I didn't know that this museum is so popular and that you must purchase your tickets in advance…read more Luckily, I was able to purchase tickets before our trip to Rome, but they had only a limited number of tickets available for the time that we were going to be there. So if you are planning on going to Galleria Borghese, make sure to purchase your tickets in advance. We visited the Borghese in the afternoon during the week, and I think that was a great idea because it was pretty empty, and we had yet another chance to see everything with almost no one around. I'm not sure if it's always like that or if we got lucky. Either way, I was able to take my time to look at all the beautiful art pieces. Everything was so beautiful. I recommend going to this museum if you have the time; it's definitely worth it.

The Galleria Borghese or Borghese Gallery is an art gallery in Rome, Italy, housed in the former…read moreVilla Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. Such beautiful art and sculptures. What a breathtaking selection. Another must see while visiting Rome. TIP- Need to buy tickets for the gallery in advance, or by a 3rd party company. They sell out fast.

One of the great museums of the world. The only museum of Roman culture that even comes close is…read morethe Pompeii-archeological museum in Naples. This place is not to be missed, along with the Villa Borghese and pamphilij palace, for single places in Rome.

There are a million things to do when you are in Rome & going to a museum is probably the last…read morething on your list given all the alternative awesome sightseeing options! Hubby & I always try to do three things in a new city: museum, sports event & something on the water. We figured that visiting the Colosseum was a good enough version of a sports event. We were returning from a 12-day cruise. So, next up on the list was checking out a museum. Thankfully, we were at a hotel that was around the corner from the Museo Nazionale Romano. It is a series of buildings around the Piazza della Repubblica. And as it turns out, on the first Sunday of the month, the Museo is free to the public (note: you must "purchase" tickets online in advance for a specific time to enter). This Museo feels like stepping straight into the heart of ancient Rome. The collection is extraordinary - from the iconic Discus Thrower to hauntingly lifelike statues that practically make eye contact with you. The level of detail is unreal & half the time it feels like the sculptures are standing at your height just waiting to start a conversation! The galleries are spacious, beautifully laid out & surprisingly calm compared to the big-name tourist spots. It's the perfect place to take your time, wander & really soak in the artistry. Frescoes, mosaics, portraits - every floor has something jaw-dropping (including -1 and -2!). What truly blew my mind were the tile mosaics displayed & then shown in their original settings. Seeing them arranged exactly as they would have appeared in ancient villas gives you this incredible, immersive peek into everyday Roman life. It's like stepping right into history rather than just looking at it behind glass. If you're in Rome & want an unforgettable museum experience without the crowds, do not skip this one. Palazzo Massimo is a treasure chest of ancient beauty! Highly recommend.

Great views of the city. Does charge for the best views, but probably worth it at sunsetread more

So, we went to the Borghese the day before and were surprised the second floor was closed...I…read morelooked online to see what the reason for the closure was and found it was due to renovations but....many of the works were moved here - the National Art Gallery at the Palazzo Barberini. And....if you had tickets from the Borghese your cost to get in here was just 5€ with no advance purchase needed.... We walked over and not on,y was the internet correct that we could get in for 5€ by showing our tickets from the Borghese, but NO ONE WAS HERE!!!! It was amazingly uncrowded and quiet..in September...in Rome...there is an amazing amount of fabulous art here and everyone is crowded into a few museums....and this isn't one of them, so I highly recommend a trip here if you want a break from the crowds. The museum is huge...we thought this was maybe a 1 hour activity but we were here several hours. The works from the Borghese were indeed here, but we saw so much more too. Staff were relaxed and friendly; I think they were also benefiting from the smaller crowds. Be ready to put all bags and water bottles into lockers. They take a 1€ coin that you get back when you pick up your items. The kind guard had some extra coins to loan to guests who like us didn't have change. Definitely don't miss this less crowded, and amazing museum.

Beautiful spot in Rome city centre...we passed it on the way to our restaurant for dinner on my…read morework trip

The Capitoline Museum exhibits medieval art to ancient statues, and you can discover ancient Rome…read morehistory here. There are quite a few statues shouldn't be missed, such as Statue of Capitoline Venus, Bust of Medusa, Colossus of Constantine, The Capitoline She-wolf etc. The regular admission ticket cost €13, and I think it's totally worth it.

