You cannot visit Florence without visiting Galleria dell'Accademia to see Michelangelo's David…read more Though I had a tour guide, I felt like the pace was too slow. It's a great museum, don't get me wrong, but I'd rather beat the crowds to see David, and then take my time strolling through all the other works of art. Seeing 17' of David in person is unreal-- a human made this out of rejected marble. The magnitude of David's height and attention to detail is incredible and the lighting under a skylight highlights every vein and definition of muscle even more so. If you're looking for a deep dive art history lesson, I'd recommend using AI. Note: try to book skip-the-line tickets in advance. If you're unable to, you can try to book through a third party booking system such as Viator, but you'll be paying more.

Over a million people visit the Galleria dell'Accademia every year, and they all go to see one…read morething: Michelangelo's David, arguably the most famous statue in the world. The David was sculpted between 1501 and 1504, then unveiled in the public square in front of the Palazzo della Signoria, where it stood for almost 400 years. It was moved to the Galleria dell'Accademia in 1873, and has been the museum's lifeblood ever since. €20 a ticket and more for merch, plus lawsuits for unauthorized use of the David. Pretty, pretty, pretty good. We only had about two days in Florence, one of them set aside for a Tuscan wine tour, but we weren't leaving without seeing the David. Our concierge booked us same-day tickets when we checked into our hotel, and we went at the appointed entry time, at 5:00. The museum was plenty busy, even on a Tuesday during low season, but I believe we visited under ideal conditions. We entered the museum and bam, there was the David, standing majestically in the heart of the Accademia. He was in his own domed alcove lined on one side with bench seating, where people could sit and look up at his giant marble ass. Like everyone else, I'd seen images of the David all throughout my life. But seeing it in person was a revelatory experience. I know size isn't everything, but when it comes to iconic statues chiseled from single blocks of marble, size certainly matters. The David is 17 feet tall and completely breathtaking. A beautiful colossus, every inch of his famously nude body sculpted in wondrous detail. We took advantage of the thin crowd and spent quite some time circling the statue, while also reading about it on Wikipedia from the comfort of the benches. An extraordinary, educational pleasure. The rest of the museum was nice, too, if entirely secondary to the David. There were several other statues and old religious paintings, as well as the Hall of the Prisoners, featuring four unfinished Michelangelo sculptures. These cut a path to the David and were fascinating in their incompletion. Michelangelo apparently saw the work of a sculptor as freeing the forms lying inside each block of stone. This sounds like something an artist would tell a reporter, but looking at those unfinished sculptures, I could see the figures trying to make their way out. The Galleria dell'Accademia is small, and we were in and out in about 40 minutes. If you're a tourist in Florence and have €20 and 40 minutes, I can't imagine a better way to spend them than at David's enormous feet.

November 6, 2024 3:45-6:45PM…read more We initially didn't plan to visit but was told this is a must do in Florence. I'm glad we did. I love art museums and thought this was more religious artifacts but glad to see some of my new favorite paintings in person. Silly me! Upon entering the museum, there a lot of stairs to climb. Get your exercise in for sure! I did see a very tiny elevator a little bit hidden to the side, so they definitely can accommodate those needing accessibility but plan accordingly as the elevator was tiny, probably one stroller/wheelchair at a time. The Botticelli's Birth of Venus and Spring are both so amazing to see in person. The works of Caravaggio were very powerfully presented. The da Vinci, the Michelangelo, the Raphael... so many great artist and their works are housed here. Lots of Sweet Baby Jesus and the Madonna, various Adam and Eve paintings.. My favorite besides Botticelli's, was from Pietro Perugino's a Portrait of a young man.. the eyes, the emotions, almost the sadness... what a great painting. The various views from the Uffizi Galleries of Florence was also pretty amazing, from Ponte Vecchio, along the Arno River and the view of the city... so glad we went during sunset as I caught some pretty great shots with just my iPhone. I definitely think this is worth the stop and glad to have this as an impromptu visit. Got in pretty quickly without a reservation either, we were very lucky.

