Ashley B.'s review is excellent. Beyond what she has written, I must add a lament. The first performance I attended here was a performance that included Beethoven's "Figaro", conducted by Dr. Howard Skinner. That hooked me completely. I bought season tickets, up close, attended regularly. Dr. Skinner conducted the orchestra in performing the genuine classics, focused naturally on Bach, Beethoven, Mozart, and the most beautiful Wagner I had ever heard in my life. I don't recall that he performed anything he himself had composed; and I don't recall any dependence on modern composers. I'm certain that if the UCCC decides to focus on the proven masters once again (those four and more), I will get season tickets again, for myself and my family.
Stage performances range from somewhat poor to superb. I think that depends largely on who makes up the committee that selects and invites performers. I've heard what different members think will raise attendance. I understand their perspectives. Results are a good guide: when there is low turn-out, that type of performance should be let go for a while; likewise, when there is high turn-out, more of that type of performance will bring in the people. People who enjoyed Riverdance might not like Pilobolus; I enjoyed both. People who enjoyed "Young Frankenstein" might not like "Rent"; I liked only the first. People who enjoy Shakespeare . . . won't get half as much as they would like.
Prices can be pretty steep; on the other hand, there are also performances that are pretty inexpensive to get seats for. Now and then there is a free performance, such as that by the Army Band. read more