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    Blum

    4.5 (35 reviews)
    Ultra High-EndArt Galleries

    Blum Photos

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    main area
    Vy T.

    parking is so so convenient, as it has a back parking lot for the museum! AND ITS FREE! i went while the yoshitomo nara (main area and back yard) & Hadi Falapishi (upstairs) exhibits were on display. i went for nara exhibit, but i thoroughly enjoyed and experienced falapishi's art for the first time! it was all free to experience & wasn't overly packed, so it was easy to get solo pictures and parking! there's even a little shopping section where you can purchase the merchandise of the artists or take more pictures :)

    Kelly S.

    Blum is a must-see gallery in LA. I have visited upwards of six times now ... They represent a diverse selection of artists and I always look forward to their shows. The gallery itself features both a lower and upstairs level, plus a garden around the corner in the back. I generally spend 20 to 40 minutes here. There's something serene and peaceful about the space.

    KJ S.

    yoshitomo nara exhibit from january 18 - march 22, 2025! blum is located in la close to other smaller art galleries. they have a small parking lot with limited parking so it does get full p fast, but you can always find free street parking around the area ~ the staff are nice and demure, and it is a small gallery so there seem to be only a few exhibits at a time. there was 2 when i went, and it took around 30 min to just walk through it all. smaller selection, but nonetheless super enjoyable. it's quite spacious and there's lots of room for cute pics. great value bc this museum has free admission and parking. the only thing you pay for is if you pick up any merch they have available! i purchase the yoshitomo nara "cheer for you" mini tote for $20+tax. overall, loved my experience here as there was a good amount of art pieces to look at! i love nara! and would recommend checking out the exhibit before it leaves in march 2025.

    Jennifer H.

    I've been seeing this gallery all over my social media platforms and I really excited to find out that they had work from Yoshimoto Nara, Yukinori Yanagi, Susumi Koshimizu, etc. the place itself is small, but it is 100% worth it to go. The good thing about this location is that you can walk up and down the street and find other smaller exhibits. Which was really nice! Overall, which a great place to visit!

    Friedrich Kunath exhibit
    Lyna K.

    Experience: Went on a Saturday evening around 5pm. Only two patrons in there, which was perfect for me since I love roaming around empty gallery spaces. Went to check out Alma Allen's exhibit of abstract sculptures, which was in the smaller gallery space outside but also stood to enjoy Friedrich Kunath's "I Don't Know The Place, But I Know How To Get There" in the main space. Wonderful spacious gallery, open windows, large white walls, cute little bench area with string lights, and free entry. Location & parking: Easy peasy! Parked in their parking lot, plenty of space on a Saturday evening. Big points for this. Vibes: Not the friendliest staff, which I'm used to in these art spaces. They never greet me, smile, or if I ask a question, look at me like they just saw a ghost. Nonetheless, I went to see art, and that is exactly what I got. Huge wide space to roam around and admire art in, my dream. I used to gallery hop in NYC all the time, and this space can easily compete with David Zwirner's, Pace's, or Gagosian's gallery space. Top tier. Overall: This will be one of my go to galleries in the city, looking forward to visiting more often.

    Cool art, a free parking lot, wheelchair accessible (elevator available), clean bathroom, and not crowded at all Only con was the unfriendly staff, which others echoed in their reviews, so one star off for that. Will come again!

    Giji F.

    If you park in front of the building, you will notice there is an Interesting hidden door awaits. If not of the existence of a handle, I would have never guessed it is an entrance. The corridor in the entry way has some subtle architecture elements that keep the suspense. Love the exhibits and look forward to come here in the near future. Clip here! AGAIN, you got to see it with your own eyes:) meet up with someone, exchange few conversations with the alike. https://www.instagram.com/tv/BwV_2hxHElF/?utm_source=ig_share_sheet&igshid=2tqzulw71r47

    Kathy T.

    It was an exhibition painting and sculpture by Takashi Murakami. Nice gallery, very enjoyable viewing. Great layout, wide open spaces with couple of rooms featuring his collections. The first gallary walk in couple huge panoramic painting. The details on it was so amazing, you can stand there for couple hours and find different things on each demonic monsters and monks. The 2nd gallery was happier with smiley faces and very colorful and the third gallery was him and his dogs. i enjoy every pieces that was there today.

