TL;DR: I went to Chevy Chase Ballroom to learn how to dance for a Viennese ball, with zero (or maybe even negative) dance skill. After the ball, I kept with the dancing because it was fun; two years later, I find myself dancing competitively. Everyone at the studio is terrific, but IMO, Ellen is the best -- a truly incredible dancer, a wonderful teacher, and a brilliant artistic mind.
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A few years ago, if you'd told me that I'd be all in on ballroom dancing, I would've looked at you like you grew a unicorn horn on your forehead. Saying I had two left feet then would've been generous. But Chevy Chase Ballroom changed all that.
I started at CCB back in late 2016. A friend of mine wanted to go to a New Year's Ball in Vienna-Not-in-Virginia. Have you ever seen a Viennese waltz? It is . . . an incredibly intimidating dance for someone who knows nothing about dancing (me in 2016). But with the help of Dmytro and Ellen (more on them below), I boot-camped Viennese waltzing in two months. Did I belong on Dancing With the Stars? No. But did I stave off dance embarrassment in Austria and have tons of fun while looking like I maybe knew what I was doing? Absolutely.
After the ball, I stuck with the dancing because I wanted to learn how to do it socially. I started going to several of CCB's many group classes. I also continued my one-on-one lessons, with Ellen walking me through the slow waltz, the tango, and the foxtrot. Then the ever-so-elegant country two-step (okay, that one might've been my idea). Then she slowly convinced me that cha-cha, (East Coast and West Coast) swing, and rumba were good to know.
I don't quite know when we went from "let's learn how to dance socially" to "dancing competitively seems like a great idea!", but it happened sometime in the two years after Vienna.
Ellen is now my professional dance partner. I am *slightly* biased, but you cannot go wrong with Ellen as your instructor, regardless of whether you're there for your wedding dance, to brush up on your social dancing, or to work on technique/competitive ballroom dancing. She is kind, patient, supportive, down-to-earth, has a great sense of humor, and has a way of breaking down dance concepts in a way that's easy to understand. Every lesson, she brings the same energy and infectious enthusiasm that she showed when I started at the studio. Moreover, Ellen is a terrific choreographer and is one of the most gifted artistic minds I've met (and this is across the performing arts, like musical theatre, ballet, etc., not just ballroom dancing).
But you can't go wrong with anyone else at the studio, either -- and I know this firsthand, as I've literally worked with everyone else, too.
Dmytro is a savant when it comes to dance technique. Tom is also a terrific dance technician (and the king of '70s hustle dancing). (At some point, you may talk to Tom's wife Yuko, the studio administrator who makes everything run smoothly.) Alina's a brilliant instructor who's taught me how to be more confident in cha-cha and rumba, a feat given that I sometimes feel like the least suave person in the world. Gaby is an exceptional salsera who's great at channeling the rhythm and flavor of Latin dancing.
Of course, I can't forget Irina -- the warm, welcoming matriarch (and owner) of the studio. She's a showdance champion with a true gift for the intangible -- she'll give you what you need to turn your dance into a story and a performance. But beyond that prowess, Irina treats the studio like family, taking the time with each student to make sure that you enjoy dancing with the same passion that she does.
CCB has something for everyone, regardless of your skill level or your motivation for wanting to learn how to dance. Between the group classes, the one-on-one lessons, the dance showcases, competitions, and everything in between, you'll find what you need and learn from the best of the best. read more