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We had a beautiful evening at the Keller and thoroughly enjoyed The Rock Orchestra by Candlelight. I wasn't sure what to expect when my husband informed me he bought tickets but was blown away! The vocals were beautiful and haunting at the same time. What an extraordinary experience when classical musicians collide with Rock music and add their spin. We left in awe!! If you have a chance to see this show~DO IT!!!
Beautiful auditorium! Accommodating and personable, employees, and ushers. Comfortable seating. We were here to see Les Miserables and don't believe that there is a bad seat in the house! We did not purchase any food, but the coffee was good.
First visit to Keller Auditorium, and overall, it was a strong first impression. My wife and I attended opening night of Les Misérables, so this was likely close to a full house, around 3,000 people. Even at that scale, the venue never felt unmanageably crowded. The flow of people was handled well enough that one could still move about without feeling swallowed by the crowd, which says something positive about the layout and staff management. The staff throughout the evening were friendly, polished, and professional. That matters more than people sometimes realize. In a large performing arts venue, the tone is set quickly, and Keller managed to feel elegant without becoming stiff or socially intimidating. For a well-known musical in a prominent Portland venue, the atmosphere was surprisingly accessible. The range of dress made that clear. Some attendees were in jeans and a T-shirt, some added a sport coat, and others arrived in full formalwear. The venue allowed for the occasion to feel special without implying that everyone had to perform sophistication in the same way. The building itself carries a certain visual dignity. Alcohol, coffee, and tea were available for purchase, and access to the seating areas was well organized. Guests could take the stairs or the elevator, and there was an elevator attendant present to help direct people to the correct level. Small detail, but useful, especially in a large venue where confusion can build quickly before a performance. Our seats were in the second balcony, Section C, against the wall. The seats themselves were soft enough, but the leg room was extremely limited, tighter than an airplane seat, which becomes more noticeable the longer one is there. What impressed me, however, was the acoustics. Even from that distance, the sound quality was excellent. The music carried well, the vocals remained clear, and the production lost far less sonically than I expected from upper balcony seating. What those seats did lose was immersion. From that height and distance, one experiences the musical more as an observer than as a participant in its emotional force. You can appreciate the scale, hear the performance clearly, and recognize the quality of the production, but the immediacy of the drama is softened. For a production like Les Misérables, where emotional engagement is part of the power of the evening, distance matters. The most significant weakness of the experience involved the women's restrooms in the upper balcony. This was not something I merely noticed in passing; it directly affected my wife, along with many other women in line. Intermission was only 15 minutes, and there were still roughly 30 women waiting as time was running out. For a venue of this size and reputation, that is a meaningful design or capacity problem, not a minor inconvenience. A theater can have elegance, strong acoustics, and professional staff, but if a basic logistical issue disrupts intermission for a large portion of the audience, that deserves mention. Overall, Keller Auditorium left me with a favorable impression: elegant but approachable, professionally run, acoustically strong, and capable of hosting a major production without making the evening feel chaotic or exclusionary. That said, upper balcony seating comes with real tradeoffs: restricted leg room, emotional distance from the stage, and at least in our experience, inadequate women's restroom access during intermission. Would I return? Yes. But next time, for something like Phantom of the Opera, I would pay more for better seats. At a certain point, being able to hear well is not the same as being pulled into the performance. For that, proximity matters.
We attended George Balanchine's The Nutcracker (performed by the Oregon Ballet Theatre) 7:30 on a Friday. We arrived in the vicinity 6:35pm and found street parking near SW 3rd Ave near Terry Schrunk Plaza. We only had to pay ~$2 until parking was free after 7pm. We saw after the show that Keller has a parking garage but all the cars were backed up trying to exit. On the Oregon Ballet Theatre website, they say that 1 hr prior to curtain, an OBT historian explains the performance. It's called pre-show or performance perspectives. I highly recommend getting there early to hear it! It made us be more invested in the show and informed. We learned what was underneath the rat costume and that the bed was operates by a person underneath. You just walk into the theater and sit anywhere for the pre-show. We were seated 2nd Balcony Box A, row A (at the front). It's nice because you're in a private section with 9 other people. There's a clear view of the stage as well as the orchestra pit. I did have to lean forward and sit up to see past the railing because I'm on the short side. There are bathrooms on each floor.
