Lovely theater with a coffee shop up front. We came in to watch a production of The Last Five…read moreYears. The show itself was wonderful. The theater was clean seats were comfortable and the little cafe upfront was okay.

Did not come to the theater late or else they will give your seats away. That's what happened to…read moreme. I arrived a little bit over 10 minutes late due to traffic and I did not see anyone at the front. Someone had to go find the person that worked at the box office to come and she said that they over sold the ticket to the event. At first, she said that they waited 10 minutes then she changed it to seven minutes. Thought they waited for me to check in then they gave up my seat. I pay for the ticket ahead of time so I lost out on money because the theater made a mistake of overselling. I asked her if there's a way of getting a refund and she said that I can try but most likely not. At all cost avoid this theater because they will sell your seats away, even if you paid for them already.

Dynasty Typewriter hosts a variety of live show types from comedy stand up to podcast tapings to…read moresmall concerts. The building is old school opened in 1926 as a Vaudeville house so it's always been entertaining. It's had different iterations over the years, most recently the Hayworth Theatre. Then in 2018 it officially became Dynasty Typerwriter Now the theater is in Westlake, right next to MacArthur Park where many of Los Angeles' unhomed population lives. So yes you can search and find street parking, but if you have a nicer car it may be better to just not risk it and park in the nearby parking garage - 611 S Carondelet Street. Rideshare is ideal though. It's a small theater (200 seats) so if you are hoping for a close up seat to see better or get in on some crowd work, you should arrive when doors open. I am quite the opposite and enjoy a good view, but sitting far outside of the crowd-work arena! Give me a good seat on the side back a few rows and I'm happy. Don't get me wrong, I LOVE crowdwork, just not aimed at me. I've seen Tig Notaro and Marc Maron here - obviously both great shows and I enjoyed them! When you sit in the seat, prepare for a little trip. They glide! haha It's kind of weird but kind of fun that they slide a bit but I see it shocking everyone when they first sit down so prepare yourself. They are the kind of seats that start hurting after sitting for an hour so my fellow ADHD peoples, prepare to do a lot of shifting in your seat. They have good canned beer options, including a couple of NA which is nice. Also full concession stand for snacks, including their special popcorn. Staff is friendly and I always enjoy this venue! I will absolutely be back.

I'm hooked on Michael Ausiello's show…read more It's hysterical and I look forward to seeing it at dynasty typewriter. I've been another time for bad drag race and that was fun too. Comfy feeling theater, the chairs are interesting recliners but it works for the vibe. Popcorn and snacks are great. Everyone seems happy to be there. Especially after laughing at Michael's show! Bravo!

I went to this venue May 2026 for a stand up show…read more I took the metro to the Chinatown station and walked 15ish minutes to the venue. (You walk along the Historic LA park). It felt safe overall walking at 6pm even with the homeless in the area, because there were a lot of locals out walking with their family/pets. The walk back to the station was a little more concerning, highly recommend not being solo on the way back - it's just not well illuminated along Spring St in portions. The venue itself is lovely and very safe feeling but the surrounding areas at times feel sketchy. I did public transport because I was worried parking would be an issue, but it seems there was actually plenty of parking down the street since it's so close to the park. I would advise parking in the lot on the other side of Spring St. The check in was easy, they check your ID and give you a wristband if you want to drink. There's a sweetly arranged outside area for hanging out and the bar inside was well decorated. The venue was nice, though I sat in I1 and I had my view partially blocked by a pole (it wasn't too bad because I was watching stand up and he moved around a lot, but I imagine it may be annoying for other types of shows or performances). Would totally visit an event here again.

Super nice venue. Inside bar, concert hall, and patio really are unique. Parking easy $15 gated…read morelot. Small menu for food .. drinks normal venue pricing. The only issue was the seating. Chairs ridiculously small to fit an adolescent butt and they were packed in like sardines. Super uncomfortable. However, the seats in the balcony looked bigger and more comfortable... Probably VIP Not sure if I'd come back .. change the seating and most definitely.

