I love dali's art. He is very special and talented, and I sat there for hours trying to figure out…read morethe art. There were bathrooms, a gift shop, and cool rooms to keep me entertained. The town around the museum is really cool too. I love the coin machines! Be sure to bring one euro if you want to use them!

AWE. Shock. Chills. Amazement. Tears. Inspiration. Joy…read more All the things I felt while getting to see the life work of the person that has impacted my life in so many ways. Built in his hometown and on the ruins of an old municipal theatre, where his first public exhibition took place as a child. It's now the world's largest collection of his work with over 1500 pieces. Salvador Dalí is a workforce. His brain was magic and I'm so happy he took us to his incredible world of fantasies and surrealism. Getting to see his greatest and last work of all time and being able to sit right on the place where his body rests as you admire the room, ceilings, walls, sounds and work of the greatest surrealist of all time, is something I will never forget. An absolute experience of a lifetime. Heart thumps, goosebumps, knees weak arms are heavy, mom's spaghetti type of experience. He created the world's largest surrealist object and got buried right in the glass dome he designed as his "final surrealistic act". He literally became a part of his greatest work of art. It's an honor to know his work and to be able to get to visit a place like this is a huge privilege I will never forget. It's not just a gallery but a surreal playground.

This is the home of Gala who was Dali's wife. The story goes that he built the place for her…read morebecause she tired of the visitors to their home they shared. He had to get written approval from her to visit. The home was unique and very Dali but the gardens were my favorite part. Little surprises hidden among the trees and birds! You cannot take photos inside the home but are allowed to photograph the garden. This is chronologically the third stop you should take on the Dali triangle tour but I found time wise that it was best to start here in Pubol, travel to Port Lligat for Dali's home, and finish with the museum in Figueres. All three can be done in one day with careful planning.

Whether or not you're a fan of Cubism, everyone knows Picasso--and the Picasso Museum in Barcelona…read moreis an absolute must to understand the origins of this brilliant mind. There a handful of Picasso Museums around the world, but the one in Barcelona is worth a visit as this was not only the first museum dedicated to Picasso's work, but also the only one created while he was alive. The museum is sectioned off by eras of Picasso's life, starting with his early formal training under his father, Jose Ruiz, at age 7 and his earlier works when his family were his muses. I always knew Picasso was talented, but I had no idea just how truly multifaceted he was. Entry is by timed ticket, and can be reserved for free 4 days before your actual visit between certain hours. NOTE: If you need to use the bathroom, hold on to your ticket--you'll need to scan it for re-entry.

How can you not give a lovely museum 5 stars? The building itself is really cool -- a series of…read moreconnected medieval palaces with beautiful courtyards and stone details -- and the exhibits are genuinely interesting. You get to see Picasso's early works and sketches, which give great insight into his evolution as an artist, plus some of his famous Blue Period pieces and later reinterpretations of Velázquez's Las Meninas. I'll admit, I'm more the type who'd rather wander the streets of Barcelona than hang out in a museum, so I'm probably not the best art critic. But still -- it's Picasso! Totally worth a visit. And the best part? Afterward, I grabbed an amazing lunch of tapas and beers just around the corner. Perfect way to cap off the visit. 5 stars all around, lol.

What a place to find a first class art museum! I was not expecting this, added a couple of hours…read moreto my visit to Montserrat. They have a remarkable collection, well balanced with a rather unbelievable selection of the most famous Dutch Masters and French Impressionists but also abstract, ancient, medieval and Catholic (okay that part isn't as surprising) paintings, sculpture, and sketches. Also, a very good presentation of the history of Montserrat using the very latest in multimedia AV technology. I've been to art museums around the world, all the great ones are in major cities. I've never been to such a wonderful art collection hidden away in a mountain before. Save some time (a couple of hours at least) and energy for this museum.

