I have brought my guitars to most of the repair people on the island since I moved here, and…read moresearched around quite a bit with unsatisfactory results previously. I've been playing 50+yrs and have some pretty nice vintage and new guitars. Gary does top notch work. His workshop is well set up and organized, and is probably better tooled than the other workshops where you can't see what is going on. I've been to a few backrooms to watch people at work and Gary's setup is fine. It being in his garage, which another reviewer subtracts points for, is irrelevant.
What is relevant is skill, and Gary is tied with one other person on the island in my estimation, but the other person is generally hard to get a hold of and takes forever. These two are the only people on the island who I would trust with my guitars (1961 Gibson lg-1, 1962 Fender Jaguar, 1965 Fender Coronado II, 1972 Gibson SG, 2009 Godin xTSA, 2015 Gibson Hummingbird Pro, 2020 Danelectro "1959" 12 string, 2024 PRS SE20e parlor guitar). I say this not to show off -- the vintage ones became vintage from me taking care of them and playing them, not collecting. I got them relatively cheap back in the day. Gary has done fine work on all of them, and I play at least one of them every day. I would not bring them to any of the others I have tried or interviewed, and I really checked around.
Let me give an example to bring things home. I have a very nice Gibson Hummingbird Pro acoustic that had a particular neck problem that I just plain would not entrust to other island luthiers and such. Basically, there is a common problem of a little buckle in the neck that was causing one string to buzz on one or two frets, I tried another luthier I had read about, and they wanted to sell me a case, a humidity controller and talked a bunch of nonsense in general about the specific problem. They really talked a good game and they wanted me to buy a bunch of stuff, lock my guitar in the case, and blah blah before they would even look at it. They understood the problem to be me. When I asked what they would do if the problem persisted after getting all the gadgets, the other luthier shop was into defretting, planing the neck and resetting it, which would have cost a small fortune.
The correct solution, which I knew from another guitar, is to not worry about planing the neck and adjust the frets instead, since we are talking a miniscule buckle. I played the other guitar that had had this problem for thirty years without a problem after the fret adjustment, and have had no problems with the Gibson's playability since Gary adjusted it five or six years ago. It took a couple of tries to get it there, but Gary worked with me, and we had to close in on it because of my playing style, not because he missed anything, so he did the first adjustment conservatively since he would have to replace the fret if he went too far. The more radical steps were available if the less invasive one failed, but Gary approached the problem as only someone with skills, wisdom, and years of experience could do.
I could go on about the meticulous and knowledgeable work he did on my other guitars, but suffice it to say, he is where I have taken them for the past decade and where I'll keep bringing them. He's not the cheapest, but he is the all-around best if you care about your instruments AND play them.