In the golden years of Tramway, Suspect Culture would arrive at the venue with a work that spanned the experimental and the traditional: the last work I saw by them incorporated sign language into the text, forging an interesting link between inclusive performance and radical stagecraft.
Like many Glasgow companies, Suspect are always ambitious, finding new paths around old ideas: they did a Candide for 2000, looked at mountaineering danger by staging a play up Tramway's famous wall and even teamed up with the NTS for a meditation on the state of the world. Since I go to the theatre five nights a week, I'd say catch them- but they do sit nicely in the space between the conventional and the challenging. read more