I can't believe I never knew about this place?! We signed up for the Grub Quest dinner crawl and…read morethis place is on the list... I literally had no idea before tonight. THIS place was on our dinner crawl map for a 8:15pm raffle and we weren't about to miss it. I didn't win, but we stayed for TH night *Open Karaoke* Boneyard IPA on draft *yes, please*. Thank you Grub Quest for introducing US, we'll be back for sure *thumbs up,*

This very small theater did a professional presentation of The Christmas Story. The seats are…read morecomfortable and the atmosphere is very casual.

I will definitely be back for a play or musical, but I can say with confidence that the Everclear…read moreconcert I just left was the worst sounding concert I have ever been to. To say the music was muddy is an understatement. How does the opening act sound better than the headliner?? Rant over. I hope for better luck next time.

Recent visit to see The Doll Pack. Great experience with the Theatre's staff who were very helpful…read morewith my handicapped guest. Such care was taken to make sure he was comfortable.

Such a beautiful renovation of this venue and the seating actually has amply leg room! I am looking…read moreforward to our next visit in order to spend some extra time exploring more of the restored interior of this historic icon.

Such an amazing venue! The restoration is absolutely stunning. The acoustics are incredible, not a…read morebad seat in the house. Just what our town needed and deserves to bring epic entertainment to the Rogue Valley.

Friends took me to see the musical revue, Aretha, at Camelot Theatre. It was SPECTACULAR!!!!!…read more The theatre itself is lovely and well-designed. I think every seat in the house must be a good one. The folks that work there were incredibly warm, welcoming, and helpful. I felt incredibly comfortable there, which added immensely to my enjoyment. Well done! PS. We'll be back soon to see, You Can't Take It With You.

Grand Experience @ Camelot Theatre in Talent, OR. !…read more What an Ensemble for the Hollywood Musical of City of Angels! Stellar performance from the 3 leading men: Zach Virden (Stone), Ryon Lane (Stine), and Connor Lomeli (Manny). My favorite scenes with these gentlemen were the fantastic duet of "You're Nothing Without Me" and the fun and catchy "All Ya Have To Do Is Wait". Shout out to Noah Fitterer for nailing an entertaining Mandrill ! As for the strong cast of women, the 3 standout performers were: Haley Jane Forsyth (Oolie/Donna), Kaitie Warner (Bobbi/Gabby), and Alyssa Hertzog (Mallory). The duet "What You Don't Know About Women" was absolutely phenomenal, "Lost and Found" excitingly seductive, and "You Can Always Count On Me" perfection. The Theatre itself was regal, staff was polite and helpful, and merchandise was available, including refreshments. Convenient bathroom location with multiple stalls. It was My Pleasure, Thank You!

I studied with Sarah through middle school and throughout high school. Sarah always emphasized the…read moreimportance of vocal health, breathing, and ingrained in me from an early age the importance of protecting my instrument. I make my living as a singer-songwriter in Los Angeles. I write mainly for TV and Film. However, I spent many years prior playing multiple leading roles in musicals. The fact that I knew how to protect my instrument is the reason I work. These days I'm singing everything from intense full voice rock songs to simple breathy ballads; knowing how to protect my instrument in all situations is vital. And Sarah planted the seeds for me to maintain this journey I am on. Sarah offered a loving, nurturing safe place to study, during a time in my life where that support made a huge difference. It's not easy being 14. At least it wasn't for me. But I will always hold dear the time I spent in Sarah's studio. I'm so grateful for what she gave me. I can't recommend studying with her enough. There is a lot more that goes into being a great singer, then just being born with a gift. Knowing how to protect your instrument, having a safe place to work your instrument, The importance of singing an Italian aria, even when maybe you'd rather sing a rock song :). These are things that Sarah gave me, that perhaps even at the time I didn't understand, but at this point in my life I am so truly grateful for!