Hate to ape everyone else on this post, but they're all right on the money: The lobby is frighteningly small There's really not a bad seat in the house Sound can be atrocious Drinks are high- priced (but that's expected) Lots of parking options around That said, I've seen a lot of artists in a pretty nice venue that's not too big or too small. All in all Im a fan of the Keller, both for its size and for contributions to the Portland cultural scene.
Finally had the opportunity to check out Keller Auditorium and I gotta say that I was quite impressed with the venue. Except for a few things in which I agree upon with, with other reviewers. First impression, drove past it, and was easy to find being between Clay and Market St. You can't miss it. My friend gave me the perfect parking location, adjacent to it, and it only cost $6. It was next to the park, at the university, and had plenty of spaces. And with a parking attendant for a bit of security. I was actually surprised the lot wasn't fully packed. Main entrance through security was fine. But man, walking into the lobby... I don't know, that lobby area was just too small. The first thing that came to mind was, umm wow fire hazard! Everyone was crammed like sardines just getting to the bar, concessions, and merchandise stand. I feel if they allow folks to take their seats earlier than just 10 minutes before show starts, it would help ease the size with the crowd coming in. Service from the entrance security and venue staff was excellent. From the lady that helped us find our seats, to the coat-check lady (which is free btw), to concessions services. No issues, all helpful. Although it did cost me $32 for two beers and a water. At least you can eat and drink at your seat, as if you were at the movie theaters. There were stairs to get up to the men's restroom, which also made me wonder about folks with a wheelchair. But for the most part, the restroom did seem clean. Inside views, pretty magnificent! Larger than imagined. Maybe even too big of a venue. I've only seen broadway shows in NY and SF, so comparing this auditorium was more "modern impressive" to say the least. As for the seat view, we had seats to watch Hamilton in Section Orchestra F, off to the right of the stage. My preference is always the aisle, so I gotta say that first seat is golden! I saw nearly everything except the brief moments when performers spoke on the upper right side. I felt sorta bad for the three kids behind me, because I think they probably were struggling to see what's happening. Not very kid friendly imo. And being 5' 5", I felt the seat were comfortable enough. As for the sound, it was perfect. It wasn't overly loud. I heard everything just fine. In closing, I'd simply say, I cannot wait to watch another show here.
I've been to see the nutcracker and the phantom of the opera. Wow I cried during both performances they were Both were fantastic. The Keller auditorium is such a nice place to host these performances. The staff are helpful and very attentive to the audience. Overall I would love to attend many many more events at the Keller.
I went here to see Shucked last weekend. Balcony 2 seats , which were fine with me. What wasn't ok was the price of food and drinks. Yikes! The place was clean and the bathrooms nice despite the long lines. It's been awhile since I'd been here so it was nice to see a musical for a change.
I've been to a few shows here in 2024 and I love it. Mostly. The Pros: There really isn't a bad seat in the house. There's a parking garage on the corner. Ticketing fees are reasonable. The Cons: The lobby is way too small for the amount of people the theater holds. Add in merch booths and you can hardly move around. There are not enough bathrooms so intermission lines are crazy long. Lines to get food and/or drinks are very long and it's pretty pricy.
Very nice mid-sized theater. Very well organized with a good safety screening process in place. Convenient parking garage diagonally across Clay St. Comfortable seats, but too close together, as most performing arts theater seating tends to be. Ushers were very friendly and helpful. Nice meals offered before performances, full bar and some snacks for sale. Food not permitted in theater, but ample space to sit and eat in lobby. Beverages are permitted in theater.
What a great experience! We saw Hamilton and it did not disappoint!! Phenomenal production. My only negative point is the massive lines for the restroom.
