But Wait, There's More!
In addition to it's Subscription Series, Berkeley Rep hosts a number of special performances throughout the Year. For the 2011/2012 Season, Gayle and I had the pleasure of attending 2 more Shows that featured beloved (and famous) artists with Berkeley Star Quality. That's when my "Spidey Sense" tingles, as I realize that the fawning home audience needs to be taken with a grain of salt. In the case of both these shows, my intuition was correct. That means that we enjoyed them both, but without the hoped for "Wow" factor. In terms of my rough priority order list for the 2011/2012 Season, I'd put both of these Shows further down the list and somewhere between Ghost Light and A Doctor In Spite of Himself.
LET ME DOWN EASY - This was a Solo show by Anna Deavere Smith which was performed in the early Summer of 2011. Using her unique performance style, she introduces you to a rodeo rider, a prize fighter, and an altruistic doctor - as well as cyclist Lance Armstrong, supermodel Lauren Hutton, and former Texas Governor Ann Richards. She uses their voices to tell interesting stories about the vulnerability of the human body, the resilience of the spirit, and the price of care. Both Gayle and I thought that the Play was "Satisfactory" (which at least for a Vulcan is high praise).
EMOTIONAL CREATURE - Gayle and I attended a World Premier performance of this new play from Tony Award-winner Eve Ensler, on the Roda Stage last night. It's all about girl power and was definitely not aimed at our demographic. This 90 minute empowerment celebration was performed by a talented ensemble of young women, and consists of a series of original monologues and entertaining songs--about and for girls. In other words, it was the diverse, politically engaging (and correct), and well scrubbed package that progressive Berkeley audiences love, and new young theater goers should rightly flock. I particularly enjoyed the stage and singing performances by Emily Grosland. But featuring Julia Butterfly Hill as an Old Growth Refuser Role Model? Oy! The late Judy Bari would have made a much better and "Clear-Cut" choice, especially if older women are added to this theatric mix.
For some odd reason, I spent some of my time during this play drifting off and thinking about Dael Orlandersmith's stunning portrayal of Black and Blue Boys next door at the Thrust Theater. Hers is a much more difficult and powerful performance, as she's portraying broken people of the opposite sex (with better age diversity) so convincingly and in much more depth. The promising Emotional Creature ensemble didn't quite reach that level of Gestalt, However, I hope that they see Dael's show and take good notes to help them along on their promising professional path. read more