This small factory only made it from the Victorian through Prohibition eras before giving up the ghost, but during that time it made the small corner called White Mills a bustling town, one that could be proud the Lincoln's chose their glass to be in the White House. I love this teensy museum, though I'm not quite sure why. I think the answer lies somewhere between sparkles and ghosts....
More on the sanctuary it's located in later, but: although this musem is dedicated to a man who made his mark with Brilliant Cut Crystal (yeah, that's right, yo: CAPS), what truly fascinates me is the men (and women?) who worked the factory. Scattered among the glass in this tiny museum you can see some of the glassblower's tools from the time period..hints of the beginning of the Industrial Revolution. If you go, make sure to check out the factory on the sanctuary grounds.. it's huge, and I'd LOVE to explore the inside! Someday..
However, if your interest is only in the turn o century glass, make sure to check out this nearby collection donated by local treasure/ glassmaker/ historian Ray LaTournous as well: http://www.wallenpaupackhistorical.org/GlassMain.htm
And if you don't believe me, I've stolen.. uh, borrowed, uh..Taken this quote from the NY TImes: One of the master American glassmakers of the 19th and early 20th centuries, Christian Dorflinger was one of those extraordinary Victorians who dedicated a long life to the perfecting of the craft that he learned as a 10-year-old apprentice in his native Alsace. Dorflinger glass is displayed in Corning's permanent collection, as well as in the Metropolitan Museum of Art in New York, the Philadelphia Museum of Art, the Brooklyn Museum and the National Museum of American History, of the Smithsonian in Washington, among other places. Given the Dorflinger's works' importance, Ms. Spillman said, ''it was high time to have a museum devoted to its glass.'' read more