I thoroughly enjoyed my visit to Gladstone Gallery years ago when the gallery exhibited works by…read moreone of my favorite artists, Keith Haring. Barbara Gladstone's recent passing reminded me of my trip to the gallery. There are so many great galleries in Chelsea, and this is certainly one of them.

One of the better galleries I came across while traipsing through Chelsea. Lots of space, both…read moreupstairs and down -- and maybe two entrances, too? It was hard to be sure. The installations in place for my visit took advantage of the available space (see the photo). Glad I stopped.

They appear to be running an art contest scam, baiting and switching, and inducing artists to…read moreapply, but not stating that there is a large application fee. They manage a shell nyartcompetitions.com This is a formal complaint regarding NY Art Competitions due to a lack of clear and prominent disclosure of a mandatory $55 submission fee during the initial stages of the application process. The fee was only revealed at the final step after I had already invested significant time completing the submission. This created the impression of a bait-and-switch or drip pricing structure, where material cost information was not clearly presented upfront, resulting in applicants proceeding through a lengthy submission process without full awareness of the financial requirement. I spent a significant amount of time completing the application under the assumption that all key participation requirements, including fees, would be clearly disclosed at the outset. This lack of upfront transparency led to unnecessary time expenditure and confusion regarding the true cost of participation. I am requesting improved disclosure practices so that all mandatory fees are clearly and prominently stated at the beginning of the application process before users are required to invest time or submit materials. I am also requesting deletion of my submitted materials and personal information from their system and confirmation that this has been completed.

The Agora Gallery was holding the 6th International Photography Event. The photographs depicted…read moremostly women and seemed rather bleak. I liked Paula Aranoa's Interwoven the best with her three photographs. Liza Saltzman's Broken Psyche 1 was haunting. The pictures were spread out in this large space and Joanna was a pleasure to meet again.

Easily my favorite gallery in the city. It's a bright beautiful space, and the exhibits are always…read moreso incredibly unique from the other galleries in the area. Leila Heller focuses mainly on Iranian and Middle Eastern artists, but has had a wide array of artists exhibit there- including so many female artists which I appreciate seeing. They often host artist talks as well- which I've attended a few of including one with Shirin Neshat that was incredibly interesting and informative. I appreciate their approach- they don't greet you upon entry, but let the art speak for itself and let you take whichever path you want and allow yourself to be drawn to whatever work you want without feeling any pressure.

Awesome collection came here for the CALLIGRAFFITI: 1983- 2013 exhibit. Kudos for having…read moreRammellzee.. The gallery is large.. Don't expect a warm greeting upon entering. We came for the art and not for the Hello. Good collection of works by artist like Kenny Scharf, Jean-Michel Basquiat, Keith Haring, and el Seed. Make sure to hit up Cheim & Reid just down the street. http://www.youtube.com/watch?v=T52mHTpvSeA

When I was in my 20s, during my first visit to New York City, I met gallerists Andrea Rosen and…read moreTanya Bonakdar at their respective galleries in SoHo. Rosen's gallery was located on Prince Street. These days, most of the top galleries like Gagosian and Bonakdar's are located in Chelsea. But I kind of miss the old SoHo days, and the atmosphere in Chelsea is totally different - almost like another world. Most of all, I miss Rosen's SoHo gallery. When I visited, she came out from the back and discussed the artist whose work she was exhibiting at the time, Miguel Calderon. I remember really liking his work. She also simultaneously showed the work of Iñigo Manglano-Ovalle. I read somewhere that Rosen has donated her archives to the Smithsonian's Archives of American Art. And while she no longer appears to have a physical gallery, it seems like she still represents (the estate of) Felix Gonzalez-Torres. Honestly, I wish she would reopen the gallery at some point. Rosen and her perspectives on art were a huge inspiration years ago.

Great gallery. I recently learned that on Saturdays, members of the gallery's staff (and even…read moreAndrea Rosen herself) stand in the gallery and talk to visitors about the work. It's very generous--I got a full tour of a fascinating show, "Counter Forms," with works by Tetsumi Kudo, Alina Szapocznikow, Paul Thek and Hannah Wilke, all of whom worked in different parts of them world, died youngish and were forgotten in the 90s but making a comeback now. And they deserve it: weird materials and biomorphic forms, industrail waste and synthetic pigments, intriguing use of slightly sickening colors and textures--a fertile mix of mad-science lab and contemplative poetry that seems to speak to the ways in which artists are dealing with the relationship between bodies and technologies now. Usually Andrea Rosen has a few shows up at once - a big one in the front, medium in the middle, and a selection of works by different artists in the showroom in the far rear, which means you're guaranteed to find SOMEthing to like on any given visit. For 'Counter Forms," however, the whole gallery was devoted to this single group exhibition. But it's definitely worth it! so much to see. There is also a small appendix across the street. I feel like the narrowness of this space makes it slightly awkward. It's smaller than any of the spaces across the street, even the little showroom in the back. I haven't felt really impressed or moved by a show here yet but, it's new so maybe they'll get the hang of it (no pun intended!).

