"Argonautika" - How do you fit the mythological story with a cast of thousands of Jason and the Argonauts into a 2 hour stage production of 2 acts? Gods, Monsters, Ships, Myth?
Only someone as talented as Mary Zimmerman, a Tony winning writer and director ("Metamorphoses"), with a body of work based on classic tales could do it in her fifth collaboration with Berkeley Rep.
With strong performances from an ensemble cast, most well-seasoned on various stages and TV, Zimmerman is able to present the essence of the tale of Jason. With a spartan but transformable functional set, clever props and stick puppets, meaningful costumes, a very accessible sprinkling of modern one-line humor out-takes, and an underlying message of the futility of conquering and plundering to the human spirit, she has assembled and evolved a masterful production out of the improv roots and sketches first incubated at her Looking Glass theater in Chicago.
Known for her strong knowledge of classical tales, she combines 2 versions of Jason and the Argonauts, one Greek and another Roman, clipping excerpts of each to make Argonautika a piece of her own vision, with messages that end up more Greek Tragedy than Hollywood, and uncovering new nuances of Jason's character, actions, motivations and ultimate results.
She cleverly entwines contemporary elements as she deftly constructs the 6 elements of a Greek Tragedy, such as a Rap like group chant of introducing the characters, but using simple drums and wood block instruments. Her staging is excellent, and she uses many subtle wardrobe devices to enhance the visual presentation (Goddesses on platform heels and flowing gowns to appear larger) and metaphoric meaning (Medea's love wound becoming increasing more red and larger, to symbolize that she has little free will in her Goddess decreed actions to help Jason).
Strong performances in multiple roles were had by all, but you will probably think fondly of Crista Scott-Reed as Hera, with her wicked delights; Soren Oliver in his head strong Hercules; Allen Gilmore's outrageous Pelias counterbalanced by subdued other roles; and not to be overlooked, Jason's complex and difficult role to underplay as performed by Jake Suffian.
If you ever saw the movie Jason and the Argonauts of many years ago, or know the myth of the Golden Fleece or Greek Myths in general, or love great live theater, go see this play. Zimmerman takes a tough challenge for the stage and pulls it off, and neatly ties it together and makes it somewhat personal to the audience in the end with a magical and symbolic use of lights, one of her favorite devices.
Closes December 16th. read more