St Peter's can be seen from all over Adelaide, situated as it is on a hill just north of the city centre. Its spires are striking, standing out from above the surrounding trees of North Adelaide parks.
The inside feels much like any European cathedral. It is of comparable size with some of the smaller European churches, and designed by the architect William Butterfield, who was a leading designer in the Gothic Revival movement in English architecture. This same man designed St Paul's Cathedral in Melbourne, another iconic Australian church, and one of my favourites.
The foundation stone of this church was laid in 1869, so compared to its European counterparts, it's a baby.
Where it differs from traditional cathedrals is in it's modern stain-glassed windows, which contrast to the original windows portraying Christ's crucifixion and innumerable saints. The Magdalene Window, opposite the large crucifixion scene, is dedicated to the women who have influenced the church throughout its history. This window was designed and installed in 2001, which says a lot. Including women in Christianity is a modern concern. The picture shows (or is supposed to show) Jesus surrounded by the angles and Mary - though I can't make out the image. It looks more like something you'd see in a spiritualist shop as a hanging light catcher. But hey, I appreciate the idea.
The wooden carved 'windows' behind the main alter are an incredible piece of woodwork. There is so much to see in this cathedral, and it is visited by people from all over the world. The kindly volunteers who run the cathedral were surprised that I was from Adelaide, as visitors from the hometown are rare.
While I was there, the Managing Dean lead some prayers. Almost empty, the whole cathedral boomed with his voice. He prayed for all our leading parliament members, and for all the leaders of the church, mentioning a female associate priest. This is an operating church keen to support the place of women within it, as well as a beautiful work of art. read more