I recently completed a unique 6 day Intensive class at Berg Studios where I had the opportunity to…read morework with Adrian Latourelle, Gregory Berger and Michael Trevino. I've trained with several respected acting teachers over the years, and Gregory Berger's intensive was a breakthrough for me. He helped me find a missing piece in my work that I'd been searching for, and I left every class with practical tools I could immediately apply. The studio has an incredibly supportive atmosphere, the feedback is thoughtful and specific, and every instructor I worked with truly cared about helping each actor grow. I'm grateful for the experience and excited to continue training at Berg Studios.

4 out of 5: Decent Audit, But Be Cautious…read more I audited a class at Berg Studios and thought it was okay overall. The instructor seems to know his craft and there are definitely some solid basics you can take away. That said, the class leaned pretty heavily into the sales pitch, which is always a bit of a red flag for me. It felt more like a "get in, get what you need, get out" kind of place. If you're curious, it's worth checking out for the fundamentals, but I wouldn't recommend getting too comfortable. Like many LA acting classes, there's a risk of getting stuck in a cycle that isn't always about growth. Take what serves you and move on.

From the moment I stepped into the Howard Fine Acting Studio, I knew I'd found something…read moreexceptional. The quality of teaching, professionalism, and genuine care for each actor's growth is unmatched. Howard is a master teacher--honest, insightful, and deeply committed to helping actors do their best work. His feedback is always constructive, compassionate, and transformative. Marilyn brings such warmth, enthusiasm, and patience to her classes--she creates a space where you feel safe to explore and inspired to take bold risks. Mr. Coury delivers those incredible, applicable "aha" moments that connect the craft to real, grounded human behavior. What makes HFAS even more special is the variety of ways to learn and grow. Whether in the studio or through the many online courses, actors can continue to hone their craft from different angles, at any stage of their journey. The entire community--faculty, staff, and students--fosters an environment that's both challenging and deeply supportive. HFAS isn't just a studio--it's a true artistic home, and I'm endlessly grateful to continue growing here as both an actor and a human being.

I have been in Mr. Coury's ongoing scene study for over a year now, after taking the six-week…read moretechnique course with both Howard and Mr. Coury. Every week, I learn something. Every week, I grow as an actor. Every week, I imagine the alternate world in which I would be lost as an actor without this rigorous gym, and I shudder at the thought. Mr. Coury's critique is straightforward and can feel harsh when you don't know him well, but you quickly find that he does it out of his love for teaching, and it truly is in your best interest. His eye will get you where you want to be if you trust yourself--and trust him.

The best word I can think of to describe this class is... real. It's real…read more Kevin is a natural-born teacher. He can't help but care about his students. It's almost pathological. I'm kidding. Kind of. I like having a teacher who's also an incredible actor himself. It's so much fun to be around a guy who loves the doing as much as he loves the teaching. He's smart. Crazy smart. Unbelievably kind. And just authentic. A level of authenticity that rubs off on the people around him. I've taken every acting class in LA. This is in a different category.

This class is one of those things you know is special as soon as you walk through the door. It…read morechanged the way I saw things for the better. Acting became so simple and living in LA became so much sweeter. Kevin demanded and allowed me to be truthful to every single part of me, the darkness, the light, the love, the fear...This truly expanded the way I approached things, all of a sudden I was able to access emotions that I did not even know existed. It made my acting richer, more real and it honestly made me a happier human. I will forever be grateful to Kevin. He is an incredible teacher and one of the kindest people I know.

A-Z Commercial Technique Class definitely covers the spectrum of ALL that IS... to be a BOOKABLE…read moreand marketable WORKING Commercial ACTOR. For anyone who has dreamed or heard "you should be in commercials", one must learn the craft and business, showing up prepared and ready to play! JUDY KAIN and her fine team of COACHES (AVA HIMMEL, JOLENE KAY, SPENCER KRAMBER, TOM BURKE) present a solid foundation for the serious and diligent. Astute insight delivered keenly, kindly and with professional candor. Commit to the 4-Part Series!

Judy and Spencer are a powerful team with a ton of knowledge. Supportive class environment with…read moreprofessional expectations. SUPER helpful class.

You get high quality work at Hot Shots!…read more I've taken Jon's workshop, self taped with him, and also filmed a demo reel with him. I've learned so much about the industry, and I feel confident in the work I produce because of his guidance and feedback. Jon has always been kind, professional, and respectful, and I'm grateful for all of his insight and support. Thanks, Jon!

