"'Prelude for Andrew Boss.' 'Intermezzo for Greg Kenderdine.' Matthew, your compositions almost always have a title with someone's name."
"Of course, darling. You should always write for someone. It is always better when you are writing for someone."
I've had various teachers in the past who taught me how to play the musical instruments, and yet I'd never had a teacher who taught me how to be a musician. And it is essentially a lesson of how to be a human (again).
"Being a composer is a lifestyle. It is about sensibility, about being sensible." "Matthew, how is sensibility different from style?"
"Sensibility is..." (Matthew pauses, calls his mother on the phone, discusses for a while, and arrives at an "aha" moment, like Sherlock, hangs up and turns sharply back to me) "... strategy."
I stumbled upon Matthew's studio like a stray cat, injured and malnourished (metaphorically, and a bit literally). Like other reviewers here, I had studied the piano as a child, and had a long hiatus afterwards. I am (as of now) a "recovering musician" - I had worked in the field of (non-classical) music for years, recording, producing, performing and teaching, and had a horrendous burnout, struggling with various health issues. It was quite awful that, at one point, listening to any piece of music felt like chewing dry sand.
In my initial interview, I told Matthew that my goal for taking piano lessons was simple: to recover the sense of joy and humility that I used to feel toward music.
I reached this goal after two lessons with Matthew - at that point I had not even touched the piano.
Today I am head over heels in love with music all over again. The growth, of course, comes with serious commitment and everyday practice. Now my challenge is to set new goals that I had not dreamed of until just few months ago. Matthew has a great way of keeping me motived and encouraged at every step, and his curriculum is uniquely tailored to where I am coming from and where (he sees) I am going.
Matthew is not your ordinary "piano teacher." He is a magical human being. If you need to hear more "hard facts" in addition to my personal sharing of over-exuberance, Matthew is also a graduate of the Peabody Conservatory of Music of Johns Hopkins University, and he wrote his own textbook for piano/theory instruction (with a glorious glossary of musical terms at the end). Teaching is not his "side thing" - he is passionate, compassionate, rigorous ("I am gentle and strict at the same time," says he), humane, affectionate, committed and extremely skilled at the art of teaching.
On top of that, Matthew is a fantastic composer. It's quite a bit unreal. When he plays his own compositions, my heart and mind melt and the air around me shifts into something that is more pure, timeless and poignant. Sometimes I stop and reflect, and I am astounded by the fact that I am able to learn from someone of whom I am the biggest fan. I am very lucky.
I can go on and on... every positive thing other reviewers said here is true. I actually found Matthew sort of randomly via Yelp myself (thanks Yelp, really). A selfish part of me wants Studio V to remain the best kept secret gem of Washington DC. The rest of me sincerely wish for many of you to experience the great joy of music and learning (and just plain awesomeness) with Matthew, and witness the unfolding of your potential that you had not even expected. read more