I've been experiencing a massive rush of theater artistry flow into my very pores and into the…read morecreative mesh holding my thoughts together, much thanks to my sweetie, who has introduced me to the other venue of performing arts: Theater.
I've been more inclined to the classical music and symphonic performances due to my own training, so to be given the chance of experiencing live stage performances has been exquisite, to say the very least. I just finished catching the last of the Bay One-Acts this past weekend and have to confess, that the amount of amazing talent I have come to view has been a true privilege.
The 6th Annual Bay One-Acts took place from February 15-18, 22-25, and March 1-4, and showcased "one-act plays written, produced, directed and performed by talent from the San Francisco Bay Area."
All the performances and hard work by all involved should not go unnoticed, but there were several plays that stuck in my mind and struck the creative and emotional chord in me.
The Scratch, written by Morgan Ludlow and directed by Jon Tracy, was set on the stage with three women, who portrayed three generations of women and a heart wrenching tale of abuse and the cycle upon which it inevitably repeats itself. The actors: Maria Grazia Affinito, Jennifer Jovez, and Angelique Wilkie, were well chosen for their specific roles and the monologues that were delivered: powerful and provocative. I was quite moved by this performance.
Sweet Jesus, by Nathan Sanders, directed by Max Bernstein, with Janice Wright, Randy Nakagawa, was an auditory delight given Ms. Wright's animated and bright conversation style. She basically bathed in the limelight with her Southern accent and ability to reflect the quirky aspect of her somewhat mottled character. Light yet heavy with verbal innuendos of faith and how it may present itself in the face of starch-ridden diversities, this was a true enjoyment.
Last and not least, was The Vial, by Nicholas Turner and directed by Dan Wilson, showcased a bevy of wondrous talents that truly meshed well with each other in order to provide the audience with a held-breath anticipation of a suspense and in the pursuit of truth and the sacrifice of masks that are required in specific classes. The cast was comprised of David Richardson, Catz Forsman, Sandy Chen, Kirk Crist, Stefanie Goldstein, Earle Carlson, Dan Wilson, Maggie Ziomek.
An outline of the acts featured:
CAUTION: the (Roughly) True Story of My Parents' Romance
By Lauren Yee
Directed by Cris Cassell
Presented by Asian American Theater Company
The Pet Dog with the Lady
By Scott Munson
Directed by Gabe Ross
Produced by Custom Made Theatre Company
The Pheasant
By Isaiah Dufort
Directed by Gina Baleria
Produced by AtmosTheatre
Here I Go Boys. Wish Me Luck.
By Dan Moyer
Directed by Alan Quismorio
Produced by AlchemySF Theater Company
Waiting in the Victory Garden
By Linda Ayres-Frederick
Directed by Raymond Rea
Produced by Density Over Duration Productions
The Scratch
By Morgan Ludlow
Directed by Jon Tracy
Produced by Darkroom Productions
Fourth and Goal
By Scott McMorrow
Directed by Meredith Friedman
Sweet Jesus
By Nathan Sanders
Directed by Max Bernstein
Produced by Thunderbird Theatre Company
Real/Not Real
By Patricia Milton
Directed by Caroline Altman
Produced by Unidentified Theatre Company
Vial
By Nicholas Turner
Directed by Dan Wilson
Produced by Cassandra's Call Production