4 months ago
5 months ago
Dear Keller Auditorium of Portland, Oregon I write to you not as a stranger, but as someone who has known your seats from the sticky shoes of childhood field trips all the way to a recent Christmas night where the whole place felt like it was vibrating with life. You have history stitched into your walls. You first opened your doors back in the early twentieth century when Portland was still shaping itself into the city it is today. You have been rebuilt and renewed after fire and time did their work, and now you stand proudly as part of the city's performing arts heart, hosting everything from Broadway productions to symphonies that make grown adults forget what day it is. They say you can hold close to three thousand souls at once, and on the right night it feels like every single one of them is breathing in rhythm with the stage. I have been inside you many times over the years, starting as a kid on school field trips where everything felt massive and important, even the carpet. Then more recently, this past Christmas, I walked back through your doors and you were absolutely packed out. People everywhere. The kind of crowd where you start wondering if you should have trained for this like an endurance sport. The smell of roasted peanuts hit me like a memory I did not know I had. I grabbed some and immediately decided life should include more roasted peanuts in general. I also picked up a Christmas ornament that honestly felt like it belonged in a museum of personal victories. Somewhere in the shuffle, someone dropped something near the aisle and in true holiday spirit, it turned into a whole moment. A man slipped just slightly, kicked a can of peanuts into the air like it was part of the choreography, and suddenly the whole section was laughing like we were all in on the joke together. It was beautiful chaos. Parking, I will say with love, is its own kind of performance art. Tight, competitive, and requiring a bit of strategy. Worth it, but you earn your seat before you even reach it. Inside, the orchestra was absolutely on point. Clean, powerful, and precise in a way that makes you remember how much discipline lives behind every note. I will admit something honestly. It was a little warm in there. Not uncomfortable, just enough to make you lean back and surrender a bit. At one point the music was so good and so steady that I drifted off. Just for a moment. My partner gave me a little bump to bring me back, but I swear that half asleep moment was one of the most peaceful parts of the entire night. That is not a complaint. That is a compliment to the sound. I have seen people leave reviews calling you three stars without much explanation and I cannot help but wonder if they missed the point entirely. This is not just a building. This is work. This is rehearsal. This is years of people dedicating their lives to making something precise and emotional and alive. If someone walks away and only notices the seat or the temperature, I think they might be looking in the wrong direction. You are not perfect in a sterile way. You are better than that. You are alive in the way a place should be when art is being made inside it. Five stars from me. Not just for the show, but for the laughter, the peanuts flying through the air, the sleepy moment of peace, the history in your bones, and the way you still manage to hold a full house like it is nothing more than a good conversation. Sincerely Someone who keeps coming back to sit in your seats and listen a little longer than planned read more
11 days ago
We had a beautiful evening at the Keller and thoroughly enjoyed The Rock Orchestra by Candlelight. I wasn't sure what to expect when my husband informed me he bought tickets but was blown away! The vocals were beautiful and haunting at the same time. What an extraordinary experience when classical musicians collide with Rock music and add their spin. We left in awe!! If you have a chance to see this show~DO IT!!! read more
Beautiful auditorium! Accommodating and personable, employees, and ushers. Comfortable seating. We were here to see Les Miserables and don't believe that there is a bad seat in the house! We did not purchase any food, but the coffee was good. read more
First visit to Keller Auditorium, and overall, it was a strong first impression. My wife and I attended opening night of Les Misérables, so this was likely close to a full house, around 3,000 people. Even at that scale, the venue never felt unmanageably crowded. The flow of people was handled well enough that one could still move about without feeling swallowed by the crowd, which says something positive about the layout and staff management. The staff throughout the evening were friendly, polished, and professional. That matters more than people sometimes realize. In a large performing arts venue, the tone is set quickly, and Keller managed to feel elegant without becoming stiff or socially intimidating. For a well-known musical in a prominent Portland