Cool vibe at this historical theater! Located in a fun area of Madison, it's a gem to look at in…read moreboth it's interior and exterior. Despite being an old theater they keep both the theater area and restrooms clean. Great acoustics and lighting for the size. For the best views, I'd definitely recommend snagging a front balcony seat to see the show and soak up the ambiance of the theater. Prices on drinks are a little high but reasonable enough. Polite and efficient staff. You can get digital tickets or pay something like $5 to have them mailed to you, which I prefer because it's fun to keep your ticket stubs. Cons? The chairs aren't super comfortable and they manage to get just under 1,000 people in the venue; impressive for ticket sales but it does make for a somewhat cramped venue, crowded lobby for drinks/merch and long lines out the front waiting for the show. Winter in Wisconsin? Better bring some hand warmers and all the things for the long wait on the sidewalk. Very limited parking so we find it best to park a couple blocks into the residential areas and wear comfortable shoes. It's a pretty safe area. Just a few things to keep in mind if you have claustrophobia. Totally worth coming for a show if it's someone/a group you've been waiting to see. We'll continue watching the upcoming shows lineup and come back!

This old theatre has a quirky charm to it. They have a massive concessions stand. The seats are…read morevery comfortable. This theatre is small so there are no bad seats. There is a parking lot and a good amount of street parking available.

My first time at The Sylvee and definitely not my last. Such a cool, modern, spacious, event space…read more I got to see Maren Morris and it was incredible! The layout is great. You walk in and you have a huge bar area on the left to grab a drink, then you can walk down a few steps and it's a huge area right in front of the stage. We got standing only tickets so that's where we stood. It was awesome because you could get so close to the stage. They do have a second floor with an additional bar and paid seating that looked really nice. The sound was great, everything was clean, air conditioned, the bar staff were efficient, and the prices weren't insane. There were a lot of people there but you still had your own standing space, it wasn't a packed sardines situation at all. Even leaving was easy, it wasn't a stampede. Overall an awesome somewhat more intimate experience for a concert. They do have a parking garage for $15. We went to dinner on Willy Street before and had street parking there so we didn't need to move our car. Only a few block walk, super convenient! I can't wait to see another concert at The Sylvee!

The show was absolutely amazing and it's always nice to have suite tickets but I don't drink soda…read moreand they do not offer club soda. It's actually ridiculous what they charge for soda water. Due to my medically necessary diet I can't have soda and club soda is something that feels like a treat when we are out and everyone else is drinking soda and alcohol poo poo on the sylvee for lack of dietary accommodations that cost less than pennies.

My family and I have thoroughly enjoyed the shows put on by this this theater company. An…read moreincredible value for the pittance they charge for the price of admission.

The Bricks never fail to leave their audience examining and reconsidering the events in their…read moreproductions long after leaving the theater. So it was this weekend when we saw their production of "Blackbird" by David Harrower. With one act, one set, and two players throughout most of the play, Blackbird begins as a young woman comes to a late middle-aged man's workplace to confront him about their past relationship. We immediately see his discomfort and resistance, and through halting and intense dialog eventually find the nature of the beginning of their relationship, she at a per-pubescent 12 years and he a 40 year old neighbor. When she asks, "Did you abuse me?" the word "abuse" is nearly stifled as though it were someone else's descriptive, not hers. This is how the play unfolds with accusations met with explanations trying to disentangle what their lives were then and have become now. The set complements the messages, with the company's rules and policy tacked to a bulletin board, lockers to hold personal belongings, and garbage and used empty containers all around. It makes for a great metaphor for society's laws and taboos, the places where you hide away our personal "belongings," and the garbage and used, empty containers we produce and become. The garbage is everywhere and is slung both literally and metaphorically during the production. As Ray, Mark Snowden leaves us suspending our judgement, holding our breath, horrified at times, and wishing to be sympathetic at times. Ultimately, as new missing pieces are revealed, we are left not trusting whether there has been any real change in him. Una, played by Jocelyn Fitz-Gibbon, dusts every corner of the subject. What happens if a young person discovering their sexuality is not surrounded by responsible, emotionally mature adults? A child perceiving abuse as love and adventure, the revelation and perspective gained with age, and the questions and wonder about the nature of that relationship come out in painful, uncomfortable scenes. Una amazes and confounds us fluctuating between a spurned and jealous ex-lover and an abused and cautious past victim. Harrower illustrates the psychological damage of abuse in developmental stages of life, and the challenges to the victim's relationships with family, friends, and lovers. I cannot reveal the role of the other player in the show, spoilers. But all three gave breathtaking and breath-holding performances. The scene can and has happened everywhere, quietly or publicly, making the "anywhere" location of the show appropriate as we examine why these codes and taboos are in place and what happens in our lives and futures when they are broken. Thank you, Bricks, for another searching and thoughtful experience in theatre.

It's about time I wrote about the awesome Bricks Theatre! Last Friday I went to the show of…read more"That's What She Said" located at the Brink. I have gone to about 6 of their shows, and leave amazed at the performances every time! Each "That's What She Said" show have a theme to them. This last one was "Lie". There were 9 women who wrote personal stories about what they thought of when they heard the word Lie. Each woman had their own story. I'm continually amazed of the courage these women have by talking about situations that make them very vulnerable. You can connect with a part of each of their stories. It's a night full of laughter and tears. Amazing! The only downfall is that usually the Brink has a performance or something going on in the bar area, therefore it can be a little distracting with the background noise of that.

We had wanted to see their show since we first learned about them right before covid. We never did…read moreget over to the Glass Nickel for a show but we saw they were performing at the Fete de Marquette so we made sure to go. I am guessing this was not their regular show but a shortened version since they were doing three different performances at the festival on this evening. The troupe was quite funny. Of course improv can be hit or miss especially when trying to engage with a big crowd that was moving in and out of the tent (many were in the tent avoiding the rain). We definitely had a many good laughs. We now plan to go to one of their regular shows.

I am surprised more people haven't reviewed this show. I attended the all ages show a few weekends…read moreago with my two children (7 and 9) along with a few coworkers and their kids. We purchased tickets ahead of time which was good because it was a sold out show. The venue is interesting (basement of Glass Nickel Pizza), it was small so space was very limited. I suggest arriving early so you can order something to eat and a drink. They do have a full bar in the basement during the show as well. My kids LOVED it. They had a few different acts, and each time they asked for either an idea from the audience or had a few people (kids) come up and help in the act. My son was super excited to be picked for the last act of the night. Most of the skits were hilarious, but there was one or two that was more funny for the adults as my kids were too young to catch on to why it was funny. We plan to be back!

Madtown, live up to your name. Attend 'The Stops' at The Bartell. What an Outrageous, Humorous,…read moreExtremely well done production by Oh, My Stars Productions. If you cannot attend consider a donation to this upcoming new production company. Visit their website for details. Highly recommend you attend 'The Stops'.

There's a special place in my heart for the Bartell. I've loved most shows I've watched here and…read moreliked a some others. To attend and be part of a local community theater is such a reward itself. I especially enjoyed a show that addressed dementia. My beloved grandma suffers from this and the show was performed excellently. It really helped me understand more of what my granny could be going through at times. Also loved seeing The Amazing Acrocats! What passion and talent this maestro has that's she can train cats, adorable! There are select drinks available and some movie theater type snacks. Plenty of local establishments for before and after the show :)