Bishopstone seems in a world of its own. Driving up a narrow lane from the busy Newhaven-Seaford…read moremain road, you leave behind a dull modern housing estate, before climbing through woods up into a tranquil blind valley. The lane is the only connection to the outside world. The village itself is a picture postcard: rustic flint cottages and houses have lovely country gardens, all set around the church and village hall. The village is a Conservation Area, and the valley is an Area of Outstanding Natural Beauty. The inhabitants are indeed fortunate. The Church was built between 700 and 800 AD and is perhaps the oldest Saxon Church in Sussex. A grand Saxon porch has a sundial inscribed 'Eadric' and a fine Norman carved doorway. The imposing tower, with its pyramidal cap, is Norman work, and has a complete series of carved corbels. These depict wonderfully stylised heads of people and animals. The nave is basically Saxon, but extended by the Normans with the addition of a north aisle and chancel. Although the aisle has 11th century windows, the arcading and chancel arch are later Early English work of about 1200. The chancel has decorative blind arcading with delicate zig-zag carving and a spacious vault. Other details include a medieval aumbry and a piscina in the Sanctuary, and the remnant of a wall painting on the West wall. Perhaps most interesting of all is a Norman tombstone, which hangs beneath the tower space. It is decorated with a twisted rope design, formed into roundels, containing a carvings of two doves drinking, a lamb and a cross on a pedestal. It is in amazing condition for its 900 years. Perhaps it belonged to the grave of some local saint?

Seaford is very quiet as seaside towns go - there's not even an amusement arcade on the seafront…read moreand, on my visit, only a few souls were braving the breeze on the promenade. But this is an ancient town - one of the original Cinque Ports - developed by the Normans after the Conquest to facilitate trade with Normandy. The church was built in 1090, and enlarged in several stages during the mediaeval period. However, it suffered badly from French raids during the Hundred Years' War, and the port declined sharply after the river Ouse changed its course in the late 16th century. It was not until the Victorian period that the railway brought renewed prosperity, and a significant rebuilding in 1861-2 delivered the building we see today - now a Grade I listed building. The church is unusually hard to 'read' architecturally, as a complex series of rebuildings have left fragments from several periods, and some formerly internal features are now outside. But essentially, it has a Norman Nave of two bays, rebuilt in the Early English style some time the early 13th century, with an Early English Gothic clerestory. The west tower is mostly late 15th century but has the remains of Norman arches on the south (exposed) and north (now in the vestry) with round arches with shafts and capitals either side, both with a small Norman clerestory window above and, on the south side, an Early English clerestory window above that: a clear indication that, for much of its life, it was part of the nave. The West doorway is largely a Victorian reconstruction of a Norman original. The tower opens through a 14th century arch into the nave. The north aisle also has the remains of two small Norman windows. The spacious crossing arches and apsed chancel are pure Victorian. The most interesting features are found in the nave: the round piers have attractive capitals with stiff-leaf carving, except - notably - one 'Historiated' capital, carved with scenes from the Bible. This is a great rarity, and though it is much weathered, the crucifixion with a weeping Mary and St John the Divine is most clear, with scant remains of Daniel in the lions' den. (A guide shows older photographs which are rather clearer). Other scenes are now too vague to make out. Other features of interest include an excellent sculpted panel of St Michael and the Dragon, dated around 1130, on the north arcade, and an excellent stained glass window by Kempe (1903) in the south aisle. A corbel on the south arcade features two grotesque faces, one upside down. Under the tower is an ancient tombstone, an anthropomorphic tomb chest and a case containing a 17th century King James bible and a copy of the Book of Common Prayer from 1686. The interior has recently been re-floored in pale parquet and is bright and airy, and clearly has a busy parish life: on my visit, I was welcomed warmly by three cheerful pensioners, eager to show off their church.