venue, the atmosphere was surprisingly accessible. The range of dress made that clear. Some attendees were in jeans and a T-shirt, some added a sport coat, and others arrived in full formalwear. The venue allowed for the occasion to feel special without implying that everyone had to perform sophistication in the same way. The building itself carries a certain visual dignity. Alcohol, coffee, and tea were available for purchase, and access to the seating areas was well organized. Guests could take the stairs or the elevator, and there was an elevator attendant present to help direct people to the correct level. Small detail, but useful, especially in a large venue where confusion can build quickly before a performance. Our seats were in the second balcony, Section C, against the wall. The seats themselves were soft enough, but the leg room was extremely limited, tighter than an airplane seat, which becomes more noticeable the longer one is there. What impressed me, however, was the acoustics. Even from that distance, the sound quality was excellent. The music carried well, the vocals remained clear, and the production lost far less sonically than I expected from upper balcony seating. What those seats did lose was immersion. From that height and distance, one experiences the musical more as an observer than as a participant in its emotional force. You can appreciate the scale, hear the performance clearly, and recognize the quality of the production, but the immediacy of the drama is softened. For a production like Les Misérables, where emotional engagement is part of the power of the evening, distance matters. The most significant weakness of the experience involved the women's restrooms in the upper balcony. This was not something I merely noticed in passing; it directly affected my wife, along with many other women in line. Intermission was only 15 minutes, and there were still roughly 30 women waiting as time was running out. For a venue of this size and reputation, that is a meaningful design or capacity problem, not a minor inconvenience. A theater can have elegance, strong acoustics, and professional staff, but if a basic logistical issue disrupts intermission for a large portion of the audience, that deserves mention. Overall, Keller Auditorium left me with a favorable impression: elegant but approachable, professionally run, acoustically strong, and capable of hosting a major production without making the evening feel chaotic or exclusionary. That said, upper balcony seating comes with real tradeoffs: restricted leg room, emotional distance from the stage, and at least in our experience, inadequate women's restroom access during intermission. Would I return? Yes. But next time, for something like Phantom of the Opera, I would pay more for better seats. At a certain point, being able to hear well is not the same as being pulled into the performance. For that, proximity matters. read more
We attended George Balanchine's The Nutcracker (performed by the Oregon Ballet Theatre) 7:30 on a Friday. We arrived in the vicinity 6:35pm and found street parking near SW 3rd Ave near Terry Schrunk Plaza. We only had to pay ~$2 until parking was free after 7pm. We saw after the show that Keller has a parking garage but all the cars were backed up trying to exit. On the Oregon Ballet Theatre website, they say that 1 hr prior to curtain, an OBT historian explains the performance. It's called pre-show or performance perspectives. I highly recommend getting there early to hear it! It made us be more invested in the show and informed. We learned what was underneath the rat costume and that the bed was operates by a person underneath. You just walk into the theater and sit anywhere for the pre-show. We were seated 2nd Balcony Box A, row A (at the front). It's nice because you're in a private section with 9 other people. There's a clear view of the stage as well as the orchestra pit. I did have to lean forward and sit up to see past the railing because I'm on the short side. There are bathrooms on each floor. read more
Hate to ape everyone else on this post, but they're all right on the money: The lobby is frighteningly small There's really not a bad seat in the house Sound can be atrocious Drinks are high- priced (but that's expected) Lots of parking options around That said, I've seen a lot of artists in a pretty nice venue that's not too big or too small. All in all Im a fan of the Keller, both for its size and for contributions to the Portland cultural scene. read more
