This describes part of the early history of Hyde Park Art Center, and contributions by Don Baum. My review is based on the fact that, in the year 1970, I saw an exhibition at U.C. Berkeley that included paintings by four of the Chicago Imagists. The exhibition catalogue was called, "Human Concern/Personal Torment." When I was a freshman student at U.C. Berkeley, I attended this exhibition and saw paintings by Chicago Imagists Karl Wirsum (Baseball Girl), Jim Nutt (Miss E. Knows), Gladys Nilsson (Catwomen War), and Ed Paschke (Dos Criados). These paintings are in the catalogue, and attached here are my photographs of two paintings from the catalogue (Jim Nutt; Gladys Nillson). The Acknowledgments section of the catalogue states that, "For the encouragement, advice, and assistance, I am pleased to thank . . . Donald Baum . . . many colleagues will have contributed assistance by the time the exhibition and catalogue are completed."
In the years, 1980 to 1984, I lived in Madison, WI and, during that era, visited Chicago to view exhibits at Phyllis Kind Gallery, where I saw paintings by Ed Paschke, Chicago Institute of Art, and Museum of Contemporary Art. My review is also based on the documentary directed by Leslie Buchbinder, called, "A Walk on Da Hairy Side !" The movie is available from Pentimenti Productions. My attached photos include screenshots from this movie, showing the outside of Hyde Park Art Center (at 4 minutes), a screenshot showing young Don Baum (at 14 minutes), and a photo of older Don Baum (at 16 minutes). Here are some quotations from the movie. "There weren't that many places back in the mid-1960's where there walls available, and the gallery scene was minimal, not too many commercial galleries," spoken by Gladys Nilsson. At 13 minutes, Jim Nutt says, "For young artists, there really wasn't a scene. And then, the Hyde Park Art Center was basically the only real opening." "We started exhibiting around '64 at the Hyde Park Art Center," says Gladys Nilsson at 14 min. At 14 min, we see a black and white still photo of Don Baum, and the narrator says, "The Hyde Park Art Center gained momentum in the 1950's through the vision of a maverick curator, Don Baum." In an interview, Mr. Baum says, "My idea for the Hyde Park Art Center was that it would be a place where artists who had no previous exhibiting experience could show! I always felt my role was to permit!" At 15 min, Don Baum says, "There was an animal, vegetable, and mineral . . . three separately." Then, Jim Nutt says, "All the paintings had to be about animal, vegetable, or mineral." Then, Art Green says, "I remember I was in the vegetable series, for sure, and I think in the mineral series as well." At 16 minutes, a video shows Don Baum at an opening at Hyde Park Art Center, and wearing a Turkish fez. Critic Dennis Adrian says, "Don Baum was a fireworks display, going off all the time." Then, the narrator says, "Located 7 miles south of downtown Hyde Park was home to the University of Chicago, a magnet for the city's intellectual elite, and a hotbed of cultural non-conformity." Then, Don Baum says, "There was a period in which this kind of flamboyance was right on the nose."
At 23 minutes, the narrator says, "From the very beginning The Hairy Who paid homage to their beloved form of the comic book, by publishing their own comics, for each of their Hyde Park Art Center shows, in 1966, 1967, and 1968." At 36 minutes, artist Kerig Pope says, "Don Baum managed to convince them [The Hairy Who] that they weren't competing with each other, they were competing against the world." read more