I love this company, they have always been professional and helpful every time I've come in. I love…read morethat they are open 24hours and they have the best engineers.

The Pro Tools workshop taught by [602] Prophet at Lost Oasis Records was an excellent introduction…read moreto the world of audio production. Prophet broke everything down in a way that was approachable for beginners while still giving us insight into professional techniques. We started with the fundamentals -- setting up a proper layout in Pro Tools -- and gradually worked our way toward more advanced concepts like creating mix buses for melodies, drums, and vocals. I really appreciated how he connected each step to real-world workflows, so you could see how it would apply in an actual studio session. What stood out most was Prophet's ability to make technical concepts feel simple and actionable. He kept the pace steady, encouraged questions, and made sure everyone understood before moving forward. It never felt rushed, and every section built logically on the last, so by the end, you had a complete picture of how a track comes together. In the future, it would be great to see even more hands-on opportunities and perhaps the chance to collaborate with artists directly -- which would make the learning experience even richer. Overall, the course was a wonderful experience that I'd recommend to anyone wanting to get started with Pro Tools or improve their production skills. Lost Oasis Records has created a great learning environment, and Prophet is a fantastic instructor who genuinely wants his students to succeed.

Worked one of their gigs once. The owner is a hard working guy and really takes pride in putting on…read morethe best performance and shows for his community. Hit them up

An Amazing studio with a gifted producer! I worked with Liv…read morefor many years as a studio musician and on my own projects. He has a superior ear for music and really gives his heart to every recording project. I am an acoustic musician who is a vocalist and a drummer--two challenging instruments to record and produce together. Liv took my music to another dimension. In addition I have asked him to mix and master other projects for me including an audio-book and I am always blown away by how amazing the finished projects sound. Liv has a great eye for video production and made me an incredible compilation for my most recent album. I trust him with all of my recording, mixing, mastering and production needs. I highly recommend Liv and am proud to be an Invincible Recording Artist!

Invincible recording feeds the ears and the soul!…read more I have been working with Liv on a variety of projects as a session singer for a few years now - he is an absolute delight as both an engineer and human. Liv always has the room ready to track on arrival, is very timely and professional, and is a fantastic communicator during sessions. His feedback during tracking helps guide my vocal performance to effectively serve whatever music he has in front of him. He also is full of helpful creative insights that are thoughtful and well-serving towards the finished product. I highly recommend taking any opportunity to work with Liv at Invincible Recording.

such a great environment to have a podcast since the first day we started recording. It's been a…read morepleasure and it always starts from the top down. Tyler is such an amazing person and an inspiration to us. He really wants people to come up and do and do good in life. He puts his heart and soul into it and it shows we are so glad to be a part of this journey with backlot Studios. I definitely recommend.

We had a wonderful experience at Brick Road thanks to Scott! We came here for my 10-year old…read moreniece's first recording and truly couldn't have asked for a more exceptional experience. Scott's expertise, guidance, and support made her feel comfortable and very proud of the song that she was able to record. Highly recommend for a professional and welcoming recording space!

Brick Road Studio is amazing! Scott Leader is a master at its craft. Never have I seen someone so…read moreefficient, precise, and fast at what they do. His knowledge about the technical side and his musicianship is tremendous! I have been working with him for over twenty years and it has been a great experience every time! I recommend everyone check them out if you are in search of a place to record your album!

amazing facility and owner! Louis is a dope producer who can help bring your music and artistic…read morevision to life!

They give tours and highly recommend. Super awesome recording studio with many famous artists…read more Brandon was super nice. Highly recommend!

Awesome quality and great vibe. Best studio I've been to. Would recommend to any artist with any…read moretaste. Cole is an insane engineer

It took me a long time to decide to write this review, because while some of my experiences with…read moreSteve were great, other times the service was awful. I will give you both sides and you can decide whether or not you want to work with him. I am a singer-songwriter who brought music files to Steve to edit. Once we got the instrumental tracks smooth and in sync, we recorded my vocals. His equipment was superb, much of it made by him to exacting specifications. And, from what I have learned about microphones--including how I sound after using several different ones--I think that the custom one he built was first-rate for my voice. Don't, however, expect a professional atmosphere. Steve records in the living room of his house; and during the time I was there, we had to work around a young baby and a dog. If it's summer, he turns off the air conditioning (because the compressor makes noise); so if you record during the summer months be prepared to sweat. A lot. The best part of the experience was learning how to edit my vocal tracks with ProTools. Steve encouraged me to get the artist's version so I could do the editing at my home, saving money and getting the vocals exactly the way I wanted them. He was generous with his time teaching me how to use the program to edit vocals, and I will always appreciate this. If you're waiting for the major "but," here it is. Most of the problems arose around the mix. It took Steve four months to give me ten songs. He procrastinated, rarely communicated in a timely manner, and in fact acted annoyed that I would even dare to call him to ask about the status of the project. In retrospect, I could tell he really didn't want to mix the album. He should have told me this straight out, instead of leaving me hanging. After four months and about twenty-four hundred dollars poorer (of course my money was not refunded), I was less than happy with the mixes. I brought the files elsewhere whose engineer--who had much more experience with my style of music and also teaches recording at a university--immediately made the piano and guitar sound better. In a few hours, this other engineer did better than Steve had in four months. One major problem was the condition of the files. Somehow Steve had combined time changes (which I had requested) with unwanted key changes. He didn't label the files so you knew what they were. And instead of one instrumental line or one vocal line, various portions of files were in pieces all over the place. The other engineer had to spend extra time getting the files in shape (and, rightly so, charged me for it). One song was ruined to such an extent that I was unable to use the guitar track (which I had already paid for). I had to record other instruments for this song all over again, as well as the vocals which had been recorded too "hot" and were not useable as there was distortion. I have no doubt that Steve is gifted (he spent a fair amount of time telling me that he was, and I did see at least one award he earned). However, he's probably much better doing work solo, such as soundtracks that other studios send him for absolute final revisions. Steve had given me a price break because I was doing an entire album; but there was always the caveat that he'd cancel my session to do work on, say, a movie soundtrack that brought him a much higher fee. Ultimately, considering the money I threw away for a mix I couldn't use, and the extra money I had to pay the new engineer to get my files in workable shape, I probably didn't end up saving a whole lot. If you're a singer-songwriter and not a major studio (which pays Steve a lot more), you should probably look elsewhere. I found Brick Road Studio much more suited to my needs.

second time collaborating with Steve 30-45 mins thank you so much professionally speaking to a…read morenovice consciousness rapper experimental vocalist creator engineer producer indy artist via SoundCloud and Voloco and voice memos thank you for being patient and sharing knowledge insight through love for music. look forward to publishing my first song with you to Apple Music Spotify and Youtube Music and from there creating an album minimum 5 songs. no mumble rap ‍ ps: s/o young Stanley ttyl (72hours) (3rd base - hot corner / pitcher - heirophant )