The Uffizi Gallery is an absolutely extraordinary museum. It's famous for good reason, the most…read morevisited art gallery in all of Italy, a country not lacking in priceless, important art. The place was built by the Medicis and houses much of the art they collected, all of it given to the city of Florence as the family died off. It's been open to select visitors since the 16th century and to the public since 1769, making it one of the world's first modern museums. We went with a small group tour (provided by Things To Do In, which dealt with the ticketing), and this was 100% worth the added expense. The Uffizi is huge and full of treasures, and our guide's expertise felt pretty essential. We met in the courtyard, which was bustling with tourists at 10AM on a cold, off-season Thursday. The courtyard is notable in its own right, beautiful and historic, with a view of the Arno River. Sculptures of famous artists fill the niches between the columns. Our meeting point was underneath Nicola Pisano. We made our way from there into the Uffizi's grand hallways, works of art in themselves, and lined with statuary. Our tour was an hour and a half long and took us through just a few highlights of the museum, which contains an astonishing collection of Italian Renaissance works. We admired a display of three Italian Madonnas, masterpieces of the 13th and 14th centuries by Cimabue, Duccio, and Giotto (our guide's mini lecture on the Giotto will stay with me for a long time). We saw Simone Martini's Annunciation with St. Margaret and St. Ansanus, with its wtf-no-thank-you Virgin Mary, the Adoration of the Magi by Gentile da Fabriano, embellished with gold and textiles. I'm ignorant and didn't know what we'd be seeing at the Uffizi and was genuinely surprised to walk into a room and see Botticelli's Primavera and The Birth of Venus. Incredible paintings, and a privilege to see in person. We hit the ninja turtles next: Leonardo da Vinci's Annunciation and unfinished Adoration of the Magi; Michelangelo's Doni Tondo, his only surviving finished panel painting; and Raphael's Madonna of the Goldfinch. Our tour ended there, but we had much more to see, and our guide helpfully told us a few paintings to look out for. The Medici portraits by Agnolo Bronzino, especially the Portrait of Eleonora di Toledo with her son Giovanni. Titian's Venus of Urbino, a historically significant nude. And three works by Caravaggio: Bacchus, Sacrifice of Isaac, and Medusa, all of them amazing. I also enjoyed the extensive gallery of self-portraits and the temporary exhibition on Florence and Europe in the 18th century. This included some great paintings and sculpture, but without a guide to put them in context, I have to admit the giant stone lion dick made the most lasting impression. We hit the gift shop on our way out, hoping to find a postcard of Florence we could send to our kids. Unfortunately for us, all the postcards were of the gallery's artworks, and we didn't think our three- and five-year-old would get much out of religious paintings or Medusa's decapitated head. I left the Uffizi with a new appreciation for Italian art, and honestly, a sharpened interest in art in general. This was an enriching visit, full of marvels, maybe the best thing we did on our trip to Florence.

Florence is like the birthplace of STEM, so when visiting here, going to the Galileo Museum is a…read moreMUST! Learning of not only Galileo, but his followers who came after him and the benefactors - the Medici family, was inspirational. It made me realize how bravery is foundational to how science evolves a society, and how essential loyal benefactors are to helping with the change. Truly amazing.

In ancient times, to know the time, people used the sundial, a measurement tool based on the…read moredetection of the position of the sun. Sundials had a gnomon, the bar whose shadow marked the time on the dial. Standing outside the Museo Galileo near the Uffizi Gallery at the Palazzo Castellani in Florence, my partner, our friends, family member, and I stumbled on the Monumental Sundial on our way to find an establishment for lunch in September. Originally built in 2007, a tall bronze obelisk constitutes the gnomon of a modern sundial, which casts its shadow on the lines of travertine marble and brass flanked by the signs of the zodiac in glass and marble placed on the ground, indicating time and date. It was visually stunning.

The museum is to die for. The exclusive store was very nice. This was part of my Birthday…read morecelebration and it really did not disappoint! We stopped at the cafe as we were leaving for a nice drink. If you love Gucci, you need to see it!

I had such an incredible experience at Gucci thanks to Eduardo.He went above and beyond to help me…read morefind some truly special pieces, and his attention to detail, product knowledge, and genuine enthusiasm made the experience unforgettable. He wasn't just assisting with a purchase -- he was curating an experience. He anticipated what I might love, found hard-to-get items, and made sure every detail was perfect. His professionalism and warmth truly represent the best of Gucci. Employees like him are the reason I'll always return. Gucci is fortunate to have such a dedicated and exceptional team member.

