This is the foremost synagogue in the United States and the city of New York, a veritable cathedral of Reform Judaism. The congregation is one of the last stalwarts of the Classical Reform tradition I was raised in and love very much. You have to appreciate the beauty of architecture, dignified worship, and sublime choral and organ music in order to be moved and inspired by the services here. The former cantor, Lori Corrsin, had one of the most beautiful operatic voices I ever heard, and the organist is superb. They have a weekly music program that evokes a sense of formalism and seriousness that is typically only seen in the highest choral churches in Manhattan, such as Saint Thomas on Fifth Avenue. You can hear Mendelssohn, Haydn, Schubert, Sulzer, Lewandowski, Thomas Tallis, and other heavenly music here, as I've heard in years past of worshiping here both in person and through webcasts. Year ago, I'd listen on WQXR religiously every Friday evening. My sense, though, is that since the retirement of Dr. Posner, though, the cadences of Classical Reform have been eroded slightly. The clergy now wear stole-style tallitot and yarmulkes, the latter of which are wholly and totally unnecessary in Reform Judaism, as explained by Professor Jacob Lauterbach. The old Union Prayer Book has been supplanted by a new edition published by Chicago Sinai Congregation, which sadly does away with the Elizabethan, poetic English, and includes a candle lighting ritual for Friday evening services. The new cantor and cantorial intern, frankly, aren't as good as Cantor Corrsin. The cantor has an overly dramatic, schlepped-out, schmaltzy way of concluding the prayers and pieces, and the cantorial intern is lacking in musical virtuosity and sounds as if he needs vocal coaching. He struggles to hold out the notes and doesn't have a cantorial sound about him. The choir is as good as ever, although the insertion of the Debbie Friedman MiSheberach prayer into the amidah on Fridays seems hokey, campy, folky, and out of place here. Debbie Friedman, may she rest in peace, frankly ushered in the new era of Reform prayer and worship styles, which I don't care for. A participatory, summer camp style of happy clappy guitar strumming music doesn't belong in Temple, in my humble opinion. I doubt anyone from the Temple is reading this review, but it's the honest observations of a Classical Reform Jew who loves the role this Temple places in the Reform movement, klal yisrael, and the broader community. I also disprove of the Saviv services, as these are clearly cast in a non-Classical Reform style, and I was strongly taken aback when they had the singer Achinoam Nini perform three songs of a totally nonreligious nature at the end of a recent service. Shabbat Shira this year saw glorious arrangements of years past replaced by Broadway ditties and show tunes. I look to these developments with a sense of skepticism and concern for the future. read more