pre-packed box of popcorn that hasn't been heated or anything and can be finished well before the trailers have finished rolling. The popcorn itself is tasty enough, but it's just not really worth the price. The candy is similarly absurd (four dollars for gummy bears, four or five for a box of Dots, etc) and while I appreciate the interesting choice of Mexican sugar Coca-Cola as a drink option, the drink options are also overpriced as well as pretty limited. I believe there is a bar available which I have not sampled, but as far as the traditional snack and beverage choices I usually just skip them and plan on eating elsewhere before or after.
Despite these drawbacks, though, I highly recommend the Metrograph and would consider it one of the best film going experiences in NYC today. read more