Theatre Royal is the oldest surviving theatre in Glasgow, the original building dating from 1867 when it opened as Bayliss' Coliseum before being renamed as Theatre Royal in 1869. Perhaps uniquely, it has been rebuilt twice by architect C J Phipps following major fires in 1880 and 1895. Although not as prolific a theatre architect as Frank Matcham, Phipps' style is splendidly represented in this building, regarded as the largest and best surviving example of his work. But don't judge the building from its bland exterior; you have to see the wonderfully ornate auditorium to really appreciate Phipps' work.
The building was home to STV's studios for many years, before being sold to Scottish Opera in 1975, and it has been their home stage ever since, and is also the main home to Scottish Ballet's productions as well as being a main-scale house on the UK touring circuit. The stage is not huge by today's standards, but it's still larger than many London theatres and is the largest Glasgow can offer at the moment. The theatre is currently run and programmed by ATG (as is the Kings), so Glasgow is well served by the big touring shows.
Currently the building is having a new foyer added at the corner of Hope Street and Cowcaddens in the form of a round tower, which has been a major feat of engineering to fit in with the existing architecture. As part of this refurbishment parts of the auditorium have been altered to something closer to the original design, with old entrance arches and the seating layout restored to improve audience flow and sightlines.
Like any theatre, this one has a few ghosts, and like the Edinburgh Festival Theatre, there was a fire-related incident here that resulted in new legislation coming into force.
In 1969, when STV moved out of the building into their new premises next door and the theatre was being restored, there was a major fire in the sub-stage area. The fire department tackled this with the then relatively new technique of pumping suppressant foam into the fire. One of the fire officers Archie McLay, working in the darkness of the stage area, fell through the stage floor into the sub-basement of the building - this extends about 20m underneath the stage floor and is carved out of solid bedrock (it was a former quarry), so it was full of foam. He was not reported as missing until the fire was under control, by which time it was too late.
Resulting from this dreadful accident, the fire department introduced a 'deadman switch' device to be worn by all officers, which would radio an alarm signal if the officer was stationary for more than a few minutes. This incident is now marked by a stone plaque in the pavement of Hope Street.
There have been a few reported sightings of Archie in the sub-basement, and most staff who have occasion to be down there late at night when the building is quiet will report a spooky atmosphere and a feeling like they are being watched by ghostly eyes... read more