Unlike the other reviewers, my son has only studied with Sarah for two months. He was cast as the…read morelead in the Middle School musical, The Seussical. While he has a passable voice, had never had voice lessons. Sarah was able to take him from raw talent to performance in less than two months. Not only did she impart skills for him to use onstage, she also instilled in him the confidence that he COULD carry the part. In my son's words, "She gave easy to understand instructions for someone who had never had lessons before." His performance brought glowing reviews from classmates and parents alike. One community theater director even invited him to audition with them. What's more, while my son is the typical fourteen-year old, interested in playing computer games with his friends, he wants to continue his voice lessons with Sarah even though the musical is over.

Beautiful theater, no popcorn on the concessions menu though. You are not allowed to eat in the…read moretheater

The most traditional of the three OSF theaters, it's the least exciting in many ways. That being…read moresaid, it's still a great venue! I had the lowest tier of seats, and they were still really good. I pay a lot more for worse seats at the Hult Center in Eugene.

The Black Swan served as the Oregon Shakespeare Festival's 3rd theater from 1977 to 2001. I was…read morehere sometime in the late 1980s when a friend's parents lived in Ashland and our gang would come up a weekend of revelry and theater. This Building was originally an automobile dealership, and was acquired in 1969 as a second-floor scene shop and first-floor rehearsal hall for the Oregon Shakespeare Festival. Company members began using it to stage "Midnight" readings for one another, and is a practice continued to this day. They invited friends who brought other friends, and the place became an underground hit. The Artistic Director at that time recognized the opportunity to take risks with unconventional staging and subjects, and called for its development as a third OSF theater. That was a challenge as the place could hold only 138 seats, all within five rows of the stage. That required a certain amount of "tucking and squeezing." Each director also had to solve the problem of an immovable roof support in the middle of the stage, which inevitably became an integral part of many plays. For example, in one scene, with a horizontal piece added, it became a painting of a crucifixion. The Black Swan reverted to its earlier roles as working space in 2002 when it was replaced by the New/Thomas Theater. In 2011 it also became the home for the Black Swan Lab, which serves as an incubator for new writers and cutting edge dramatic works. Each year, several OSF actors are assigned to the Lab as one of their three regular repertory assignments. One graduate of the Black Swan Lab that I particularly enjoyed during the 2012 Season was "All The Way".

Wonderful small venue at the OSF. The Allen Elizabethan Theater is amazing and a gorgeous outdoor…read morevenue that I loved, but the Thomas Theater provides an intimate theatrical experience that cannot be had in the other two theaters at OSF. I saw two productions here during the 2025 season and thoroughly loved my experience. I got the lowest tier tickets and my seats were great...not a bad seat in the house here! Do make sure you get tickets early for these shows if they're a priority; the small capacity means it can sell out quickly.

Extraordinary facility! It is the best-designed, best-executed theater I've ever experienced…read more Comfortable seats, great sight-lines, and plenty of legroom.

In Ashland, the Oregon Shakespeare Festival (OSF) is the "Big Dog" in town. However, at least a…read morefew "Off Broadway" options are available including (but not limited to); - Ashland High School - Ashland New Plays Festival - Camelot (5 miles north of Ashland) - Oregon Center for the Arts @Oregon Southern University - Oregon Cabaret Theater - Rogue Theater Company (RTC) Gayle and I had the recent pleasure of attending a performance of "Off Peak" at the RTC. It was performed at the Grizzly Peak Winery within a relatively small indoor "warehouse" venue and stared 2 noted OSF veterans (Michael Elich and Robin Goodrin Nordli). As afternoon performances of about 90 minutes are among our favorites, we not only stayed awake, but attentively enjoyed show. It was almost a full house and and enjoying a free glass of wine at the beginning was a nice touch. The Winery was just a short drive beyond Downtown Ashland. We'll be sure to check to RTC schedule before we return to Ashland on our next trip here.

Amazing work by very talented artist. The venue is perfect. Every play I have seen at Rogue Theatre…read morehas been incredible . I encourage everyone to experience this wonderful theatre company.