From the Middle Ages to the present day, Piazza della Signoria, between Piazza del Duomo and the…read moreArno River, is the beating heart of the historic center of Florence with its distinctive L-shape, which my partner, our friends, family member, and I visited in mid-September. Palazzo Vecchio, the traditional seat of the Florentine government, with its distinctive tower, is yet another symbol of the city. In front stands a copy of Michelangelo's David (the original can be seen at the Accademia Gallery). One of the most impressive squares we've ever seen! The piazza looks like an outdoor museum, full of iconic statues and history in every corner. One can't miss the Fountain of Neptune that was commissioned to celebrate a Medici marriage. It is a colossal statue of Neptune, the Roman god of the sea and the counterpart of the Greek god Poseidon. The atmosphere is vibrant and lively with both tourists and locals, perfect to enjoy both during the day and at night. Definitely a must-see in Florence!

Nice gathering place next to Ponte Vecchio. There's a beautiful fountain here and plenty of places…read moreto gather and dine. I love these Italian palazzos!

Absolutely gorgeous place to visit. Please go inside if you have the chance but if you don't, the…read moreexterior is absolutely gorgeous. The areas has a lot of hotels (pretty obviously, since the train station is right across the street, on the back side of the church) and quite a few places to eat and drink. Two wine windows are in the area and my best friends favorite gelato shop, you can see from the square.

This review is merely for the exterior and a bit of the surrounding area. I read that they offer…read moretours inside, but we did not have time for one. This church was near our hotel and I wanted to at least see it as I'd taken an architecture course once in college that covered it. The back of the church is close to the front of the main Florence train station, separated by a wide street with multiple light rail tracks. You need to walk around to the far side (from the station) to see the façade, which is the famous view. There are businesses flanking one side of the church (hotels, restaurants, and other shops). There was some booth set up where people attempted to flag down passing pedestrians (I'm not sure if it was some political thing or they were eventually asking for donations, etc.; we escaped without hearing their pitch). Also around the front of the church there were African guys selling trinkets or attempting to engage tourists to sell something. These guys were fairly common throughout downtown Florence, actually. In front of the church is a large plaza which provides good longer-range unobstructed views for photos. The front of the church is sort of a 'late Gothic transitioning into the Renaissance' style. It is quite striking and worth a short detour on your way to the city center. The best lighting for photos seemed to be in the mid to late afternoon.

I liked it but I wouldn't say it's something I'd recommend because it's pretty small and crowded. I…read moredoubt there's a "good" time to go but who knows. It was something to kill time and I did learn something so I gave 3 stars. However, I've been to many museums and this one didn't really strike it for me. The place does have a few interesting props so definitely check it out if you're bored and have kids. I went with my boyfriend and he wasn't into it.

The Leonardo Da Vinci museum was a great museum showcasing Leonardo's inventions big and small…read more Almost all of them had interactive models. There were stations where you could build his bridge and other famous shapes. There was also a room showcasing his famous artwork. Highly recommend! Was about 30min to go through most of it.

This was a pleasant surprise for me while arriving in Florence!! Our driver dropped us off at our…read morehotel and he casually mentioned that this perfume shop was the same one filmed in the movie "Hannibal" . Say less... ...made my way over to the shop and walked around four or five times before approaching the nice ladies behind the fragrance bar. Told her what scents I liked and she picked out three for me. The one I bought she put in my arm and told me to walk around and sniff it for a bit and then come back. I did just that and bought the big bottle. It was worth every euro that I paid for it! Good thing is that they do have an online store and will ship to the US!! I plan to buy another bottle just so I have a back up!

