Better than Cadbury's or any BS french chocolate, the most tasty and filling chocolate in the…read moreworld. The staff there are very nice if you want to book a chocolate-making workshop!

From the owner: The only place in London where you can make, taste and learn about chocolate.read more

We had a great time exploring the Pitt Rivers Museum! There is SO much on display it's almost hard…read moreto take it all in. If you're an anthropology buff, this is your place. So many neat things to see and everything you can imagine, too many to list. From clothing to masks to weapons to toys all from different cultures and different times. We even saw a Totem Pole! Overall a fascinating place to visit, just wish we'd had more time to explore!

What you think of Oxford's Pitt Rivers Museum likely depends on how you like your museums. With…read moremore than 500,000 objects on display, Pitt Rivers is ripe for exploration. There's multi-level display cases everywhere, each seemingly containing more than the last. And don't get me started on the drawers; they're everywhere too, and when you pull them out you'll find hundreds more items in each. So if you like your museums with a few paintings on each wall this might not be your jam but you'll still probably be happy you went. You've likely never seen anything like this. A young woman in a shop mentioned, several days before my visit, that she particularly liked this museum and the way she described the entrance intrigued me. As it should: the entrance to this museum is found when you're already inside another museum (The Museum of Natural History; both are free of charge). Officially, the Pitt Rivers Museum displays both the archeological and anthropological collections of the University of Oxford. But unofficially, it's like entering someone's giant garage, very well organized but also packed to the rafters. One could spend months in here and only skim the surface.

Okay, so this doesn't rival the big museums up in London, but it is a very sweet local museum,…read moreperfect for those days when you can't think of what to do, but don't want to travel very far. I've visited a few times, and found fascinating, if small, displays, each time connecting the time period they were highlighting back to how it affected local life. Personally, I think that helps to make it real for people, children especially, as sometimes history can seem to them as some big blur of back then Opening hours vary, so do call in advance, but I think you're safe if you visit on Saturday mornings, and admission is free.

Small lovely museum, funded mainly by donations with lovely staff. Educational and mind opening…read moreexperience. I hope the museum gets the opportunity to expand and have more exhibits. When we came they had an exhibit about menopause. I think more people need to learn about the vagina in general and as a whole and understand what it is like to have one and all the burdens that come along with it and without it in the end.

A soon as I saw the name on the sign outside I HAD to go in. They have a wide variety of products…read moredisplayed from information pamphlets, books and jewellery that looks like ummm well I'm not sure what word Yelp will consider PC or risqué so just read the name of the business and you'll know exactly what I'm messing. You can wear them on your ears with a knitted sweet or on a chain around your neck made of an plastic type material, they had bold showing every size, shape and colour. You can also get t-shirts. The staff stayed behind the desk but they were friendly and greeted everyone that entered. I realised like myself most people seemed to be coming in out of curiosity and don't make any purchases but b they staff took that in stride and continued greeting everyone with the same courteous smile. Kudos to this company for celebrating woman so boldly

Housed in a grand and impressive building, the NHM is well curated, with impeccable displays, and…read moreit's free. However, a donation of £10 is HIGHLY suggested as you enter. As with all London museums, there is security checking all backpacks, but this museum was checking for alcohol! When you see all the school teens sitting on the stairways (perhaps waiting for parents to pick them up?), then the alcohol check is understandable. Out of all the displays, my favorite was the dimly lit Treasures room. Each piece exhibited tells an important story beyond what you actually see like an Iguanodon tooth from the Mesozoic strata and found by Gideon Mantell (or his wife) and the rivalry that ensued between Mantell and Owen, who later usurped Mantell's contribution in discovering the first known dinosaur species and shaping the early understanding of dinosaurs. While I find the digital text for each display as being the true treasures, only 1-2 people can read at a time so you feel a bit rushed if you're a person (like me) who reads everything, yet people are behind you waiting their turn. In addition to the wonderful displays, there is a photo booth whereby you can have 3 photos taken against a green screen depicting a dinosaur encounter. What they don't tell you upfront is that the photos are NOT free and can be downloaded (depending on the package you choose) from £12 to £22 pounds. When I asked the staff for information on particular exhibits, I found them to be more than helpful and friendly, too. Allow time for this expansive gem.

Lots of bones! Plenty of old stuff! Great turn-of-the-century over-the-top ornate architecture!…read morePlan on an hour unless you're hardcore. Ride the escalator into the middle of the earth to find out what music is playing inside. See extraordinary taxidermy handiwork. Even see a fake dodo bird thought to be an adjacent species that didn't exist. And if you like dinosaurs this is your Mecca. Just don't dare sit anywhere like on some stairs in the corner or some overzealous guard will kick you right out. But otherwise you'll have a great time. Also enjoy the outside grounds for a stroll, and hit up the West entrance for zero lines while the hoards line up on the other side.