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    2 years ago

    One of the best galleries in LA. Beautiful space and well curated exhibits. Easy parking behind the building is also a plus for that area :)

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    most beautiful gallery space I've ever seen. They really understand space and art.

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    Very low key. Really nice if you enjoy minimalistic art, but felt as if the exihibitions were kinda small.

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    Arts District Co-op

    Arts District Co-op

    3.0(69 reviews)
    8.0 miArts District, Downtown
    $$

    Funky co-op with lots of fun trinkets. A bit pricey but fun to look around in…read more Parking is hard to find as there are a lot of spaces here that say no parking but there are definitely cars parked in front of the sign. No taking photos inside (there are a bunch of different signs telling you this) so it's hard to describe what's for sale. Fun to take a gander inside if you happen to be in the area and find a parking spot but probably not the most exciting place to go for specifically since you'd have to fight traffic and very confusing parking rules to get here.

    Had lunch at Urth Caffe with my daughter after the gym (still in our gym clothes) while walking…read moreback to our car we came across this cute looking store. Walked in, liked some things and bought some things. As we were ready to leave we noticed the wall in the back with the art displays. They have a beautiful piece with what looks like a woman in a turban or headpiece. They also have it painted on the wall. Considering it's permanently on the wall, think safe assumption, the woman behind desk would know the history of the painting. She said she didn't. And not in an I just work here kind of way but in a snobby tone. We got the impression she judged a book by its cover...like I said we were in gym clothes. She made it clear she had no interest in wasting her time on us. I'd like to go back and support the independent artists but not at the cost of a snob. I asked because I was interested in purchasing the painting but not after that encounter.

    Photos
    Arts District Co-op
    Arts District Co-op - The dress that I bought broke the first week and they wouldn't give me an exchange or refund.

    The dress that I bought broke the first week and they wouldn't give me an exchange or refund.

    Arts District Co-op - Love the dragonfly

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    Downtown LA Art Walk

    Downtown LA Art Walk

    4.1(359 reviews)
    7.4 miDowntown
    $

    An Art Walk in Los Angeles should be expected to be a scene where culture and artful expression…read moreknows no boundaries and embraces established techniques, modern absurdity and the limitless quanity of weird in the globe to produce what moves emotion or in other words to produce art. And my recent trip to the Downtown LA Art Walk was exactly that a collection of techniques, practices, talents, mediums, and modes of communication that came together and landed to create an amorphous experience that was shaped, like clay, to create visual and sensory craftwork. There were different galleries offering different works. I will begin this review by naming some of my favorite. There was this gallery showing photography that was enhanced, played, or showcased light and that is where I found the dinosaurs of Cabezon come to life by the angles of a camera. I clipped the picture of the drawing (art inception) and it shows a long neck dinosaur that I want to call a jirrafasuaraus but I know that is wrong, walking toward a twilight colored horizon-- where the low of the sky was orange, layered above by a lemon-yellow strip of sky, then followed a soften almost transparent orange, with the rest of the sky being a early evening blue. I could not tell that the picture was fake. I do not want to say that I thought that Jurrasic Park was real, but, the picture did make me feel that the dessert has seen dinosaurs walking toward lovely sunsets. Another favorite was a negative of a picture of what looked like a swan floating in water that was completely black, like a swan swimming on black construction paper. But the only visible parts of the swan was is feathered body, its long neck, and regal tail. I could not see its eyes, I could not see its beak, I could not see its crest up high. The swan was averting the lens of the camera and yet the beauty of the swan was evident because its pure white ruffles were silent against a black backdrop. I could continue naming the pieces I like and why, but then the artwalk would becoming an art viewing. So I will conclude that I also saw a woman wearing a ruffled vest that dragged to the floor. It was inconvenient and kind of bulky, and maybe drag dirt along the train, but this was also art. I point that out because the show attracted people with style, and style on a body, is art, as everyone knows. There was also an apartment building that opens its doors. It offered a fondue fountain, chocolate, pool table, blackjack, and a giant arcade machine where one could play spade invader or pac-man. So the engagement level of Art Walk expanded to art one could make on the spot. And if you wonder how one makes art at a pool table--- then I suggest seeing a video of a player using a stick to make a ball jump to avoid one ball and hit the other. The movement is a type of ballet jump (a piroutte) that is prompted by a stick propulsion. If that is not artistic expression, then, a person living in a glass box suspended in air above the ground isn't either. As I walked the streets of LA, I also saw a truck that had four spotlights. I have always seen events that are signaled out by spotlights but now I know that these spotlights are ambulatory, and kind of, yes, art in their own way. They rose lights to the buildings side and to the night sky. The movement was a type of dance light, and I defy anyone to prove me wrong because at its core, art can never be truly define by words because, on its own, its a visual language.

