I want to be fair in saying that REAL Academy of Art Colorado was very clear that this is a…read moretraditional master-style art school. That was explained before I enrolled, and I take responsibility for not fully understanding what that style of instruction would actually mean in practice.
I paid for a full semester of 12 sessions, and because of their schedule I had to complete them over four weeks, attending three days a week. I was driving a significant distance each time, so I was investing a lot of time, money, and energy into the program.
What I found was that a large portion of the experience consisted of standing at an easel and drawing for very long periods with relatively little hands on instruction. I understand that sustained drawing is part of traditional atelier training, but personally, I could do that at home. I was paying for instruction, critique, demonstrations, and clear guidance, and I did not feel that I received enough of that to justify the cost.
One thing that especially bothers me in hindsight is the lack of guidance around basic studio tools. They had mahl sticks available, but I was never instructed to use one. I was struggling significantly with fatigue in my arm and hand from holding my arm up and trying to draw straight lines for 3 hours at a time. I had also specifically explained that I had health issues that made prolonged arm positioning difficult. As I have continued studying art, I have learned how useful a mahl stick can be for exactly this kind of problem. Knowing now that such a simple tool could have reduced a substantial amount of the fatigue I was experiencing makes me very frustrated that nobody thought to suggest it, especially when the tools were right there.
My experience with the instructors also varied. Ali was very disappointing for me. When I tried to express that I was unhappy with the amount of instruction I was receiving, I often felt that the conversation turned into long explanations rather than practical help or a concrete change in what I was being given.
James was different. When I told him I was frustrated, he did listen and would try to give me something specific to work on. I appreciated that effort and want to acknowledge it.
To be more specific about what I actually did during my time there, much of the work consisted of straight line blocking. They would draw simple shapes, star like forms, and I would the break them down into straight lines, working from the largest lines to progressively smaller ones. I later learned that this exercise had a name, but that was never really explained to me at the time; I was essentially just told what to copy and how to proceed. We also copied Bargue plates, again using straight line blocking. In my experience, there was very little actual instruction or critique during this process. Ali specifically told me that he did not believe in giving traditional feedback and instead preferred to tell students that they had done better than they had the day before. That may work for some people, but for me it made it extremely difficult to understand what I was doing incorrectly, why it was incorrect, or what specifically I needed to change in order to improve.
I also found it frustrating that even while I was attending three days a week and clearly expressing dissatisfaction with the experience I was already having, I was pressure to purchase additional classes and and told i needed to spend even more time there. That did not sit well with me.
Another thing prospective students should know is that many of the additional activities, painting workshops, and other offerings are not included in the regular tuition. They are separate and can be quite expensive, so the total cost of participating in everything the school offers can add up quickly.
I also heard other students express similar frustrations about wanting more instruction, so I do not think I was alone in feeling this way.
I do not think REAL Academy is necessarily a bad fit for everyone. If you specifically want a very traditional atelier environment where you spend long stretches of time independently drawing and observing, with relatively limited hands-on teaching, you may enjoy it.
But if you are looking for an instructor who is actively teaching throughout class, demonstrating techniques, introducing tools and methods that make the work easier or more effective, giving frequent practical feedback, and helping you progress through varied exercises, I would strongly recommend asking very detailed questions before enrolling.
I wish I had understood all of this before paying for a semester and making the drive several times a week. I hope this review saves someone else some time and money if this is not the type of art education they are looking for.