Absolutely phenomenal museum…read more One not to be missed. And with 5% of the tourists of Rome's other museums, and no wait to get in line. There is no downside. * * * GNAM is the nineteenth and twentieth century art museum of Rome. If you want stuff that was painted yesterday, there are galleries of 21st century art around town. Enjoy at your peril. Everything in GNAM that was painted or sculpted before 1960 is an absolute masterpiece. And there is a lot of lively stuff in the newer material too. It is easy to forget in a city with all of the Roman antiquities, all of the medieval treasures and Rome's fantastic legacy of Renaissance and Baroque art, That Italy was just as talented in the 19th and 20th centuries as it was in the previous periods. Our "standard" art histories moves European Art history of the 1800s and 1900s to France. Italy could go toe to toe with France on every artistic movement that occurred after Napoleon and this includes Romanticism, Impressionism and Modernism. There are paintings in GNAM that fully anticipate every formal innovation of impressionism. They were painted in the 1860s and 1870's. Monet and Renoir would be "inventing" impressionism thirty years later. The nineteenth century working class realism paintings of Courbet are blown away with the soulful depictions of working class life that were painted in Italy ... and yes twenty years before Courbet. There are night landscape paintings here that are darker and more intense than anything you could see in the Louvre. There is portraiture to die for - including my favorite "beautiful woman" painting of all time. * * * GNAM is huge, and excellent throughout. But there is one utterly amazing room that can fill your whole stay. If you go straight from the front door through a "seating gallery", you walk into an enormous room that is literally the size of a football field. The ceilings are sixty feet high. This is the primary room of the nineteenth century Romantic Era collection. Every single square millimeter of wall space is hung with paintings. You are looking at five or six paintings one on top of each other going up the wall all the way up sixty feet high and this being repeated every three yards for the entire room, all four walls. There are easily over 200 large paintings in this room - maybe closer to 300. There is not a loser or a boring painting anywhere in the room. And - to give a sense of the remarkable level of activity that Italy enjoyed in the Romantic Era, no artist is represented by more than two paintings. Most artists only have one selection. Thus you are looking at a room that is displaying between 100 and 150 different nineteenth century Italian artists - with each selection being one of the best paintings that artist ever created. The spectacle is mind-boggling. Close examination makes each painting better and better and better. There are all sorts of compositional subtleties, painterly tricks and psychological/philosophical subtexts in the works that only become apparent in a long viewing. Well over 80% of my visit to GNAM was spent in that one room. And even at that - I only saw about 1/5 of the paintings that are there. * * * This is a museum that will change your opinion about much of what you understand about art. Plan to come here. Plan to spend a lot of time here. This is one of the great collections of the world.

In a city full of Renaissance art, it was awesome to have a break of that to be able to enjoy some…read moremodern art and contemporary art. The National Gallery of Modern and Contemporary has all that and more. It's a large museum and there is enough here for a half day of appreciation. I'm generally not a huge fan of "contemporary" art as it is usually political and many times, the message from the artist goes over my head. That was the case for a couple of the exhibits here. And then I found the "modern" art. Paintings by Gustave Courbet, Cy Twombly, and my very favorite, Piet Mondrian. Portraits by Giovanni Boldini. Sculpture by Ercole Dante. I got well and truly lost in the museum and before I knew it, it was time to go. Wonderful time. [Review 19190 overall - 345 in Italy - 160 of 2023.]

The only thing exciting about this modern museum is the new modern addition to it. Cool exhibit in…read morethe same facility but the older content didn't keep my attention as much. Very cool bathrooms by the way. Also I went here with a couple of friends for museum night and entry costed only 1 Euro so I guess you can say it was worth it.

This location is incredible. It is one of the 4 modern museums in the city, and the one that offers…read morethe most diverse and young artists. The fact that it was previously a meat butchering place is pretty cool and not gory at all. The area is great and the location is one of a kind! Must visit. Frequent changes make it worthwhile for locals too.

Great museum with free entry. Took around 45 minutes to walk through both floors. Great mix of late…read more1800s to mid to late 1900s art and fashion. We enjoyed reading the biography's of each person who donated works from their personal collection. Walking room by room you can see the changes in woman's fashion, design and art decade by decade. Don't miss the bathroom on the second floor renovated in 1932. It is used as a display for dresses but if you look behind the dresses you will see beautiful green and yellow tile work. Highly recommend if you are on this side of town.

Castel Sant' Angelo along the Tiber River, is one of Rome's most captivating landmarks. The…read morestructure is huge and daunting. It was originally built as Emperor Hadrian's mausoleum nearly 2,000 years ago, the castle later became a fortress, a papal refuge, a prison, and eventually a museum.. What makes Castel Sant'Angelo especially memorable is the atmosphere. The thick stone walls, hidden passageways, and spiral ramps. The angel statue atop the castle gives the entire site a dramatic, almost theatrical presence.

I loved coming here and walking along the bridge of angels over the Tiber River…read more Another must do when in Rome. Architecture is amazing, standing in the presence of this beauty is breathtaking Castel Sant'Angelo, also known as Mausoleum of Hadrian, is a towering rotunda in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The popes later used the building as a fortress and castle, and it is now a museum.

Neoclassical exhibition hall, but beautiful to gaze upon. They hold temporary exhibitions.read more

Without doubt one of Rome's more interesting art galleries, with the benefit of usually offering…read moretwo or three simultaneous shows (usually from different centuries), so if you go with a fan of the Old Masters but you're more of an abstract art chick, everything is ok. It only gets three stars for a couple of reasons, however; I find the layout fairly frustrating - when the exhibition space is full, you never really escape from the noise in the main atrium. School parties also easily clog up the aisles. The biggest defect for me today when I visited was the approach and general demeanour of the front desk; while attempting to buy my ticket, the person behind the desk didn't once stop chatting to a fellow staff member, communicating with me only in gestures, which was a shame as the rest of the gallery staff seemed polite and ready to help. As usual, one of the toilets was out of order and a faint air of chaos reigned throughout the gallery. Noisy visitors don't really get shushed which can make the whole experience pretty frustrating at times.