Stop thinking about it and work with Jon. There are no words to describe how incredible he is as…read moreboth a teacher and an actor. I recently took his Self Tape Mastery 3-Day Intensive and WOW. I truly cannot recommend it enough. I've been acting for a few years now (mainly commercials and short films) and I had always wanted to train with Jon. But to be honest, I was pretty intimidated because I know many of his clients are booking major projects. I went into the class so nervous I wouldn't measure up, but I felt at ease immediately and couldn't stop thinking, "Why didn't I do this sooner?!?" Jon is INCREDIBLY knowledgeable about the industry and the amount of insight he shares is invaluable. My mind seriously was racing trying to absorb everything. Plus, he creates such a welcoming and supportive environment. He tells it like it is (something I've been searching for in an acting teacher for years), but in a way that makes you feel empowered and capable. I genuinely didn't want the class to end. And yes, by the end of the three days, I walked out as a stronger actor and I promise you will too. Jon is also one of the most supportive people you'll meet. He'll be your biggest cheerleader and is the kind of coach who simply wants to see his students succeed. In fact, I went back to tape an audition with him just a few days later, which was another fantastic experience. He really is a one-in-a-million coach and LA is lucky to have him. I'm already looking forward to getting back into his studio again soon. So if you're considering working with Jon, take the leap and invest in yourself. You'll walk away with priceless knowledge and guidance from one of the best.

These people keep sending me auditions that never start on time. The one time I actually stayed it…read moreended up being a very long process where you need to go to a bunch of 'training' sessions before you can do a show. I don't know why they are on LA Casting. I think this place is good if you never had any acting experience.

This is the studio dedicated to serious actors. For those that are called to the acting profession…read moreby there soul. William and Elaina truly know how to coach and support the actor so that it brings out the best of what each one has to offer from the inside out.

My opinion: They Don't Stand Behind Their Product…read more I took TV 1 in January. I developed a pilot with specific direction from an instructor at Writing Pad. It was a really good experience. I took TV 2 in Feb, using the same exact draft from TV 1. In the first class of TV 2, the instructor said she didn't understand my pilot, and that I would need to change it anyway because marketing wouldn't know it sell it. I told this is how the instructor in TV 1 specifically told me to do it. I like it, so please only give me notes on how to make this story work. To the best of my recollection, the next 3 classes, the TV 2 instructor didn't to my knowledge read my outline. Each class, I wouldn't get much from her except her demand that I change my pilot for marketing reasons. I called Writing Pad to express my dissatisfaction with a marketing note in a TV Writing Class. This is the first phone call on the image below. The person there said he would look into it and call me back. Almost a week passed. Nothing. An hour before class, I called him. He said he didn't see her doing some other things, but to my knowledge made no mention of the "note issue" I referenced above. I asked him to focus on the "note issue" with the instructor. He said he would. Class started, but I didn't hear anything, so I emailed Writing Pad. They responded with the first text in green in the image attached to say they talked with teacher about the "note issue." The above interaction with Writing Pad didn't sit well with me. A student emailed me the next day, to say that she was dropping TV 2 and she wished to remain in touch. I asked her why she was dropping. Her response is the first email of 3 in the image below. I redacted this and sent it to Writing Pad that same day, Friday, since they had asked for proof regarding the issues I raised on the call. The next day, Saturday, Writing Pad responded with the second email of 3 in the image below, kicking me out of class and seemingly banning me from all of Writing Pad. I can't say why they did this in response to what I see as me simply informing them with proof that other students felt as I did. In response to their email, I told them that my opinion was they were reacting against me to reduce their liability because I had furnished proof. I pointed out the irony that they were saying no teacher at Writing Pad would understand my pilot, when I wrote it at the specific direction of another of their instructors in TV 1. This irony is what makes me feel like they don't stand behind their product. Because their reaction seemed to me unmerited, I reiterated the events through my eyes and told them I would post a review. My intention was to give them the benefit of the doubt to speak for themselves in what I saw as a major overreaction. They responded with the third email, which I see as a veiled threat. You may draw your own conclusions.

I enjoyed the classes I took here. It can be a real mixed bag. Had two instructors I loved and two…read moreI wished I hadn't taken classes from. The owners are very responsive and really care about their school. They have mixers and other events for new writers. The only problem would be that it's hard to figure out who is actually a good teacher and who isn't. There's no real way to find honest feedback about the instructors. It's quite expensive so a misstep in this direction could feel like it's career ending as the bad teachers, and screenwriters in general, can be quite nasty. That can be a problem at any school though. Overall, I recommend this place.

I was there in 92-94, Jeff Goldblum and Robert Carniege taught there, The Sanford Meisner…read moreTechnique, well worth taking this Class...! Orville Wooten Former Student

I absolutely love this school. Not only do I go here but my two sons as well. This school has…read moretaught all of us so much. The teachers are top notch. I've been to many acting schools but none has come close to PHW. Been here for years and it will forever remain my only.