I stumbled across an art opening here for a incredible photography show called "DO YOU SEE WHAT I HEAR" - photographs by Ron St. Clair that document musicians throughout the 60s and 70s. The event was attended by some incredible power-and-love-houses, (if that's a word) in the music and art world - including Dyana Williams - the co-founder of Black Music Month and the International Association of African American Music - and the gallery's Executive Director - the brilliant Valerie Gay. I'll just crib the notes from their website to explain the space's history. It was an incredible exhibit and an incredible vibe, filled with passionate people who are deeply engaged in a love ethic for music and art.
"Art Sanctuary is dedicated to bringing Philadelphians together through the unique community-building power of black art. We celebrate diversity passionately, understanding the unparalleled strength we gain by embracing our cultural differences.
We use this strength to provide opportunities where they do not yet exist; when Philadelphia schools are underfunded and inner city neighborhoods underserved, Art Sanctuary sees possibilities and works to bring them to life through the transformative influence of black art in the community.
Art Sanctuary is just that; we've worked tirelessly to build a safe place for creative expression and development of not just the community, but the self. We believe this sanctuary transcends physical space, and that the idea of "home" is one we carry with us. Home is a place that is welcome to all, and shaped by the relationships which inspire us.
Art Sanctuary Headquarters: The Dickerson Building
Art Sanctuary is fortunate to hold a lease on the building that has its own proud history. During the 1920s, former owners George Edward and Addie Dickerson used it as a headquarters to amass real estate, and for political, social, and civic meetings.
G. Edward Dickerson graduated Temple University Law School in 1902, worked as assistant solicitor for the city, and in 1919 defended several black men charged in Gray's Ferry section riots over scarce housing. He succeeded in suing the county for damages to property destroyed by the mob. In addition, he also brought to trial police officers who murdered a black man.
Addie Whitehead Dickerson was a realtor and the city's first black female Notary Public. And Addie was active: co-organizer of the city's YWCA chair of the National Council of Church Women, representative to the 1924 Prague, Czechoslovakia, meeting of the Women's International League for Peace and Freedom; chair of the Foreign Relations Committee of the International Council of Women of the Darker Races; board member of what was then Bethune-Cookman College (now University).
Together, this early 20th century black power couple bought real estate and willed it to be used to "improve the Negro race." Their legacy supports us."
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