Talented musicians are not necessarily talented teachers. Mary is both. Her performances are wonderful, and she is a gifted instructor. How does one develop beautiful tone? How do you play spiccato? How do you learn vibrato? How do you move efficiently around the fingerboard to play fast passages? How do you create a musical landscape from the printed notes on a page? How do you prepare for auditions? How do you play in an ergnomically correct way to prevent injury? Mary has the experience and facility to deconstruct questions like these to the wide array of students in her studio. She has students from every decade of life, from little ones to teenagers, to adults in their 80s, who have unique sets of skills and challenges. She understands that what works for one student, may not help another. In the studio recitals, I've heard every student improve and can see how she communicates her love of music and playing the cello with her students.
When I first decided to learn cello as an adult, not everyone was supportive. Some thought it was a futile effort and only a worthwhile pursuit for one's children. Neither they nor I ever imagined I would ultimately be able to play the Saint-Saens Cello Concerto #1, or play chamber music with other musicians. After five years with Mary, I am still enjoying this adventure with the cello. As an adult, It's a welcome respite from the daily stresses of life, and I'm hoping has long term benefits of preserving mental acuity and physical dexterity over time.
If you've ever entertained the idea of learning cello, or have kids who are orchestra or music school bound, it's well worth giving Mary a call. The cello is an amazing instrument, and I am fortunate to have found Mary as a guide along this journey. read more