The Ford may be to The Bowl as a quickie in the elevator is to a rose-petal trail to a big…read morehoneymoon suite bed. The "Cinderella" of venues, it takes the grand, outdoor setting of the Bowl (concrete Jerusalem gates carved into the Hollywood hills) and the intimacy of a backyard party. With 1200 seats (opposed to 17500), you're always under 100 feet from the stage. The seats being steeply raked means you are closer to the stage than the Greek. (The Theater, I mean, not loud, hairy Niko guy next to you). And being tucked into a natural canyon makes the acoustics extra crispy, which made Erasure (10 years ago today) one of my favorite concerts. Side note: I found the 3 tickets on ebay for 99 cents, something that pissed off the guy next to me who paid $200. He Loved to Hate Me. He called me "Biggie Fries" all night, referencing Wendy's Value Meal. Built in 1920 by Christine Wetherill Stevenson, a wealthy heiress who wanted to build a space for her play about he life of Christ "A Funny Thing Happened on the Way to the Calvary". No, it was "Pilgrimage Play" It burnt down in 1929 but rebuilt in 1931 to look like stone, making it feel like an ancient, rediscovered space. Anyway, it only hosted Christ plays (I would have called it "Nailed iT!") until the 1964 separation of church and state opened the venue to all arts. It was named after the county supervisor John Anson Ford, who was a champion of the arts. In the late 80's it was the "West Coast CBGB", hosting Ramones, Social D, X, Chili Peppers and Jane's Addiction. If you need more bands, just use your first three Wordle guesses: Tacos Marry Happy opened for Radio Caulk Barfy. It unveiled a $80 million renovation in 2017, so if it was gorgeous in 2006, I am sure it is Gorgeouser now. In 2019, the LA Phil took over, so now it is the little sister of the Bowl and Disney Concert Hall. In 2020, it had its centennial, marking 100 years since Stevenson first staged a Christ play in that canyon. To celebrate, the partygoers turned wine into pee.

Sometimes, I forget how much entertainment is available in LA, from theaters to museums to outdoor…read moreexcursions and more. I had previously seen advertisements for The Ford LA through various outlets, but I am frequently reminded of my introversion and often avoid driving through LA traffic. However, my wife wanted to check out the The Natural World of Studio Ghibli, and what a night it was! We have seen nearly all of Miyazaki's creations, but this was our first time watching "Howl's Moving Castle" in an outdoor theater. It was lovely! Fresh air, a few butterflies flying across the projector, stars in the night sky, and the iconic backdrop were some highlights to mention. The Ford is as fun as advertised, and I've already begun recommending it to my friends. This place has history, and you can feel it! Additionally, there isn't a bad seat in the house! We sat in Row P, and when I arrived, I took it all in. There's certainly a bit of magic here. The only negative is the parking. It's stacked parking, so you may end up waiting on other visitors to get to their cars before you can even think about moving. Otherwise, we already have plans to return to The Ford Theater!

Came here for the first time to see afroman perform and it was a fun time. Not overly packed, they…read morehave an upper loft area and a main floor area. Stuck around after since the show offered a meet and greet. They have a food bar connected with pizza and a bar. Parking in the area is mostly paid or if you get lucky street / meter parking

Visited The Regent to see Margaret Cho host Asian Nation for Netflix Is a Joke fest…read more Parking: Located on a one-way street with several cash only $25 parking lots across from the venue (red and white signs that say Joe's Parking). The venue is located in DTLA on skid row... If you park nearby in one of the lots and stick to walking back and forth from the venue, you'll be okay. Don't recommend walking around this area especially if you're by yourself. Food: The food was scrumptious at the adjacent Prufrock Pizzeria. I would come back to this venue just to eat there beforehand. Service: It would've been nice if the venue employee was more proactive, there was a gaggle of people blocking the walkway and it took him a minute to tell them to move. After that, he just stared blankly at us after that until I asked where our assigned seats were. Ambiance: The actual venue was nice. It was intimate and you can see the performer even if you're in the back. We were on the right side towards the front, a few rows back. I appreciated that the mic level wasn't too loud even though we sat in front of the speaker; sometimes at comedy events it feels like the mic is SO LOUD that I have to wear earplugs. At this venue, the noise level was perfect.

I have been to Paris, once, but that still counts. I climbed the Eiffel tower at night with the…read morelights glowing. I have seen the Mona Lisa and was impacted by her smile that seemed to move on its own. And ever since then I have loved Parisian culture because, after that trip, I understood that the city of lights producses so much to love and adore. It is the city that empowered Quasimoto to find his inner beauty. It is the city that had a rat control a human via its hair. It is the city that gifted the world with croissant and funny mustaches. It is the city that gave us french cheese, a queen who let others eat cake, and the guillotine because, I mean, what would a Tale of Two cities be without a guillotine. In short, I can can for gay Paree. Thus, it was only natural to attend a Bastille Day celebration to pay homage to the city of lights and butter. This celebration, I can describe as a capsule celebration. Meaning that the day did not have parades or avenue closures in its name. All the celebration was centered in this courtyard. If one has not attended the plaza, then imagine a micro Hollywood bowl. Meaning that if the Hollywood Bowl was a cupcake, this place would be a tic-tac, not a gum drop. But still, with the festivities of Bastille lighting the spot, it became a firework on display. This might seem obvious but I really enjoyed sitting on the courtyards steps and hearing french music from the stage. And I did not just like the music because it heard good, but also what it produce amongst some of the attendants-- a light-hearted frivolity that could only be expressed in melody and jaunty step. The singers explained that they were about to sing a classic french song. One that paid homage to its famous avenue: Champs-Élysées. As they were hearing words that I could barely recognized, a woman behind me started to sing as well. I turned back, we made eye contact and for a second she serenated me with the words Champs-Élysées. I felt her love for her land in her words. For a micro-second that lasted french minutes, I was back in the land of french cheese and pastries. The note she carried in her song were the tickets I needed to see Paris, even briefly again. I also saw the dancers. Not paid ones. Regular people dancing in front of the stage. I saw a man and a woman dance care free amongst many. He twirled her. She followed. It was melody in movement. Their joyful moves were mine as well. I experienced love for the French countryside through their dance. I guess national pride is contagious. The singers also played a song in English but with a French Accent. L is for the way you look tonight. It was a great afternoon. I also have no power to resist buying stuff at festivals. So I bought some french breads and a charcuterrie board. Me and my friend had it later as a snack, and it was the morsels that make Paris great. This review was tied to Bastille day. But I incldued a picture of all the different concerts. If you want a suggestion, grab a picnic lunch from very nearby Grand Central Market and experience your own music choice amonst DTLA buildings. Remember that moment is someone else dream.