Very nice place to go for a hike or just to see the mesmerising views! I saw many dog walkers along…read morethe way; probably frequent walkers. Fortunately, there is a fence keeping anyone from going and damaging the Long Man itself. I have recently been on a 10 mile hike along the South Downs and it was amazing! I really enjoyed seeing the views of Firle Beacon, Hove, Polegate and many more towns. Definitely a lovely place for a hike on a sunny day; but remember to bring plenty of water as it can get quite hot up there! I sat down for a quick drink and sat there for a little while admiring the spectacular views! I recommend this to anyone in the East Sussex region as the South Downs stretch much further than the Long Man itself! Overall, a lovely place to visit if you need a bit or fresh, warm air!

Next to the impressive parish church of Saint Andrew's, the Alfriston Clergy House is also known as…read morethe Priest's House. It was the National Trust's first property, bought in 1896 for £10, and sensitively restored by Alfred Powell. It was probably built by a farmer around 1350, roughly at the same time as the church. It was acquired by the church in the 1400s, although it is not known whether it was actually used by the Priest or not. But it is still a very fine example of a Wealden 'hall house', of the type once commonly built by yeoman farmers in the area. The house is timber-framed, with closely-studded walls and a thatched roof. It was originally arranged around a central hall, with the private family rooms (or 'solar') at one end and the serving quarters at the other. The upper rooms at each end project. The house was remodelled in the 16th century, when the service wing was rebuilt in brick to include a fireplace and bread oven. The hall has a fine crown-post roof, and an unusual floor made of chalk and milk - the lactic acid in the milk reacting with the chalk to produce a sort of concrete. The lovely cottage-style gardens were laid out by Sir Robert Witt in the 1920s, and it is as much for these that it is worth a visit. Admission (2009 prices) is £3.90 for adults and £1.95 for children.

Southwick is now firmly part of the suburban sprawl running from Brighton and Shoreham, and is…read moreknown to most people for the power station that dominates the far side of Shoreham Harbour. But there was a community here in Saxon times, and its church is surprisingly ancient. In fact, the walk from the station crosses the Green, an attractive and villagey stretch of tree-lined common which splits Southwick into two halves. There are some handsome cottages surrounded by well appointed semi-detached suburban homes, and a rather less appealing row of post-war shops. St Michael and All Angels was, until the 18th century, dedicated to St Margaret, and sits among a very pretty churchyard, thickly studded with trees. Although there was probably a church here in Saxon times, it first recorded in 1086, and in 1206 the right to appoint the rector was granted to the Templars, and then to the Hospitallers, although much of the early mediaeval period was taken up with disputes over these rights with the monks of Sele Priory. The ownership passed from Sele Priory to Magdelene College at the Dissolution, and patronage thereafter passed to the Crown until the 20th century. Fire in the 19th Century damaged the nave and an unexploded bomb (and the subsequent excavation to remove it) damaged the tower in 1941. The church itself is built of flint, and is essentially in three parts: the tower, nave and chancel. The tower is by far the most impressive part: its foundations and lower walls are said to be Saxon, although it mostly dates from the late 12th and 13th centuries. It is an attractive composition, with paired round-headed arches with narrow openings surmounted by paired gothic lancets and, above that, a shingle broach spire. The west door is also attractive, but a modern addition: the tower was carefully taken down and faithfully rebuilt in 1950 after the bomb damage, with vestries built either side. The chancel is mostly 13th century, with two original lancets, framed by a 14th century chancel arch. There are two round headed arches to the south, although the central column probably dates from the Victorian rebuilding. A 14th wooden screen with narrow lancets also survives in the south aisle. The nave burned down in the 1830s and was rebuilt with narrow lean-to aisles in 1834, with round-headed arcades and lancet windows. Pevsner's Buildings of England described the nave as a 'loveless cover for pew-space', which I think is a bit harsh, although there's no doubt it doesn't match the quality of the tower. The furnishings other than the south aisle screen - are limited in interest to what appears to be a mediaeval aumbry, some 18th and 19th century tombs and memorials, and a sturdy, square font, probably from the 13th century. The church is today the centre of large and busy parish, and has a vibrant church life, with services daily through the week.

