Like I said when reviewing Roy Thompson Hall, I am honestly quite surprised I never got around to reviewing both RTH and the TSO on Yelp. However, as you as my witness, that is changing right here, and right now.
Full disclosure, as a kid, I was raised both listening to classical music and playing musical instruments so I will admit I am a tad biased since I have averaged about 7-10+ concerts a year. Granted, the TSO is an institution to be proud of, and I am certain the individual musicians as world class, however, the TSO as a whole, has over, say the last 20 years, been a bit touch and go at times when it comes to selection.
It is quickly worth mentioning that RTH made renovations to the venue in 2002 which did improve the general acoustics, which made the TSO sound better! I was happy about that. However, that is more about the venue than the TSO however, even though by now, they are both almost intrinsically linked.
It is challenging, for sure, trying to appease long time lovers of Classical music while at the same time trying to reach out to a younger audience who may *generally* not think of the genre as a staple when picking their music preferences. Not to mention an overall declining audience as the older base continues to die off and a younger demographic who might not be willing to fork out the money to keep the TSO afloat for years to come. Not to mention finding a right balance between what we could call "classical works," some of which may focus on the skills of the performer(s) --DAMN YOU, Franz Liszt-- to more populist, arguably more accessible works, like modern film scores, such as John William's Schindler's List, whenever the gifted Itzhak Perlman "pops" for a visit, and other POPS concerts.
I thought they hit marketing GOLD with TSO Soundcheck, which allows younger audiences --under 30 at first, later extended to 35(!!)-- to experience performances for very, very affordable prices ($16+) which fill what otherwise would have been empty seats. The trade-off? You will not get to pick your own seats but I think that is more than a fair trade when you think you are getting a night at the symphony. Which in my opinion, it is an awesome way to expose younger minds to the Classics.
Not to mention that these days, the TSO may throw in a post-performance, "performance" after the classical concert, which is really cool! They are definitely worth staying for, I have seen Lemon Bucket Orchestra (an AWESOME eclectic Polka ensemble) to some other interesting bands from different genres (Jazz, Turn of the century Canadiana, experimental) for *free,* included in the price admission. Something they did not do back in the day when I started coming in as a teenager back in the late 90's.
All in all, a night at the TSO should not be reserved for a "grand night out" or to celebrate anniversaries-only-type events but rather something to be enjoy as often as a really welcomed meal. Oh, and if you are under 35, you HAVE to take advantage of Soundcheck.
The TSO is as much as part of Toronto as the CN Tower, High Park or us saying "ToronNo" instead of "ToronTo." We should not risk losing it.
Definitely, and highly recommended. read more