Home to the iconic Black Madonna, Montserrat is absolutely worth the trip. People from around the…read moreworld come just to see the Black Madonna, and while that alone is incredible, it's the breathtaking views and hundreds of priceless artworks that make this a must-do day trip for me. Whether you're religious or not, the landscape alone will move you. Plus, the museum houses masterpieces from Dalí and Picasso that elevate the experience even further. Words and pictures can't capture the essence of this place--trust me, just book your visit.

The archaeology museum is housed in the former monastery church of Sant Pere de Galligants, but it…read moreis the original building which forms - in my view - the most interesting reason to visit. The museum itself contains rather formal displays of the history of the area from prehistoric times onwards, but the Romanesque architecture of the church, and of the octagonal bell-tower and the cloister, with columns and pillars topped with capitals decorated with plants and scenes from the Gospels, in particular, are a delight: in fact, they are regarded as among the best examples of Romanesque architecture in Catalonia. The church also has a delightful setting, with squares and gardens on three sides. Adjacent to the church, across the road at the west front, is the small but attractive Romanesque funerary chapel of Sant Nicolai, with a classic trefoil-plan apse. It was built at the same time as Sant Pere, and was originally part of the same complex.

Beautiful space right in Barri Vell to where a once vibrant Jewish community used to live. It's…read moreheartbreaking, achingly poignant, and beautiful.

An in depth collection of Jewish artifacts and information of how the Jewish community lived in…read moreGirona.

Gee, I didn't know this was a museum separate from the Cau Ferrat next door since it was all free…read moreunder the same ticket on International Museum Day (review: https://yelp.to/bIxDanekks). I only noticed weeks later when I finally read the brochure. Wasn't that stupid of me? Don't answer that. Anyway, while Museo del Cau Ferrat represents one man's collection of art, this more expansive exhibit represents the collection of not an artist but a wealthy benefactor. It was American magnate and philanthropist Charles Deering. Yes, the guy who founded International Harvester. Apparently, making his fortune in tractors meant he could afford three floors of art that spans ten centuries of art from the 10th to the 20th century. The style varies from Romanesque and Gothic to Renaissance and Baroque to Modernism. The mirador was particularly striking with the neoclassical statuary set against the Mediterranean background. RELATED - Exploring Barcelona and Sitges? Here's my collection of places I've visited and reviewed: https://bit.ly/4dTEx5T

Great experience, definitely worth attending once you're done drink and eating lots of tapas. Good…read moreexhibits and even better view of the Mediterranean Sea.

Despite the slightly unpromising name, this is one of Spain's foremost collections of mediaeval…read moreart, and worth a couple of hours of anyone interested in art history. It is second only in importance to the collection in Barcelona in terms of mediaeval religious art in Catalonia, but in some ways the more intimate setting makes it more accessible. Background The collection was brought together by Bishop Morgades in 1891, as part of the resurgence of interest in Catalan art and heritage in the 19th century, associated with the rise of Catalan nationalism. The focus is religious art, with items brought from a wide range of churches, cathedrals and religious houses across Catalonia. The collection was moved to the present purpose-built museum in 2002. The high point is the Romanesque and early Gothic collection, where a range of statuary, altar fronts and altar pieces of exceptional quality and excellent state of preservation cover the 11th-13th centuries. Also well represented is the later Gothic period, from 13th to 16th centuries, and there are collections of textiles, glass, metalwork and ceramics covering the period up to the early 20th century, together with a small local Roman collection and some Egyptian artefacts. The collection Starting in the basement are collections of Roman monumental sculpture, Roman artefacts from local sites, and a small Egyptian collection, which includes a fine mummy from the later Egyptian period. An audiovisual room gives a presentation about the museum's history (in Catalan). The ground floor is, in many ways, the high point: the collections here, arranged largely chronologically, cover the 11th to early 15th centuries, and are entirely religious in origin. They comprise statuary, altar fronts and altar pieces, and some recreated sections of fresco from Pyrenean churches. Of particular note are the life-sized Descent from the Cross from the church in Erill de Vall, from the first half of the 12th century, and the recreated Gothic patio with a truly stunning 15th century reredos. The first floor contains more 15th century gothic painting and sculpture, with later pieces from the 16th and 19th centuries. There is also a large collection of religious textiles, including altar coverings, albs, cloaks, mitres and other ecclesiastical garb, from the later mediaeval period to the 19th century; and a large collection of local glassware. The second floor continues the ecclesiastical theme, with leather work and more familiar Episcopal collections of metal work, including processional crosses, monstrances, chalices, thuribles and candelabra; a large collection of locally forged iron-work of both religious and secular origin; and a substantial collection of local ceramics. Finally, the so-called 'Study collection' is worth a look, comprising a range of items from storage, arranged informally, but interesting for both their variety and quality. Practicalities The museum is located next to the cathedral, in the old part of town. Parking nearby is difficult, but it is only 10 minutes' walk from the railway and bus stations. The building has level access throughout, with disabled toilets. There are lockers for bags and coats (photography is not allowed) and a small shop, selling postcards and books. Entry (2011) in EUR5 for adults and EUR2.50 for children/concessions.