Thought provoking sculpture that is yet another asset to the ever increasing show that Brighton…read moreputs on. The sculpture is an aluminium panel portraying photographs of six couples kissing. The photographs were transformed by computer into a dot screen drilled through a thick alumimium sheet. Brilliantly designed by Bruce Williams, it is meant to reflect the diversity of Brighton's residents. The Kiss Wall, unveiled in 1992 is a celebration that calls for equlaity, understanding and acceptance between all individuals. It is lovely to see by day, but I feel that it's more stunning at night. Fanatastic!

Built to defend an important port on the River Adur, Bramber Castle was constructed as a motte and…read morebailey castle around 1073 by William De Braose, who fought alongside William the Conqueror at the battle of Hastings in 1066. Apart from a period of confiscation during the reign of King John, it remained in the ownership of the De Braose family until themale line died out in 1324. Thereafter, it passed via the Mowbray and Howard families into the estate of the Dukes of Norfolk, who held it until it until 1926. It was given to the National Trust in 1946. Very little survives of the original castle, thanks to a gradual decline over the years, damage during the Civil War in 1642 and looting of the stones as a quarry for building by the locals. The most prominent feature is the tall and unsteady-looking fragment of the Gatehouse tower, still standing to almost its full original height. In the centre of the grounds is the impressive original motte, its earthen mound rising some 30ft (10m). A short distance away is a section of the curtain wall which survives up to 10ft (3m) in places. Around the perimeter are also the remains of the castle's impressive moat. (NB be careful with small children, as there are some sheer drops in places). Although the ruins are rather fragmentary, the grounds are beautifully kept by the National Trust, and make a wonderful place for a picnic, as well as affording excellent views of the surrounding countryside.

This place is a bit of a let down. There seems to be no effort to make it obvious where/what parts…read moreof the ruins were. They have a lame sign at the entrance but little else. It just seems like an enclosed play field.

I love the bandstand. It's a real jewel on the seafront and looking good for 130 years old…read more Lovingly restored just a few years ago it's considered one of the finest examples of Victorian bandstand in the country. This attraction does nothing much but look pretty for most of the year, but it is a hive of activity during peak season. You can see all sort of bands and dancing in the summer and for six months of the year you're allowed to get married on it. It's a unique venue for weddings, including same-sex marriage as of today in England and Wales. Hooray! It's still next to the busy coast road though so keep your eyes fixed on the direction of the sea. Many couples opt to marry elsewhere and take a few choice photos at the landmark for free. It's also lit up at night and good for a reflective moment when the city is quieter. I sometimes pop down there after dark and find others have decided to do the same. But that's ok, I don't mind sharing.

The first time we visited Brighton (and then moved here) we lived just opposite the bandstand. At…read morenight there would be dance classes or live music and the light detail they have put into it is simply beautiful. Granted, unless something else has taken the initiative (such as salsa classes etc) there is not much happening, but it is a landmark, and it makes what is a beautifull town even better.

Now a museum, this excellent example of a 16th-century timber-framed house formed part of the…read moredivorce settlement to Anne of Cleves from Henry VIII in 1541. Although there is no evidence that she ever visited it, it is a fascinating example of a substantial Wealden Hall-house. Some of the rooms are furnished to reflect the period when it was built. The house also contains a museum with a varied collection of historic artifacts from Sussex's past, though I found these only mildly diverting.

There's tons of ancient history to be seen here. A beautiful old timber-framed house that formed…read morepart of Anne's divorce settlement from Henry VIII in 1541. If you are interested in your Sussex history, this place is steeped in it. Old pottery and iron work are dotted all around the place. Strangely enough, for a property that was involved in a very famous divorce, the house is licensed for weddings and is very popular indeed. Personally though I'd find that a bit odd but it is a very beautiful place indeed. Please note, due to the age of the house, its not the best place to bring anyone in a wheel chair, they have installed ramps where they can but you may find it a little difficult.