This place has so much history all the ladies were very friendly and helpful…read more Will definitely is a must to see and shop from

The Florence Cathedral, commonly referred to as the Duomo di Firenze, is one of the world's largest…read morechurches and probably the most stunning building I've ever seen. It is the beautiful crown jewel of the beautiful city of Florence, a gothic cathedral built between 1296 and 1436. The dome, envisioned at the project's inception, was only completed over a century later. It remains, in 2025, the largest masonry dome ever constructed. We made a point of visiting the Duomo almost as soon as we arrived in Florence, then ran across it several more times over the course of our two-and-a-half-day stay. It felt like the spiritual and practical center of the city. I don't think you can avoid the Duomo on foot any more than you can miss it in Florence's skyline--not that you would want to. The exterior is exquisite. The dome, the gothic architecture, the extravagant details. All that pink, green, and white marble. You get a lot out of the Duomo just by staring at it whenever you happen to walk by. The cathedral is free to enter, but there is almost always a line. We waited in it twice, once just to grab a postcard from the gift shop. It wasn't bad, maybe five to ten minutes, but that was in mid-November. The interior was gorgeous, too, vast and intentionally bare relative to, say, St. Peter's or the Duomo's own exterior. No gold, but a wealth of stained glass and God knows how many tons of marble. There was a small gift shop downstairs, where we purchased a magnet and a postcard for our kids, left at home. I thought about getting the nice Christmas ornament of the dome, but it cost almost €80. We wanted to go to the Opera del Duomo museum on our last afternoon in town, but the window was too tight, and we realized we would've been better served buying a pass for a few of the standalone attractions--the museum as well as the baptistry or the belltower. In any case, I'm pretty sure we'll be back to Florence, and I look forward to revisiting the Duomo.

Saluti da Firenze!…read more Bathed in architectural beauty, artist charm, and centuries of history, my partner, our friends, family members, and I arrived in this Italian city of culture last Monday afternoon. Located in the heart of the stunning Tuscany region, the city is surrounded by natural and manmade beauty at every turn. Home to globally renowned landmarks such as the Florence Cathedral and Michelangelo's David, Florence offers a journey of discovery and enlightenment. Situated at the Piazza del Duomo, which is the busiest square in the city, Florence Cathedral is dedicated to Santa Maria del Fiore, dominates the skyline, and gives it real character and grace with its famous Brunelleschi's red dome. The construction of the building started at the end of the thirteenth century because the Florentines wanted to excel not only in commercial terms but also in architectural terms. It was not completed until the 15th century and is the fourth largest cathedral in Europe. We visited the area on our 2 days during the day and evening. It is highly recommended to visit the square in the evening, when the day trippers have gone home. Admission to the cathedral was free, and the huge line moved quickly. The marble façade in green, pink, and white was absolutely stunning. The rest of the interior may seem simple at first until one stands beneath the dome and gasps at the masterpiece above. No words can describe its presence and the sheer scale; it's a must-visit!

We visited the Boboli Gardens and the Palazzo Pitti on our first afternoon in Florence, and what…read morewith the Duomo views and the Medici glamor, it was a nice introduction to the city. The palace was originally commissioned in 1458 by a Florentine banker named Pitti. The Medicis picked it up in 1549, and it remained a ruling class residence until 1919, when it was gifted to the nation and turned into a museum. It's a giant place, literally palatial, with a kind of forbidding, fortress-like aesthetic. Seems like a weird place to live, but what do I know. We walked in on a Wednesday afternoon, and neither the gardens nor the museum were crowded. We started with the Boboli Gardens, which were quite attractive, even in mid-November with nothing in bloom. It felt like a large, inclined park, pleasant to walk, with impressive fountains and tremendous views. There was an empty amphitheater and an ancient Egyptian obelisk. Tons of old statues, including a fenced-off 17th century work called "The Abundance," where we saw a weird lady sneak in to molest the base. We wandered up the garden's main axis and reached the Giardino del Cavaliere, an intricately landscaped walled garden with truly fantastic views. We spent about an hour in the gardens and another hour in the Palatine Gallery, Palazzo Pitti's primary museum space. The gallery contains over 500 paintings, most of them from the Renaissance, a collection that once belonged to the Medicis and their successors. I'm sure we would've gotten more out of the visit had we taken a guided tour, but we did pretty well walking through those endless rooms on our own. We had a good time at the Palazzo Pitti and would recommend it to anyone visiting Florence. Less mandatory than the Uffizi or the Accademia, but a great place to absorb the lavish splendor of the Medicis.

From the front, it doesn't look like much - a standard U shaped brick palace. But what you don't…read morerealize is the majestic, jaw-dropping botanical maze that follows. This place is HUGE, with views beyond what the eye can meet - spanning from Tuscany country side on one end and the city's architecture on the other. After landing at the airport, dropping our bags, we headed straight here and did not regret a minute of the exploration.