    Fun experience going into these private artsy businesses and checking out their collection. This is…read morea well planned art walk where maps are included. You essentially just get lost going from one art studio to the next. It's everything about art into one event. Traffic can be difficult but once you're in, it doesn't even matter anymore. This was a fun experience.

    Photos
    Downtown LA Art Walk
    Downtown LA Art Walk
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    The Geffen Contemporary at MOCA - MOCA/Geffen Contemporary "Monuments"

    The Geffen Contemporary at MOCA

    4.3(301 reviews)
    7.9 miLittle Tokyo, Downtown

    Visited the Geffen Contemporary about a month or so ago for their exhibition on controversial East…read moreCoast monuments, and I'm still thinking about it. This isn't your typical art experience--it's a profound reckoning with America's choices about what and whom we commemorate. The curators themselves led the tour, which made all the difference. Having the actual artists present to discuss their work added incredible depth and immediacy. They shared fascinating stories about the covert, middle-of-the-night operations required to remove these monuments--efforts that sound like something out of a heist film, but undertaken with serious moral purpose and community support. The exhibition spans an impressive range: massive equestrian statues, ornate architectural elements salvaged from buildings, defaced monument fragments (including pieces spray-painted with "DO BETTER"), classical figures dramatically lit in red and blue, and even symbolic objects like blue barrels and copper ingots. Each piece carries its own complicated history. What struck me most was how the exhibition doesn't let you look away from the "bad taste" of commemorating certain historical figures and events. These aren't abstract debates--these are physical artifacts that communities decided they could no longer stomach in public spaces. The curation is unflinching in presenting both the artistry and the ugliness of what these monuments represented. It's sad, educational, and deeply thought-provoking. A stark reminder of humanity's capacity for cruelty and how long we've been willing to celebrate it in bronze and stone. I walked away with the mantra "DO BETTER" (literally spray-painted on one of the exhibits) ringing in my head. And I'm trying. Being lucky enough to live in a state that can openly observe this history, grapple with these uncomfortable truths, and learn from them without censorship--that's amazing. This is the kind of cultural and educational work that matters. If you're looking for light, escapist art, this isn't it. But if you want to engage with essential questions about public memory, historical accountability, and what we choose to honor, this exhibition is mandatory viewing.​​​​​​​​​​​​​​​​

    I recently visited The Geffen Contemporary at MOCA and was genuinely moved by the current…read moreexhibition. The show reflects on the histories and legacies of post-Civil War America and how they still shape conversations today. It brings together decommissioned monuments -- many of them Confederate -- alongside contemporary works that were both borrowed and newly created for this exhibition. Seeing these monuments removed from their original outdoor settings and placed inside a gallery changes everything. Some are unmarred. Others are heavily vandalized. Each state of transformation tells its own story. It forces you to look at them not as background fixtures, but as objects with weight, history, and consequence. The contrast between the historical monuments and the contemporary responses is powerful. It's not an easy exhibition, and that's the point. It invites reflection, discomfort, and dialogue. If you're looking for something visually impressive and intellectually challenging, this is absolutely worth your time.

    Photos
    The Geffen Contemporary at MOCA - Neon sign at Nadya Tolokonnikova
 POLICE STATE performance

    Neon sign at Nadya Tolokonnikova POLICE STATE performance

    The Geffen Contemporary at MOCA - Olafur Eliasson: OPEN
 rehearsal room for spatial imagination

    Olafur Eliasson: OPEN rehearsal room for spatial imagination

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    Blum - galleries - Updated May 2026

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