For a long time, when I bought a Criterion Collection DVD, it was at Barnes & Noble or the now sadly defunct Borders. They weren't cheap, but if the DVD was of a film you treasured, you could be assured that it would be a fully restored and enhanced print, and the "extras" were abundant.
The collection runs the gamut from Kurosawa, Bergman and Truffaut to "The Friends of Eddie Coyle" (one of the best gangster movies ever made and arguably Mitchum's best performance) to "The Night Porter" (in retrospect, an exploitative trivialization of the Holocaust and Nazis, but it does have Dirk Bogarde, as well as Charlotte Rampling in a variety of semi-clothed and nude scenes; in the scenes with Rampling, it bothers me now to see such an accomplished and talented actor so misused, but...when I first saw the film in my late teens and was acutely hormonal...well, it didn't bother me quite so much back then, if you get my drift...). There's "The Long Good Friday," an excellent British gangster film from 1980 with the late, great Bob Hoskins and the incomparable Helen Mirren starring in it. There are modern "classics" like "Silence of the Lambs" (a film I'm ambivalent about; I think Anthony Hopkins is one of our great actors, but his Hannibal Lector is floridly overblown and almost operatic; I prefer the understated and more realistic performance of Brian Cox in the same role in 1986's "Manhunter") and "Repo-Man" (a film I didn't like when I first saw it, but maybe I need to revisit). There's "Vagabond" by Agnes Varda (a film I highly recommend, although it's profoundly depressing) and Pasolini's "Salo; the 120 Days of Sodom" (not nearly as repugnant as De Sade's novel; if Pasolini had tried to replicate everything that was in that nauseating novel, he assuredly would have ended his life as an incarcerated degenerate).
It's not all high-brow stuff. They have "Son of Godzilla," for God's sake! And "Blood for Dracula" by Paul Morrissey (if you have a strong stomach, I recommend it; Udo Kier is an absolute hoot! Andy Warhol has his name attached to this film, but Morrissey is the creative force behind it). No Paul Naschy films yet, but I live in hope. After all, if you're going to offer "Son of Godzilla," why not "The Werewolf and the Yeti"? (And...yes...that's a real film; one of my favorite "guilty pleasure" films.)
And prices aren't as expensive as they used to be. Just recently, I bought John Waters' "Multiple Maniacs" and "Female Trouble" (in recent years, Waters has become something of a household name and accepted by "conventional society"...he's even taken to appearing occasionally on the FoxNews TV show of that puckered reactionary Ur-anus and alleged "comedian" Greg Gutfeld...but back in the day, his films were as transgressive and offensive as anything out there...and were often laugh out loud funny, even as they repulsed. The late Divine was far more comedic and talented than Adam Sandler, David Spade, or Will Ferrell, in my humble opinion. And Waters' "ensemble" of idiosyncratic actors/oddballs wasn't necessarily talented, but they were far more fascinating than Andy Warhol's stable of beautiful, talentless, drug-addicted, solipsistic zombies. Anyway...Sorry, but it wouldn't be me if I didn't digress...) for about $14 each on Amazon.
I don't "stream" these films-- I prefer owning the DVDs-- but you can buy them on Amazon or on Criterion's own website (they're available in DVD, Blu-Ray or "4K Ultra HD"...whatever that is; I'm assuming that means "streaming"). Any film of substance ever made is probably a part of their extensive catalogue, and even a few not of very much substance.
In other words, absolutely indispensable to any true film buff, scholar, filmmaker, film historian, film student, casual fan, etc. read more