I did a pinch pottery workshop with Hue. It was 3 weeks, one session for two hours each week…read more The class was nice a small (handful of people or so), the format relaxed and Hue was so helpful, sweet and encouraging. I had such a great experience - this was my first time doing any type of pottery. The first class we just got the basics and played around and made a few small pieces. The second class we were able to add color to the clay itself, and then also in tandem, begin a "final project" aka bigger piece. During the third and final class, we learned about glazing and got to glaze our pieces! A week later, we were able to swing by the studio to grab our pieces at our convenience. I was able to make 5 pieces - some people probably made more like 8-10. I signed up for a full length class (two months) next session since I loved it so much! Can't wait to be back! And shoutout again to Hue who is awesome!! Would love to have her again as an instructor.

I love the Berkeley Art Studio! I took two classes here last year; one in Painting Fundamentals…read morewith Oil and another in Figure Painting with Oil (both with Scott Leddy). The first class is a great introduction to painting with oil, and the second was a continuation with live models. Having had been away from art for years, these classes were able to bring the connection back. They definitely made my one evening a week. Scott is a great instructor; he has a relaxed style of teaching that I definitely enjoyed. I also liked sharing a class with other art enthusiasts with different skills and styles. It was so fun to walk around the class and see how everyone would interpret the same model! The classroom was spacious, equipped with the tools we needed, and had amazing views of campus. Classes can be a little bit pricey if you're not a student at UC Berkeley (like me). Remember, you need to buy all of the materials. But, they're definitely worth it. If you're a student, you should definitely take advantage of them. I miss these classes!

My child learned new techniques and mediums at this establishment. When the owner was still the…read moreinstructor it was a better environment. My child came home with some nice pieces when the owner was the instructor. The owner has since retired. Assistant Kathryn took over all instruction. Kathryn clearly has some personal issues that needs to be taken care of privately, not taken out on children and parents. EVERYONE has problems. No one needs to hear about how you taking over this business is stressful and that your husband is sick and that you have to take care of them. I take care of my father in last stages of Parkinson's but Im not screaming that at every Tom, Dick and Harry. If you want your child( (12 years old) to be told to their face in front of you, that your child does't take art seriously and that they will be a failed artist, then go throw away your money here. Why kill a child's spirit, confidence and ambitions? My child had no idea what she had done wrong. If you do not enjoy helping/working with children then you should not do this category of work!! My child has found great success at Kala Art Institute, Kids "n" Clay, Liv & Chiu and the Richmond Art Center and Academy of Art College SF programs. I told several families looking for drawing education to go to Monart in which this provided new revenue for them. I have no idea if the business owner has knowledge of this behavior. I have never reviewed anything before, but felt this needed to be.

I love Monart! Ms. Mona the owner is extremely talented and has a great method for teaching any and…read moreall ages and skill levels how to draw. I took some of her classes (someone who takes pride in the fact that I can't even draw stick figures) and I was able to easily follow Ms. Mona's instructions while enjoying myself. Previous comments mention Katherine, an assistant for Monart who is NO LONGER with the program. I have been involved with Monart for years and they have a zero tolerance policy for behaviors such as what Katherine had been demonstrating. While the owner does currently live in an assisted living situation (also previously mentioned in other comments), she has recently expanded her Monart crew with some AMAZING individuals. I highly suggest if you are considering signing up yourself or your kiddos for art classes to go with Monart and her methodology.

My son just attended a birthday party in this little hidden gem. The space is inviting and the kids…read morehad so much fun . The instructors were so kind and engaging with the kids . My little boy is already asking to go back again ! Definitely recommended !

We just had our 10 year old's bday here! Every thing was great, and the kids really got in to the…read moreproject we picked (felt succulent gardens). Planning to come back soon for an adult night (or another private party with my girl friends!).

Three years later and both my boys go here. Saturdays she has classes now until 9:30 to three,…read moreSundays 9:30 to noon and other days by appointment. My kids tell me she is good because she is critical when she needs to be to help them with their work.

I have taken classes there for 5 years, and the instructors are wonderful. Students can use the…read morestudio outside of class time. The value for your $$ is very high. This studio has an amazing offering of classes (6 week and 12 week) and workshops (2-3 days) , and the opportunity to learn all of pottery process, like making glazes and firing the kilns.

I have taken multiple classes at the Potters' Studio over the last few years. They have the best…read moreresources of any studio I've been to, and all of the instructors I've had provide lots of individual guidance. They even sell about 15 different clay bodies which allows me to do a lot of experimenting!

