4.5 rounded up. I found Rebekah at Fidelity Tattoo on Instagram in search of a Baltimore-area artist that could do semi-realistic-but-not-fine-line color botanical tattoos, so I was delighted when she responded to my Google form submission for a custom piece within ~2 days. She let me know that she doesn't get a lot of color clients, so she was excited to work with me. We settled on a date a month away over email, and I paid a $100 deposit. Unlike other artists, she doesn't send sketches ahead of time due to past experience with people stealing her pieces; while different than what I'm used to, I'd seen her portfolio on IG and my request was basically a modified flash piece, so I had a good idea of what to expect, so not the end of the world. Unfortunately, on the day of the appointment, she emailed me to let me know she was sick and would like to reschedule, which was as detailed in her pre-appointment policies, so we rescheduled for two weeks later. On the day of the rescheduled appointment, I pulled up to a just-off-the road unassuming standalone building with a gravel driveway that backs into a creek. The inside contrasted with the exterior greatly; it was homey, beautiful, and intricately decorated in an aesthetically cluttered yet clean manner, covered in plants and Victorian-style kitschy framed art and mirrors. Each artist had a private room, but I came on a Sunday afternoon, so I didn't see any other clients or artists. Rebekah was ready to get started with outlines in hand; unfortunately, there was a miscommunication about what tattoo I wanted (I wanted two flowers coming off one stem on my forearm/she had drawn separate flowers for each forearm), so after waiting a few minutes for the re-draw and then a slight tweak, we began. Her room was relatively small, so she asked my partner to sit just outside the room rather than at my side while she worked. As she started, Rebekah let me know that she normally doesn't talk much while working, and we settled into a relative silence. She tattooed for about 2.5 hours, with three 5-10 minute long breaks; as we approached the end of her time estimate, I was still missing ~40% of the color, and she asked if it would be alright to schedule a second session. This was my biggest tattoo to date, and despite the bactine use, I was really feeling that machine, so I was relieved to schedule a pt two. A part of me wishes that Rebekah had told me this would likely take two sessions so I could plan for two separate healing periods (oh, the dreaded itch then peel...). Yet, I think it was the right choice considering how angry my skin was - the yellow daffodil looked completely pink - it was already getting dark outside, and I was quite tired from the pain. Because she herself stated that she doesn't work with color as often, I suspect she might not have realized how long it would take, especially since, per Rebekah, yellow is a hard color to work with. She initially stated I should come back after two weeks as soon as the peeling finished, but after calendar-checking, she could only offer a slot four weeks away - again, disheartening to prolong the healing process, especially as summer and mandated pool time approach. Nonetheless, I understood, so I let my incomplete tattoo heal for a few weeks, and a month later, I came back for my next session. On another Sunday with no other clients in sight, this session was much shorter, lasting only 1.5 hours with one five minute break to soak up some bactine. We had a few exchanges but I managed to doze off, and we didn't talk much. In the end, the final product turned out better than I hoped, and I'm enjoying my beautiful daffodil tattoo a few days later before it inevitably starts peeling. After session one, I was nervous about her coloring since she uses a stippling technique for color packing; while I expected it to be less bold than my other pieces, some sections looked splotchy. However, in session two, assumedly because my skin was much less angry and she could properly see what she was doing, she touched up the color and filled in the previous gaps. I will be recommending her to friends that are looking for similar nature-centric pieces. One perk that I appreciated from the shop was they accept card without a user-end card usage fee, which I've encountered at my previous artists, who encouraged cash instead. All in all, I had a great experience getting a custom piece from Rebekah, who was receptive to feedback, easy to work with, and made me feel comfortable. I would take away a hypothetical half star for the lack of scheduling foresight; a better solution would have been scheduling both sessions in advance. On the other hand, I also know that she's a relatively new artist (I think 2-3 years experience) who's developing her skills, which was accurately reflected in pricing and amount of time I spent under the machine, but she over-delivered in the final product, so that's why I rounded up! read more