Loved loved loved my visit here! I learned so much and saw some beautiful artifacts and jewels!…read moreBreathe taking! My personal favorite was the bible with all the gold carvings. It was the most intricate thing I've seen! I also really enjoyed seeing some artificers about world religions and learning more about other cultures. Free admission. Spend a half day or a full day here and be prepared to learn a lot and see beauty you have never seen before :)

We were in London for a week and we visited more museums than we normally visit in a year. My wife…read morewas especially interested in seeing the Victoria and Albert Museum. So, on our last day in London, we took the Underground to the South Kensington area to see the Victoria and Albert. It was well worth the effort of getting here. The V&A is awesome. And, like most of the museums in Britain it is FREE. We spent about 3 hours here and barely scratched the surface. You could easily spend a day (or days) in this museum.

I waited for a while to write this review as I wanted to parse this experience a little more in my…read moremind. In general, this place was reasonably well designed to tell the Jack the Ripper saga at a level for the casual observer. In other words, for those who want to learn the historical significance of the events on a basic level, it was perfect. I was afraid that it might be overly gimmicky and touristy. And there was some dramatic effect pervasive in the audio guide (extra cost), but it was not overdone. While the museum is housed in the Whitechapel neighborhood where the murders occurred, the structure itself has no documented connection to any of the homicides or murder suspects. The museum is well chosen, however, as it features five floors where they stage scenes relevant to the telling of the Ripper saga. The ground floor was informational, while the next level was set up as one of the first murder scenes where a victim was found. The second floor (third level) was staged as the apartment of one of the prime suspects Walter Sickert. There were actually a period overcoat and derby in that room to try on for a photo op. The third floor was set up to be a likeness of the police station with actual police artifacts from the investigator who was working the case. The top floor was constructed as a shanty apartment from one of the last victims. The basement (last in the tour on the recommended sequence) was a scene from the Ten Bells Tavern which seemed to be a seminal hunting location for the Ripper. The museum was well presented and the audio guide and displays presented the right amount of drama to tell the story without crossing the "hype" border. If you want to leave out most of the drama, you could forgo the audio guide. I thought it was a nice added dimension. But the artifacts and the signage by themselves give a very good basic history of the events associated with the Ripper. The backgrounds of the victims were quite interesting. Likewise fascinating were the identities and backgrounds of the lineup of suspects that had been pegged as possible culprits by various contemporaries as well as scholars and JtR buffs since that time. What particularly interested me was the status of Whitechapel within London's social environment at that time. It was clearly very different from the current standing of the community, which has really only changed in the past 20 or 30 years from what I could glean. This area was clearly rife to present opportunities for a psychopath like the Ripper to find his victims. These unfortunate women were victimized first by society and by their own poor choices before becoming ultimate victims for the Ripper. It was an intriguing dive into London's social history. Because of the iconic and enduring nature of the mystery behind these killings and its inextricable tie to the City of London, this museum is probably worth seeing if you have the time (and I emphasize the word "IF"). Given the number of worthwhile sights in London, I'd be hard pressed to urge most people to prioritize it. This was my fifth or sixth trip to London, and the third in which I've had my wife with me, so we were in a situation where we were on second tier sights, making this one easier to prioritize. We were also staying in Shoreditch. Hence, the proximity was working in our favor as the museum was walkable. On the other hand, if you are a crime buff or a mystery buff in addition to being interested in social and cultural history, you might elevate this sight to a must-see. It is done well enough to be both entertaining and informative.

I didn't take a lot of pictures of this great little museum because that would ruin it for those…read morewho like these types of places. Nice little souvenirs to take home. Museum takes you through the whole Jack the Ripper murders. Mind you it is a three story museum and more information in the basement. Lots to look at, and it brings you closer to what happened.

Stopped by the National Gallery yesterday, and honestly, this place is amazing. It's way bigger…read morethan I expected -- room after room packed with artwork from all the famous painters you learn about in school. And the vibe is super chill. Every room has benches so you can sit down, relax, and actually enjoy the art instead of rushing through. The best part? It's completely FREE to get in. You just walk in and suddenly you're face‑to‑face with pieces by Van Gogh, Monet, Rembrandt, Michelangelo, Leonardo da Vinci, and a ton of others. You could easily spend hours here and still not see everything. There's just so much to take in -- colors, details, history, all of it. It's the kind of place where you keep saying "okay, just one more room" and then an hour goes by. If you're in London, this is a must‑visit. Beautiful art, relaxed atmosphere, and again... it's FREE. Absolutely worth your time.

