Burghley House is one of the grandest Elizabethan stately homes in the UK, and is surrounded by…read moregardens and extensive parkland. It has been used in over a dozen films and TV productions, including "Pride & Prejudice", "The Da Vinci Code", "Elizabeth: The Golden Age"; and "The Crown".
To understand the significance of the house, a little history is helpful; it was built by Sir WIlliam Cecil (1520-1598), later Lord Burghley. He was one of the pre-eminent advisors of the Tudor period, and the closest advisor to Elizabeth I for most of her reign, acting variously as Secretary of State, Lord High Treasurer and Lord Privy Seal. His impressive tomb is in St Martin's church, in nearby Stamford.
The house was built to reflect his status, paid for by the wool wealth from the Burghley estates, and his substantial income from the state appointments. As such, it is sometimes referred to as a "Prodigy House", one built on a palatial scale by noble families and courtiers, and capable of housing visiting Tudor and Stuart monarchs and their extensive retinues.
The house itself was built between 1555 and 1587, and the exterior is largely faithful to this period. The design reflects the transition from a mediaeval courtyard house, with the Elizabethan desire for symmetry, to the emerging classical tastes of the Renaissance. The profusion of obelisks, turrets, chimneys and pennants is, however, thoroughly Tudor in style, and gives the house its unmistakeable profile.
The interiors were not completed at Burghley's death, and reflect the emerging Baroque tastes of the 17th and early 18th centuries. There are 35 major rooms, many incredibly opulent, including those painted trompe d'oeil walls and ceilings by Antonio Verrio in 1697-99. A number of the rooms include stained glass windows, dating from the 16th and 17th centuries.
The house also contains an impressive collection of over 300 paintings acquired by the 5th and 8th Earls of Exeter, mostly from Italy, as well as an important collection of Japanese export porcelain from the 17th century, and 18th century English furniture.
Tours include the impressive Tudor kitchens, although the route doesn't enter through the main courtyard entrance, so it can be a bit puzzling. Much of the house remains in private occupation, though there is a lot to see in what is open to the public. The audio tours are very helpful at putting the interiors and collections into context, in what otherwise can a feel a slightly overwhelming experience.
The gardens include a formal "Garden of Surprises" with a number of water features, a sculpture park, and more extensive parkland, modelled in the 18th century by Capability Brown.
You can buy tickets just for the gardens, or a combined ticket for both gardens and the house. I'd leave at least an hour for the house, though we took two hours to go around (it all depends on your appetite for art and architecture).
There's a cafe-restaurant in the Orangerie, and a smaller "Garden Cafe". We ate in the latter: it is a little pricey, but I found the food to be a cut above your average sandwich, and they had locally made ice cream as an extra treat.