So far just one class with my 5-year-old son, but I'm very impressed on multiple fronts. After the…read moreinitial drop-in class yesterday we purchased weekly classes with the full expectation this initial great experience will only be surpassed. Husband & wife team Matt and Chelsea (owners) and Matt's sister Stephanie are lovely. It's a really great space and Matt is preternaturally good with younger kids. I shadowed my son for a bit in the studio to observe both my son's behavior in a structured environment and the instructors' teaching style. My son is both young and inherently independent (and often distracted) so this was bound to be revealing. Matt and Chelsea's approach to teaching is closer to informed guidance and it seems to work very well with my son and the other kids I observed. They let the child initiate their creative intent and then equip them with the technical information they need in a manner that is both empowering and not overwhelming. As for my son's proclivity to essentially 'not listen,' Matt in particular was excellent at focusing my son's attention on the task at hand and contextualizing what needed to be done so that he could 'own it.' It's clear his forthcoming studio experiences will be about so much more than learning and enjoying ceramics. This isn't 'OK class today we're going to make a coil-built pot. First I want you to take your clay and...'. Not at all. In an hour and fifteen minutes, my son made two objects in distinctly different techniques: a bowl thrown on the wheel and a slab-built shark. In the course of building those two pieces he was exposed to: centering clay on the wheel; managing the clay to expand, compress, elongate and widen his bowl; keeping his eye on his work; keeping the clay moist; the effects of various pressures applied to the clay on the wheel; scoring and attaching separate pieces with slip; scribing; use of various tools; under-glazing; clean-up, and more. I imagine he'll have to revisit every one of those lessons in subsequent classes but it's a gentle teaching style that works well here. Matt and Chelsea always had an eye on each of the kids and were great about transitioning between them to give guidance in a way that seemed very natural. The space itself is wonderful and can only be described as luminous. Well, that and clean. This is not a stereotypical 'mad potter's studio,' nor is it an anal 'everything in its place mausoleum.' Instructors have a clear view of everything going on in the space at all times. There's a front seating for parents/nanny's to hang out (WiFi available) and get some work done if you want to wait. Parking in the neighborhood doesn't seem to be a problem. The most critical measure of Kids-n-Clay is the reaction from my son, who really didn't want to leave and spoke of it more or less non-stop the rest of the day. Looking forward to what's next here. If you attend a drop-in class, be aware it takes about 2-3 weeks before pieces cycle through the process and can come home with you. But that's just ceramics. Highly recommended.

My kid loves this place! The kids can use the pottery wheel or just mold clay on the table. There…read moreare assistants there to guide the newer sculptors, and the owner, Matt, encourages the kids to design what they feel.

BEST art class in the Bay Area! If you're serious about improving your technical skills in drawing…read moreand painting, and want to create works that resemble the old masters', this is the place for you! I came here last summer (I haven't been back since due to school, unfortunately), but this place is amazing! You get one-on-one personal instruction with the wonderful grandfatherly instructor, David Hardy, who you can always strike up interesting conversations with! He was reading us a book on Southern Belle manners in a mock-Southern accent while we were drawing at one point, which was so funny! It's a serious class, but not stuffy, and it's a great experience! I hope to be able to come back in the future and improve some more!

The Atelier is an incredible school, one unlike any other in the Bay Area. Between the owner David…read moreHardy, instructor Rob Anderson, and the students, there is so much raw -ability- compressed into that small studio! And it rubs off on you! I have been a student here for six months, and in that time I have seen my work reach new heights of depth and realism. I've learned a new way of -seeing-, of using my materials, that I can hardly recognize my work from last year as belonging to me. When you enroll at this school, rather than simply throw you in 'art 101', what happens is that the instructors will sit down with you, talk with you, and spend a good while getting to know you personally and figuring out where you're at, developmentally speaking, in your artwork. Then when they're pretty sure of where you need to be, you're set up with a station all of your own, and you can begin working. And not in grim silence, either - while it's still quiet enough to work, there's usually conversation, and music. It puts you at ease. And that's possibly my favorite thing about this school - the atmosphere at the Atelier is very friendly, with every student an ally and friend who can help you figure out any difficulties you might be having and provide another point of view. You don't have to feel isolated. There are two separate, slightly different courses taught. The students in the daytime hours study under Rob Anderson, who I have not yet had a chance to learn from. My experience comes from the evening classes, the Old Master program. Which is, as it happens, taught by the old master himself, David Hardy. This program is designed to transition you smoothly from drawing, to monochromatic oil stains, to limited color painting, to full color painting, over the course of about two or three years. You'll be working from still life arrangements and plaster casts of sculptures, under lamps which replicate the spectrum of sunlight, but you have the option of coming on certain other days of the week and working from live models. The student sets his or her own pace - when you seem to be ready to move to the next phase of the program, you do so. there's no waiting for the following semester. There's so much I could go on about regarding this school. Since I've enrolled, I've made more friends than I ever did when I took classes at Laney, or Berkeley City College, or even the Academy of Art. I've never, not once, felt like I was going it alone. And that's such a rare and valuable thing. This school is really special.