It isn't summer in LA until you catch one of the free concerts put on by the city. Grand…read morePerformances is one of those spaces and year after year, they have a solid lineup of talented artists, musicians and DJs. Located at the California Plaza, the space is in the courtyard where this is a huge outdoor stage, state-of-the-art sound and light equipment and an area for seating. The shows has drawn such huge crowds that they have added seats, and a special section for members and donors. This time around, they have added a beer garden upstairs and covered communal tables. No matter where you sit, you will be able to hear the music. Bring portable seating and your picnic basket (or support local businesses that stay open during these events. 2026 and parking is now $10 CASH or $18 with a card that you pay upon leaving. This is an LA tradition everyone should at least try once!

We attended the Candlelight concert at the zipper concert hall. It is a lovely smaller venue…read more within the music conservatory, this one was featuring a beautiful string Quartet doing classical genres of music with a beautiful twist. We enjoyed all the Beatles songs in a complete different way, it was relaxing, beautifully lit with all the candles and very enjoyable. The musicians were super talented and also humorous and friendly as well.

I just witnessed a grown ass middle aged man chug a Modelo, pour it into audience member's mouth,…read moreask for money, take my money, proceeded to break plates on stage, then go back to conduct an orchestra. While all this was happening, every Colburn Student on stage remained calm and professional, executing the music with the utmost professionalism and care. The schools legacy and excellence shine through these students and make me eager to come back no matter the show. (For context this was an Eric Andre concert)

I went to Whammy analog media for the first time today as a way to surprise my girlfriend of five…read moreyears. We are movie lovers and I had heard great things about the store from friends and decided to give it a look. Upon entering the store, I was mortified by how cold and antisocial the staff was. Not only was a class taking place during my time at Whammy!, but the man behind the cash register was very cold and disinterested, as though patronizing the place was something me and my girlfriend should be ashamed of. Which seems a little bizarre considering I'm pretty sure the store needs real customers to pay real money for their products in order to continue working as a store. Maybe I'm wrong about that, but still. I asked if they do screenings at whammy's store, and the man behind the counter, simply, almost wordlessly, pointed me towards their screening calendar. While I very much enjoyed the goofy selection of VHS tapes offered at the store, as well as their avant-garde vinyl selection, not to mention the off-beat decorations adorning the store, I am really questioning whether I'll ever return to Whammy!. Wish I had a better experience, and am unsure if they even want me to come back. My girlfriend and I tried our best to lift our spirits from what was such a discouraging experience. Perhaps I caught the staff at Whammy! on the wrong day, but for now, I'm going to take a break from Whammy!, though I am still chuckling at the fun VHS tapes I picked up, despite not having a player.

So many specialized, "underground" shops sponsoring a plethora of clandestine, alternate scenes in…read moreL.A. that it boggles the mind.  Whammy! Analog Media is mostly specific for the ancient medium of VHS video cassette tapes. Do they still manufacture video cassette machines? Even more esoteric would be to focus on Sony Betamax video cassette tapes.  There is also a very small vinyl record  and movie posters section. Whammy also has movie showings that no commerical movie theatre would take on since it would interest a very focused audience. Limited seating of about 30. Tickets are sold through their website as well as a monthly calendar of events.  Tonight's theme is Dirty Looks, which delves into two disparate themes, one in the New York City Camp Drag scene and the other in San Francisco featuring a dream-like pastiche of the working class strugglIng to make sense of a surrealistic world.  I will post screen shot synopes of both performances from the Whammy for those who want further info.  Tom Rubnitz's Psykho III The Musical, a camp drag version of Alfred Hitchcock's Psycho was droll and light heartedly entertaining in a home movie style much like John Waters' Pink Flamingo.  But it was a tough slog to watch  Curt McDowell's Taboo much like David Lynch's Eraserhead that was so ridiculously boring that my friends and I had to leave midway through.  I'm glad that Whammy is doing its thing. It's a store that seems transported from an alternate universe or that my passing through the gated portal transported me to that alternate reality. Enter from the rear of the building on Rampart and not Sunset Blvd. 4 stars for being an ultra customized reference center for the video specialist.