So negative reviewers now openly declare how arbitrary they are about the whole rating process. Well. There we are.
The reviews which "resonate" with me are the ones based on something more than two classes or a coffee machine. We've had palaver about a "real world context"; now how about some real world RESULTS?
After a year and a half of study at Voicetrax, I was given two opportunities to audition in Los Angeles. A few months after that, I had a demo. Shortly after that, Voicetrax helped me get signed with Stars, with whom I booked my very first audition. Very shortly after that, I booked fifteen gigs in my first full year of auditioning in the Bay Area.
By the way, the highest-paying one - $2,000 for 90 minutes of work - was booked without an audition, purely on the strength of the demo Samantha Paris directed and produced for me at Voicetrax. And I wouldn't have achieved any of this with ANYONE ELSE.
Forget me. Watch the movie "Scream" for a real Voicetrax success story. Watch the HBO series "Carnivale" for yet another.
Cold, hard facts. Ain't nothing any detractor can do about it.
How about the student who would have given up if Samantha hadn't refused to give up on him - if you watch NBC or MSNBC, you'll hear him doing around 70 percent of the promotional voice over on all the upcoming features on each network.
How about the student who had to spend a year just getting her Brailling up to a speed that would sustain voice over? You can count a regular role as one of "The Rugrats" among this student's many accomplishments.
THAT is what Samantha means when she says she wouldn't presume to discourage anyone in the pursuit of voice acting. She's nurtured far too many determined students, overcoming physical and emotional obstacles on their way to meaningful voice over careers, to say otherwise.
That's why this whole notion of voice over coaches evaluating people they've never worked with, and judging them capable or not, comes from a position of profound ignorance. The cynicism brandished in this thread fancies itself wise, but each successive negative review betrays how clueless it is in the end.
Another example: harping on the size of the studios, which actually works to a specific purpose - it's plain, here, who know not whereof they speak on voice over. William Morris and SBV are 2 of the largest voice talent agencies in Los Angeles; how much room do you think you get to breathe and ground yourself in their lobbies? I've been there (decidedly out of Marin, thanks) and I can tell you those lobbies and green rooms are even more "claustrophobic", and the booths are around half the size of the ones at Voicetrax.
True, at Voicetrax, you needn't take an elevator back down 10 or 12 flights to go outside and work on your copy. Otherwise, welcome to the real world of voice over. After Voicetrax, you're prepared.
And for someone who hasn't taken the classes, I've found that Shirley does more than an excellent job answering questions about them; she also provides you with a keen litmus test. Her dander does not rise lightly, and if you somehow rouse her impatience, you're likely behaving in a way that would infuriate producers, directors, and advertising clients down the road.
Never mind damning Voicetrax for its chairs and all the peripheral (and infrequent) factors out of its control. Forget any "suspicious" conjecture about how quickly the classes fill. We'll even set aside writing Voicetrax entirely off over one introductory seminar, on the most specious and contrived of grounds.
Let's revisit the exercises in that first lecture, which I've seen a few times. Samantha clearly explains that they're meant to do more than "titillate". They're highly efficient, direct, and vivid introductions to the predominately right-brained process of professional voice acting. Those who'd pass judgment on total strangers for having the good sense to understand and enjoy these exercises speak for themselves.
I think most Yelpers can see the trend here: the "consistently bad" reviews, especially the cattiness and vitriol, come from those who didn't hear what they wanted to in at MOST, "many months". Those who have stuck with the program, over the time Sam states right up front that you'll need, have a markedly different take. What does that tell you?
Students elsewhere talk about running into each other at auditions, and that's great.
Voicetrax Students run into each other at JOBS. Kelly Moore Paint Stores, Shea Homes, and SF Chronicle radio campaigns; Farm Vet and Pet Pals video games; Leapfrog's "Green Eggs And Ham" - Voicetrax reunion parties, all. Not an academy, huh?
So if you have an unquenchable desire to pursue voice over, the determination and discipline to go with it, enough self-possession not to demand constant coddling - and you crave a fighting chance at some REAL voice over dividends - then Voicetrax is likely the ONLY training ACADEMY for you. read more