Community theaters own a sacred realm in my soul. The celebrated, iconic American playwright, David Mamet, famously wrote that "the theatre is always dying", a truism that both bemoans the struggles of grassroot companies like The Vortex, and celebrates their grit. Indeed, community theatre is always dying. Every month, the bills barely get paid. Every month, heavy decisions by the board must be made, where to cut costs, where to invest, how to lipstick the pig of the next production and somehow suspend the disbelief of an audience. In short, community theatre -- the real thing, crafting a universe within four walls -- is flat broke, forever. Always. As far as The Vortex is concerned, they've been promising to pay the rent to the landlord since 1976, and they've somehow, forever, managed to scrape up the money, thanks to a dedicated, unpaid, evolving cast of talent and unwavering support from a local audience that cares about keeping this beast alive.
Know this: if you're going to see a show at this theatre, you're purchasing a ticket for passion. I'm doubting I'm wrong about the longevity of the company, but at 40+ years of age it's likely the oldest troupe in town. Thus it's no surprise that the move to a new space a couple years ago was dutifully followed by their fans. The new(ish) black box performance arena suffices, it appears that the seating can switcheroo for theatre in the round or proscenium, the show I caught was Alice in Wonderland, there wasn't a bad seat in the house. But the new space also provides something the old venue couldn't: a waiting area. An audience hangout between acts, for set changes and refreshments (a major source of theatre revenue). Not surprisingly, the 2017 season looks like it's offering some lengthier productions that demand a break in the action, The Iceman Cometh a notable example. I'm liking where this company is headed, and I enjoyed the recent show. Thinking of checking 'em out? Go. read more