Finally had the opportunity to check out Keller Auditorium and I gotta say that I was quite impressed with the venue. Except for a few things in which I agree upon with, with other reviewers. First impression, drove past it, and was easy to find being between Clay and Market St. You can't miss it. My friend gave me the perfect parking location, adjacent to it, and it only cost $6. It was next to the park, at the university, and had plenty of spaces. And with a parking attendant for a bit of security. I was actually surprised the lot wasn't fully packed. Main entrance through security was fine. But man, walking into the lobby... I don't know, that lobby area was just too small. The first thing that came to mind was, umm wow fire hazard! Everyone was crammed like sardines just getting to the bar, concessions, and merchandise stand. I feel if they allow folks to take their seats earlier than just 10 minutes before show starts, it would help ease the size with the crowd coming in. Service from the entrance security and venue staff was excellent. From the lady that helped us find our seats, to the coat-check lady (which is free btw), to concessions services. No issues, all helpful. Although it did cost me $32 for two beers and a water. At least you can eat and drink at your seat, as if you were at the movie theaters. There were stairs to get up to the men's restroom, which also made me wonder about folks with a wheelchair. But for the most part, the restroom did seem clean. Inside views, pretty magnificent! Larger than imagined. Maybe even too big of a venue. I've only seen broadway shows in NY and SF, so comparing this auditorium was more "modern impressive" to say the least. As for the seat view, we had seats to watch Hamilton in Section Orchestra F, off to the right of the stage. My preference is always the aisle, so I gotta say that first seat is golden! I saw nearly everything except the brief moments when performers spoke on the upper right side. I felt sorta bad for the three kids behind me, because I think they probably were struggling to see what's happening. Not very kid friendly imo. And being 5' 5", I felt the seat were comfortable enough. As for the sound, it was perfect. It wasn't overly loud. I heard everything just fine. In closing, I'd simply say, I cannot wait to watch another show here. read more
5 months ago
5 months ago
I've been to see the nutcracker and the phantom of the opera. Wow I cried during both performances they were Both were fantastic. The Keller auditorium is such a nice place to host these performances. The staff are helpful and very attentive to the audience. Overall I would love to attend many many more events at the Keller. read more
I went here to see Shucked last weekend. Balcony 2 seats , which were fine with me. What wasn't ok was the price of food and drinks. Yikes! The place was clean and the bathrooms nice despite the long lines. It's been awhile since I'd been here so it was nice to see a musical for a change. read more
Business owner information
Portland'5 C.
Thank you for your review of your experience at the Keller…
2 years ago
I've been to a few shows here in 2024 and I love it. Mostly. The Pros: There really isn't a bad seat in the house. There's a parking garage on the corner. Ticketing fees are reasonable. The Cons: The lobby is way too small for the amount of people the theater holds. Add in merch booths and you can hardly move around. There are not enough bathrooms so intermission lines are crazy long. Lines to get food and/or drinks are very long and it's pretty pricy. read more
2 years ago
Very nice mid-sized theater. Very well organized with a good safety screening process in place. Convenient parking garage diagonally across Clay St. Comfortable seats, but too close together, as most performing arts theater seating tends to be. Ushers were very friendly and helpful. Nice meals offered before performances, full bar and some snacks for sale. Food not permitted in theater, but ample space to sit and eat in lobby. Beverages are permitted in theater. read more
8 months ago
Getting in was really easy. They have the new detectors that don't require you to empty your pockets. Once inside, the bathrooms are on opposite ends of each other. The women's side has a huge rest area before the bathroom if you want to relax next to the bathroom.....lol during intermission, there was a huge line but it seemed to move quickly. The seats were okay. I had trouble getting comfortable. Pretty decent venue. I would see another show here if the price was right read more
1 year ago
Watched Moulin Rouge (Broadway in Portland) show with the hubby and enjoyed the experience! Parking sucks so we took a ride share and made it stress free - there is a pickup/drop off strip right in front. Theater was clean and staff was available to guide and answer questions. Neat little "honor sale" cooler with small bottled water for $2. Overall, a great experience! read more
3 years ago