The National Gallery is a must see on your visit to London. We went on a Friday night because they…read morewere opened until 9:00 pm. We thought that evening might be a quiet time to go, but the Gallery was packed with art lovers. The Gallery is huge and free to visit, although donations are emcouraged. The building is Greek Revival with a modern addition that serves as the visitor entrance. Ornate domes, marble and granite staircases and beautiful woodwork add to the grandeur. The complex is made up of galleries of art organized by time period, several cafes and gift shops. Maps throughout the complex are very helpful. The Museum houses the most extensive collection of Masters that I've ever seen. There is an entire gallery of spectacular Rembrandt paintings. I enjoyed comparing his style between the different works. Four galleries are filled with Impressionistic greats including a room devoted to Monet's water lily pieces. I saw so many Van Gogh's that I had never seen before. Beautiful benches in each room were inviting to sit and take in the art. There is so much to see that you can't see it all in one day. I ordered free tickets on-line but they were not checking tickets during my visit. I did go through security and they check bags. Rest rooms are sparse, expect to wait in a line to use the facilities. There are lots of stairs with a few elevators available.

I don't know what this place is like in person but the online offerings are great and affordable…read more So many interesting lectures and talks. I hope there are more coming ondemand so I can catch up on what was missed. Enjoyed the 4 week magic class.

Viktor Wynd is a freak…read more And I say that in the kindest most honest way possible. The erotic novel, "An Enema for Emilia" is displayed in one of the many display cases found deep below the bar via a golden winding staircase. This sounds like both a dream and a nightmare, and it is. The Last Tuesday Society is a dark taxidermy lab in which you pay to learn how to stuff your favorite animal/pet. I'm coming back to stuff a crow. Seriously. The drinks are yummy and unique and the service is well above par. I enjoyed perusing the museum while trying to find the oddest most offensive thing. Sebastian Horsley in the throws of passion with a limbless lady was up there. Definitely worth visiting if you're a freak. And I am most definitely a freak, so it was right up my alley.

Huge crowds and it wasn't even a weekend. Reason: free…read more This is equivalent to Natural History ones in US. However, there are historical contexts with british roman empires and other inclusions that makes this place distinct in a variety of ways. There are also kid packet activities- ask front desk. Some areas have uneven heating and cooling so you may be prone to fainting / esp if the ennui alone is not enough to get you there- ha! Place is great for history buffs, though, as it is free- do not expect high end bathrooms and overall exceptional service. Otherwise, 5 stars for being free and for a very elaborate set up.

British Museum, London, April 5…read more Our family of four with kids ages 9 and 10 spent part of the afternoon at the British Museum as an easy cultural stop during our London stay. Entry to the permanent collection is free and straightforward, with no reservation required, which made it simple to drop in. There are paid special exhibitions, but the main museum itself is open access. Arrival and First Impressions Entry to the building was very easy, and once inside the scale is immediate. The Great Court sets the tone right away, and everything feels larger and more layered than expected. Even just orienting yourself takes a moment because of how expansive the space is. Getting in was smooth and flexible, and the museum handles steady crowds well without ever feeling restrictive, which helped a lot with kids in tow. The Highlights The Egyptian galleries are one of the first moments where the scale really lands. The large stone sculptures and statues are far bigger in person than photos suggest, and they create a dramatic backdrop as you move through the space. The Rosetta Stone was another key highlight. Seeing it in person adds a different level of context, especially knowing its role in unlocking ancient Egyptian writing. It is not large or flashy compared to some of the other artifacts in the room, but it carries a quiet importance that draws attention naturally. The Samurai exhibition was a standout and required a paid entry ticket. It was absolutely worth it. The display of full armor sets, helmets, weapons, and artwork created a complete and visually rich picture of samurai life. The craftsmanship in the armor in particular held everyone's attention far longer than expected, and it felt more immersive than a typical museum exhibit. We also spent time in the hands-on style learning stations, which were a strong break in pace. These included real artifacts like a flint knife that was thousands of years old and a Roman cosmetic jar believed to have been used for eye makeup. Seeing objects like that up close made history feel very tangible for the kids in a way that glass cases alone do not. There is also a family area tucked away downstairs that worked well as a short reset point. It felt quieter and more relaxed, and it gave the kids a chance to decompress before continuing, which made the overall visit more sustainable. The museum works best as a series of short, flexible stops rather than a structured route, and we naturally moved based on interest and energy levels. The Challenges The main challenge is scale. It is very easy to underestimate how large the British Museum is, and even with breaks built in, pacing becomes the key factor in how enjoyable the visit feels. Trying to cover too much quickly would likely be overwhelming, especially for kids. Would We Return Yes, but with a more focused plan and specific sections chosen in advance rather than trying to see everything broadly again. Final Thoughts The British Museum is best experienced in segments rather than as a single continuous visit. The Egyptian galleries, the Rosetta Stone, the Samurai exhibition, and the hands-on artifact stations all offered very different but equally strong experiences. It is free, accessible, and incredibly rich, but the real value comes from slowing down and treating it like a collection of smaller discoveries, with breaks built in, rather than a single museum to "finish."