Another excellent museum with a mixture of ancient Roman to Medieval Tarragona but mostly focused…read moreon the Roman city. Very well laid out, and the only way to see inside the corridors that you can only glimpse from the outside. If you don't have the patience for the whole museum, make sure you see the mosaics and bigger better preserved statues.

This impressive museum charts the history of Roman 'Tarraco' and contains some of the most…read moreimportant finds from the city. It is a 'must' on any visit to Tarragona. The basement includes a section of the original Roman city wall in situ, and subsequent floors include exhibits depicting civic, commercial and domestic life. Most impressive is the collection of statuary and funeral monuments, and a series of mosaics, including a wonderfully vivid and well preserved one showing some 50 species of marine life from the area. Other finds include items from shipping such as anchors and a large collection of amphorae, and household luxuries, such as glassware and jewellery. A favourite of the school party visiting at the same time as us much to the embarrassment of their teachers was the collection of erotic objects. These include brooches, ritual objects in the shape of penises and a small statue of an infeasibly well-endowed Bacchus, sporting his appendage in front of him like a third leg! Items are described in Spanish and Catalan, and there also are free guide pamphlets on each floor in English, French and German. The museum is also fully accessible with ramps and lifts. There is a small gift shop and audiovisual room used for occasional exhibitions.

Hard to miss and it's huge Beautiful museum…read more It's Catalonian which Barcelona has this divided populations and language and even politics and laws But nonetheless it's a great place to wander around

Looking up from Plaça d'Espanya toward the Montjuïc area, the classical Italian facade of the Museu…read moreNacional d'Art de Catalunya sits atop a hill like an elaborate crown perched on a pedestal. You can't miss it. Walking by, if you weren't sure what building this was, you'd google it for sure. Taking the direct route from the traffic roundabout (and nearest metro station, as well as many bus stops) to the front entrance entails many stairs. Plan a good 10 minutes to walk up, that is if you don't stop for photos along the way. From the side streets, where I came from, there is the option of outdoor escalators (how novel! I haven't seen many outdoor ones before) for part of the trek upwards. Upon entering the ticket counter is to the left/center right inside the door, there is the option to purchase online though I bought them in person and it took only a few minutes with no line on a Friday in September. The ground floor lobby is right beyond the counters and provides direct access to the 6 main areas of the museum - Medieval Gothic art, Medieval Romanesque art, Renaissance and Baroque art, Modern art, Numismatics (coins and medals), and the main auditorium/atrium which also contains the cafe and a massive pipe organ. The exhibits were very thorough and for the most part chronological. I was impressed by their extensive Romanesque fresco collection and maintenance, and also enjoyed the modern art and Art Nouveau/Art Deco furniture collection. Walking around the total museum can easily take 2-3 hours, more if you want to read all the descriptions. The museum attendants are quite detailed in checking your tickets at the entry of each exhibition hall. Larger bags and backpacks must be carried in front of you not on your back. Bathrooms are available. Parking for cars and buses is also available though aside from tour groups it looked like majority of patrons walked there.