I took Tom's "DSLR/M Jumpstart" class this June. Glowing review follows...
But first, a bit about me: I've been a latent photography maven since my early teens, starting with a Polaroid and quickly graduating to my dad's old Bell & Howell 35mm. As things often do, it found itself on a shelf until the advent of the iPhone and ever-present cameras. Discovering that I enjoy taking nice shots, but always knowing I could do better, I finally splurged on a "prosumer" Canon mirrorless. Not wanting to let it be relegated to the same fate as the B&H, I immediately went looking for some classes, and found Tom literally one neighborhood away. I immediately liked his no-nonsense commentary about how good photography connects us to our memories and what we experienced at the time, but also his keen level of humility; I think that's essential to being a good teacher, as hubris stands in the way of connection with students.
When I arrived, Tom had a cozy kitchen table set up for three students, with brief handouts at the ready, and a table full of curios just begging for practice. Alas, one student was a no-show, but we had lively chat until Tom decided to get underway. There wasn't a single boring moment in the day; Tom immediately got both of us familiar with the controls on our fancy cameras, then started reviewing the basics of photography. It wasn't a theory class, per se, but he spent as much time as it took going over both how our cameras take photos, and how we perceive them. The room was set up for a simple PowerPoint-style presentation, but it was always in the background as we moved back and forth between our devices and discussion.
Just setting expectations: about 75-80% of the class is "ground school" -- we worked with our cameras and settings indoors, practicing a bit on nearby objects, and then venturing outside for some practice. Tom made it fun, setting us up for a bit of a scavenger hunt in his back patio that's clearly designed to get us looking at the objects a little more deeply, and playing with focus and depth of field to achieve artistic effect.
By the end of the day, I didn't feel like a "pro," by any stretch of imagination. But I did feel like I had the potential to get there. I haven't switched my camera back to "Auto" mode since the class. I've taken some lousy photos, and then realized what I'd done wrong. And I've taken some amazing shots.
My only gripe about the class? It's too short. I left wondering, "ok, what next?" Tom offers a number of other opportunities like photo walks, and I'll be taking him up on them in the near future, but I definitely felt like there could have been a second day. That said, I think that's a good thing: the class achieves a "jump start" for new photographers, and leaves you wanting more. read more