A wise man once said those who delve into art....Let's begin this review!…read more The Noguchi Museum is a sculpture garden musuem dedicate to the works of Isamu Noguchi, artist and architect. He came to NYC as a teen in1922, you will see a handful of his sculptures in some of the buildings and airport. This museum has three floors and a basement, museum store and a garden. Today's admission is free due to 4th of July celebration. Museum's gallery section is unique and different from one another. Visitors are not allowed to take flash photography and touch the sculptures or art display. However, being me I put that to the test. Hehehe. Staff were obsequious and professional. Free wifi. Plenty street parking. Admission is affordable. Overall, I had a nice experience discovering Isamu's art.

Went there for free First Friday - free admission and scheduled activities. The museum has outdoors…read morespace for large sculptures, and a garden. There are 2 indoor floors. The pieces are in the open, not cordoned off so be careful not to touch them. Can refer to one of the laminated lists showing what's in a particular area. Some scheduled tours as well. Elevator, ramp for accessibility. Joined an art workshop in a room downstairs for first Fri - supplies and snacks/water provided, plus DJ music. Also chess boards were set-up in different areas of the museum. There is a gift shop, and restrooms. Close to Socrates Park so was a long walk from the Steinway St-M R station. I normally wouldn't mind if it wasn't a muggy afternoon. The Broadway N W station is a bit closer, also some bus lines.

Such a great space for an art gallery. I always enjoy going to blank space gallery whenever there…read moreis an art exhibition. It's warm it's friendly and it's just the perfect place to enjoy some lovely art.

Agreed with Mo P, the workers here were all excelent, smiley, and quite helpful without that…read morepretense felt at many Chelsea galleries. The exhibit by James Chapin was haunting and beautiful, as well. As part of the high quality 529 West 20th St experience I'd definitely recommend checking this one out.

529 West 20th Street, labeled the "Art Building" houses several little galleries and fine arts…read morerelated businesses. Of all the floors though, my award goes to the 5th floor, home of the A.C.A Gallery. The people running this gallery always seem very welcoming (and we know there are many galleries that aren't). I spent time at their current exhibit, "On the Edge" sketching and taking a couple photographs, and no one tried to hurry me along as I studied the ASTONISHING drawings by Edgar Jerins. The exhibit featured four unique artists who generally whip out works in drawing mediums....but A.C.A will rotate a variety of artists - next up is Grace Hartigan (from March 20th-May 3rd, 2008). Here's some good stuff to know: Hours: Tuesday-Saturday, 10:30 - 6pm. Summer Hours: June 20 - August 18, Tuesday through Friday, 10:30 - 6pm. The gallery will be closed from August 19 - September 4. Website: www.acagalleries.com Have fun and hit up the WHOLE building while you're there....each floor has one or more galleries!!!

I have been to the Whitney twice already…read more Here are the things I love about the Whitney Museum of American Art. - Start on the 7th floor and go through each floor. No two floors are alike. You will definitely tempt all five senses. -Gorgeous Terraces where you can go out grab a drink and take photos of the Skyline of West Side. -Contemporary Art/Artist each work of art is in a league of it's own -Tour guides available to answer your questions and provide tours on highlighted artist and artwork. You definitely need to take the time to absorb the artwork and look for the silver lining. What does this piece mean to you? How do you feel? -Frenchette Bakery at The Whitney- located on the ground floor. Good food and drinks.

The Whitney Museum had a free admission week or something. The picture i posted in this review,…read morethis artwork is Cross Bearers by the self-taught African American artist Bessie Harvey (1929-1994), it looks self taught. The Museum was packed, angry elevator lady and not many people of the culture that reflects the artwork. Weird. This whole place was pretty crazy, i did nit think the art was that interesting. I mean, everybody acts like this is a big famous art museum that can change your cultural life or something, but half the people walking around in there are just phonies trying to look like they're deeply moved by a bunch of twisted old tree branches. It depresses the hell out of me. ​Its not that iteresting so don't overthink it, with all those gnarly roots and painted wood sticking out everywhere like some wild creature.That part was pretty cool, I guess. But then you've got all these fake foreign snobs in cheap coatd standing around stroking their chins, nodding like they're having a damn spiritual epiphany, when you know they're just going to go buy a ten-dollar cup of tea downstairs and brag about how cultured they are. That stuff just drives me nuts. ​The room itself was alright, clean and quiet enough, and that colorful quilt hanging on the wall behind it wasn't half bad either. But after about twenty minutes of staring at roots and watching people pretend to be brilliant art critics, I just wanted to get the hell out of there and go home. ​Three stars. It's fine if you're in the neighborhood and feeling lonely, but don't let anybody sell you a bill of goods about it.