Lynne's workshop provided the safe space I needed to start thinking and writing in a voice that has…read moregone by the wayside throughout the years. The AWA method and the beautifully decorated studio space gave us the safety and freedom to experiment, learn, and share without judgment. I will be back for another workshop -- thank you, Lynne!

This was a great experience! Really fun and lowkey writing workshop. Thanks so much, Lynne!read more

Did the six-week program here and would highly recommend it for anyone looking for a boot…read morecamp-style skills booster. As a totally self-taught editor it was a massive help having professionals guide me through the three big programs. I got lots of in-depth understanding on the technical side, as well as a deeper understanding of the kinds of creative choices I can make I can make as an editor.

I've been to several training classes. I've never learned as much as I did at this one. The…read moreinstructor, Chad, was top-notch. Not only was he personable and engaging, he made the complex understandable. The facility is beautiful, the people in my class cool and talented (some excellent designers!) and the location ideal. Looking forward to another class soon. A+ for this place. If you need a skill and online training isn't cutting it, this is a great solution.

I had never performed in my life. In fact, I had terrible stage fright and social anxiety. On a…read morelark, I did a standup workshop and performance, it was a lot of fun. I was buzzing for days afterward, I wanted to learn more. I googled comedy classes and the American Comedy Institute popped up. I discovered the one year program and saw the cost, it was slightly out of my budget, but I applied and I got a small scholarship. I packed up and moved across the country. I stayed with family, which meant a 3 hour round trip just to get to classes 4 nights a week. I met incredible people, I had a lot of fun. But most of all, I learned a lot about comedy and myself, from learning how to be more comfortable in my body and working in an ensemble in improv class. To collaborating in sketch comedy class, to writing solid jokes and performing them in New York City, it was a great life experience for me. The director of the school, Stephen Rosenfield, has a knack for really helping me understand and develop comedically. The most important thing he taught me was to tend my own fire. Thank you all for such a great experience and for all the funny wisdom!

Are you serious? I'll grant that this is 'ok' for 1st time people with stage fright. But that's…read moreabout it. The truth is there are better places that are all about getting you the necessary experience than ACI. 1. Does ACI have open mic affiliations? No, because they want you to stay at their bi-monthly gig at Broadway Comedy Club. They should be on top of all - yes, ALL - the open mics, clubs and producers. 2. You need to know the difference between 'practice makes perfect' and 'practice, practice, practice'!!!!! They're not encouraging their students to hit open mics or showcases, and for evidence I simply site the total absence of ACI students at shows I attend. 3. Their Broadway Comedy Club has both a cover AND a minimum. You can attend, meaning perform, at better clubs where there is no minimum but just a slightly ($20) cover. You ALWAYS spend more at Broadway, which has to be among NYC's worst clubs. Proof? Try The Stand on Third Ave, b/w 19-20. I've performed there. Not only are the comics better than ACI, The Stand has a full restaurant AND a full bar. Every club that I have ever seen offers videos of your gig for a nominal fee. Last I checked, ACI did the same but they MAILED YOU A GODDAMN DVD!!!! So, if you want to give standup a shot, do this: 1. Get a notebook. Small one. 2. Lookup 'BadSlava.com. This is a website listing EVERY SINGLE OPEN MIC in the city. 3. Go to an open mic. Your first FIVE assignments are to JUST GO and WATCH. Just WATCH. 80% watching. 10% listening. And 10% questioning. You're NOT PERFORMING. You're observing. Getting a feel. Eventually go to Laughing Buddha. Google them. They have close to 20 open mics a week. Just go and show support. I think it's $5 plus you buy a drink. Then you'll be 'ready' yourself. And in a MUCH better position to ask if you need to drop over $400 on a 'class' in comedy. As for another reviewer's claim that world famous comics return to write with Stephen, I only say, "Buyer, beware, and don't take everything you read at face value! The truth can be quite shocking." Trust me: I have been shocked.

I must admit it was a little expensive (and I tipped in addition to the fee) BUT as a Brooklyn…read moreartist I think it is important to invest in other Brooklyn creatives. This will always be a superior choice to task rabbit because you get to learn while the task is being done. Erica was knowledgeable friendly and an incredibly thorough teacher. When requesting a project be sure to give them as much information as possible so that they can bring all of the equipment they need. She had everything and walked me through how to do it all on my own. I can't wait to work with them again! Thank you ladies!!!

I took a couple of workshops at Ms. Fix it and I loved it! The workshops are fun, interactive and…read moreeasy to follow. There are no dumb questions to ask and even as a total handyperson virgin, I was able to follow thru the teacher's instructions with ease. And the end of class, we get to drink some wine and mingle! :D

The best thing about this performance school is convenience. The offices are on Lincoln Park, but…read morethe classes are located in the NJPAC buildings, which are a few blocks from my apt. I take 4 classes (ballet+jazz Monday, tap+hip-hop Wednesday). Though there are some adults (me), classes are dominated by middle and high school students, who can be, well, unprofessional. There are no open classes--you sign up for an entire academic semester. With discounts, I pay about $10/class=$40/week. The teachers vary in rigor and experience, but none of them is terrible. They can't compare to BDC and Steps in New York, but they can give you much more personal attention in this smaller setting. Bottom line: If you're in Newark near the NJPAC and want to stay in good dance shape (and you can't get motivated to trek into NYC every night), suck it up and take class here.

Took the virtual class with Gerri Hodgetts and learned so much ! She is very down to earth and…read moreteaches you exactly what you need to know. I definitely recommend it to other people if they are considering taking a virtual class.

Took real estate class online Gerri is amazing!!!! Really helped me remember ALL the information…read morewhich was a lot definitely recommend

The plays are awful and the staff is even worse. The only thing they care about is your money, not…read morethe art itself. It used to be a very lively happy place but has gone downhill. 0/10, wouldn't recommend

AADA is still one of the best places to get conservatory training, producing several working actors…read morein each graduating class. I graduated in 2005 and have a pretty long list of working classmates. Some of those alums include Casey LaBow (07) who is in the 'Twilight' series, Ary Katz ('05) who was directed by Clint Eastwood in 'J.Edgar.' Paul Rudd and Adam Scott work constantly. Every time I turn on the TV, I see someone I graduated with. It is a lot of work and a very intense program, but with training that is very specific to your needs as an actor. You walk away with so many great tools that will help you to become a working professional, plus you've got an extremely extensive alumni network that will just keep expanding as you get further into the industry.

The instructor is very knowledgeable and the service is nice. They provide all security training…read moreneeds. Also, make sure to bring a pen. They are very respectful and would help you out with all of your paperwork.

The instructor was cool, so was the receptionist. The guy handling the phone calls, however, has an…read moreattitude problem. Called him to verify if my documents had been submitted and his response was "It's here, whats the problem?" with a pushy tone. I bet he won't have that same energy in person. Never coming back here ever again.