Unlike the much more eclectic Fringe Festival, the Brighton Festival is much more of an artistic endeavour, with music, arts and events much more on the professional side of the spectrum. A lot of the big galleries and venues take part, although the theatre side of things seems to be firmly in the Fringe's court these days. It is great to see how many really esoteric events are up for grabs, and how much art is on display as part of it: unlike the Fringe's scattershot approach, the set-up here is far more based around an artistic vision and ideal, which makes for a nice change.
Where the Festival scores particularly highly for me is in its cohesiveness: as long as I've been aware of it, the Fringe has had a guest head curator, who has brought a sense of identity and vision to the whole event, which streamlines the programme beautifully, and means that what is there is highly qualitative and worth seeing. This year's programme in particular, organised by Brian Eno, promises to be a smorgasbord of music and art events, some even intermingling, which just sounds cool: all the stuff I've seen so far looks very promising.
However, I do want to echo a sentiment voiced below: book early to avoid disappointment! There is a huge contingent of Brighton poshies who like to go to everything in the Festival to be able to talk about it at the next drinks soiree, so they book everything up in huge blocks. Make sure you plan early if you want to come, otherwise you will be disappointed. read more