Just when I think I have figured this venue out... I come here a lot. I see the whole seasons of PDX Opera and Oregon Ballet Theater here since it is their venue for 3/4 of their seasons. I had an injury which has now turned into a pretty permanent situation. As a result, I sometimes have better nights walking than others. My legs might barely bend so I need an ADA seat so I am not crammed into a space. I went to Moulin Rouge, last minute seat grab since I thought I was not free and I was...and I was so glad I grabbed that ticket because that was an incredible show and an incredible seat in the box section where I did not realize was ADA and so much better to get in and out of that the orchestra section at the rear where it is very cramped plus I am genuinely afraid of falling down due to the weird twisted floor they have there. With the box section you can just go up barely and the seats are all roomy and adjustable. So, I then called to have my opera seat switched and she said that my specific seat was available. I did not realize she did select box but switched the seat and section numbers. It was fine since the whole section I was in was empty. What was ridiculous is the people who usher are horrific. The venue is actually not laid out that badly if you know what I now know. FYI...since, apparently the ushers think the four point walking cane means I like to walk unnecessarily across the whole venue though the sea of rude people. The normal public look at the cane and sigh annoyed I am 'in the way', rush in front of me, step ON my cane (no joke...it happens) so I REALLY try to avoid people and I go out a lot since I like living my life an seeing performances. Most venues I learn tricks as to where to sit and getting in and out with minimal people interaction. It keeps me liking people a lot more the less I experience their rudeness. So, I was so excited to sit in my new found perfect spot! I do like the Keller's street position and it has parking close in for people so the front is rarely crowded so I can just walk up reasonable ramping streets - there are quite a few ways and the stairs are even half steps up which I can manage pretty well if needs be. I wander over to the first elevator and just tell her box. She sees my seat and section just as we hit the box floor. She then practically yells at me as she slams the door shut fast so I could not get off. She barks that I have to get off here, practically throws my hobbling ass off saying I need to go to the other end and take that elevator...but there's a guy leading people in...and I had to wait A LONG TIME to get that elevator. I remember that the box section I was able to get to by stairs that were not a lot but she took me up to I don't even know. Long story.... I walked down because that usher pointed me to the box usher saying that the box DOES go through...and it does. So why that insane woman thought it made sense for me to walk to the other end and elevator versus just walking to the other side of the box section (WHICH HAS A COMPLETE WALKING PATH). There was one amazing usher who came to get me when she saw the look of a woman in a whole world of hurt and she offered to bring me water too. It was a tiny cone but hay... a cone of kindness was very much appreciated. And warning - I almost always end up with a migraine post show. Every performance there is always some asshole with a lit up screen (FYI - dark room and your high beam is horrible - YES, we ALL see you). I love the box section but now it's worse. I was at PDX Opera's Rulsalka which was lovely...until someone in the center floor level had their cell phone on a solid four minutes. I was amazed it was so long and then realized what I have noticed before - unlike at the Schnitzer for symphony performances, their ushers do and say nothing. They shut the doors and that's that which I probably shouldn't say since it might encourage you. Honestly it would piss me off less if it were people taking photos but it is people doing an email or IM - you can tell by the screen and that's why it is so bright! If it is urgent, pop out and do the thing... read more
I didn't get any food, but they had a pretty decent drink selection! I came to see Avatar The Last Air Bender in concert! It was my first ever symphony and it was incredible! It's a beautiful auditorium with comfortable seats! The aisle attendance workers were super helpful with finding your seats. I'm definitely going to try to find more shows here!! Thank you Portland!!! read more
2 years ago
Great show, loved everything about the act! Seats were okay on the comfortable ratings, definitely glad the show was under 2 hours. Food/drinks were super expensive, at least it was tasty. read more
2 years ago
I love the Keller Theater. We came to the Sunday Matinee. The seats are comfortable. We are a large group and we are accompanied very well. read more
3 years ago
What a fun place to do a thing! I don't care what the thing is, I've enjoyed them all. The acoustics are great, I love the space itself, all the levels, and the people who work there are so kind and enthusiastic and helpful. We had no problem with parking, the park outside is lovely to spend time in beforehand, and there is a decent flow even when full of humanity inside, not to mention the bathrooms are clean and easy to access. I even love the view out of their massive windows during intermissions while we stretch our legs a little or grab a glass of wine. The seating I'm still working out, as in what and where is best to be, but so far, the 'cheap' seats are still great, and the box experience is at this point my favorite. The variety of events and the professionalism with their management each night is top notch and I cannot wait to go back every time I leave. read more
