Mikado! Mikado! Mikado!
I love the "Mikado", and most of those who have seen it have formed a similar love. After it's opening at London's Savoy Theater in 1885, it became one of the longest running shows in theater history. It's been said that since that time, a performance of the "Mikado" has been produced somewhere in the world every day.
So what's all the fuss about? Well, even though it's set in (mythical) Japan, it's not about Japan at all. The "Mikado" is W.S. Gilbert's satirical put-down of government bureaucracy everywhere - all told through a silly story of an itinerant musician attempting to marry a Japanese schoolgirl.
Here is a short summary of the Act 1 (no spoilers!). A wandering minstrel Nanki-Poo has fallen in love with schoolgirl Yum-Yum, who is unfortunately (for Nanki-Poo) engaged to her guardian Ko-ko. When Nanki-Poo learns the Mikado (the emperor) has condemned Ko-Ko to die for the capital crime of flirting (!), Nanki-Poo rushes back to Titipu (Yum-Yum's home town) to claim his beloved.
But there he learns the Mikado has pardoned Ko-Ko and made him the Lord High Executioner, the only soul in the empire allowed to execute people. However, despite his bragging, Ko-Ko is a whimp who wouldn't hurt a fly. The Mikado informs Ko-Ko (via an email!) that unless someone is executed by the end of the month, Ko-Ko will have to execute himself, a somewhat difficult undertaking! What a dilemma.
Then Ko-Ko finds out way out He discovers Nank-pu, being despondent over the loss of Yum-Yum, tries to kill himself,. So Ko-Ko makes him an offer he cannot refuse. Please wait until the end of the month, and I will perform the execution myself (so much easier!). In the mean time, you can marry Yum-Yum. A deal made in heaven! Yet then they all discover that if a married man is executed, the wife must be buried alive, an event none of the three wishes to occur, especially Yum-Yum.
Another complication emerges when a woman in the Mikado's court, Katisha, arrives on the scene and announces that Nanki-Poo is her fiancé, and that he has fled her embraces. Well, this should give you an idea of W. S. Gilbert's zany plot.
HOT artistic director Henry Akina has brought the production into the 21st century. He tweaked the dialog to introduce references to Starbucks and I-pads (even to Yelp!). To be sure Gilbert would have hated this (he would chew out his actors for even mispronouncing a single word of his lyrics). But the audience seemed to like the modernizing.
I thought Mr. Akina made a brilliant move by clothing the Ladies Chorus in the modern Japanese hipster girl style of Harajuku (or perhaps this was the decision of costume designer Anne Namba). This works perfect for the school girls in the play. The Gentlemen's Chorus was portrayed as Japanese tourists, which the audience liked but I thought less successful.
The star of the Mikado is always Ko-Ko, and Curt Olds played him in a wonderful modern style - somewhat foppish, very much full of himself, but also likeable. You could almost feel the audience smile when Curt's Ko-Ko made his entrances.
Sasha Asmar is a wonderful Yum-Yum. Diminutive and petite Sasha allows Yum-Yum to be her pixie self as she dances about the stage. To my great delight, Ms Asmar possesses a wonderful and powerful soprano voice, which is a must for anyone playing Yum-Yum.
The best duets in the show come when Naki-Poo (Joshua Kohl) sings with Yum-Yum. Joshua's strong baritone matches Sasha Asmar's soprano perfectly, as it must.
Veteran HOT performer and local resident Jamie Offenbach makes a fine and imperious Mikado, and I loved local actress Megan Mount as Peep-Bo (don't you just love Gilbert's character names!). I think Anne Namba, HOT's own costume designer, deserves a special shout-out. Her Harajuku costumes were adorable. Ms. Namba has recently worked with a "Madame Butterfly" production in Europe and HOT will be bringing this one to stage soon. I can't wait.
I must say a word about the orchestra. They did a fine job with Sir Arthur Sullivan's score. Sir Arthur, if you didn't know, was a musical genius. The music in the "Mikado" still sounds as modern as this morning. It's impossible to believe that the score is 130 years old.
Well there you have it. I deducted a star because the sound quality suffered in the dress rehearsal, but I'm sure this will be corrected. I also did not like Katisha's portrayal as a fat woman. In the original production, Katisha is a beautiful woman who could not find love because men are afraid of her. A key element of the last scene comes when Katisha does find love and overcomes her sadness. For me this didn't work in the current production. This is my opinion, of course, and many in the audience enjoyed Katisha.
Ok, enough of my rambling. Please, please, please, go see the "Mikado" if you possibly can. I know you will enjoy it. read more