4 years ago
Checking out the Temptations. It's a great show. Full of energy pack house, definitely a show you should come and see. read more
1 year ago
4 years ago
Went to see Moulin Rouge last night. We all had a spectacular time! Really, everywhere I've ever sat in the Keller has a good view. Of course nothing is like being down on the floor in the front. The two things I'm not fond of here is the bathroom lines and the concession prices are a little high. Other than that it is a nice venue. read more
2 years ago
The lines for concession were an hour long . I don't think anybody is in charge of organizing a cohesive concession strategy here at this obviously failing business model. The money this establishment lost tonight is unbelievable ten of thousands of dollars walked out the door because they had senior citizens passing out pretzels and canned beer. Massive failure Keller........... read more
1 year ago
2 years ago
Having grown up in NJ and seeing a dozen Broadway shows and concerts annually, I'm grateful that Portland has a venue that attracts traveling Broadway shows, singers, comedians and the ballet. I probably visit this venue 10-12 times a year taking in the traveling Broadway shows (Wicked, The Lion King, The Producers, Mama Mia, Fiddler on the Roof, Hair, Book of Morman, School of Rock...) and it wouldn't be the Holidays without seeing The Nutcracker! I've seen Harry Connick Jr, Bonnie Raitt, Renee Fleming and several other singers, as well as comedians and illusionists. Seats are comfortable and since the theatre slopes downward, usually you can see over head of the person in front of you but for that rare occasion when that person is really tall. Stage visibility is fine anywhere you sit, but obviously certain seats offer better views and prices correlate. The performance determines where I choose to sit. For Hamilton, I wanted to be a few rows back, center orchestra, and was willing to spend top dollar; for Dear Evan Hansen, I chose the balcony. And I have sat everywhere in between! Acoustics could be better. Often I am struggling to understand the words when I am seeing a play or musical. For comedians and concerts, it's better but could still use improvement. The way the Keller is designed creates a bottleneck the minute you get through the doors. Everyone congregates in the small, narrow lobby, which is also where they have concessions, so people hang out and it's always crowded. The best recent enhancement is the ability to preorder and pay for drinks and snacks so they are ready and waiting for you at intermission. This is a far more efficient process and even benefits those that haven't preordered, because others have, reducing the lines. The bathrooms are located in the sides with women to the right; men to the left. For some reason they don't have both a men's and women's on each side, which they should. We use the restrooms at whatever venue we choose for a pre-show dinner, then get a glass of wine and go right to our seats. Parking is super easy with a garage located on either side of the Keller which is only $6 for the evening. Since we usually have HH at Morton's or Nel Centroid before the show, I'm able to score on-street parking and only have to pay until 7pm. Point being, it's super convenient to park with easy access to bridges and freeways which means getting in and out of this part of town stressfree. Even though I see room for improvement with acoustics, bathroom and lobby, I still give the Keller 4 stars because they attract the talent which allows us to have access to performances without having to leave town, a huge benefit for Portlanders. read more
Business owner information
Portland'5 C.
Thank you very much for your review of the Keller Auditorium, Kim! We…
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More info about Keller Auditorium
222 SW Clay St
Portland, OR 97201
Downtown, Southwest Portland
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(503) 248-4335
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https://www.kellerauditoriumportland.com
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Ask the Community - Keller Auditorium
I bought tickets for Phantom of the Opera, I thought I had bought 1st balcony tickets but I accidentally bought tickets for the 2nd balcony, this is my first time seeing Phantom, will sitting in the 2nd row of the 2nd balcony ruin the experience?
Ruin? No. Will you be able to see all the finer details? No. But honestly the 1st balcony would not have been much better. Keller has a nice layout that means you can enjoy a performance from most any seat. You're going to have a great time.…
Review Highlights - Keller Auditorium
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