As was my custom of arriving right on time for most things I deem somewhat important to be on time for, I left myself just enough time to be on time if I could find a parking spot right around the corner of Brooks. As you can imagine, I did not find a parking spot right around the corner of Brooks Theatre, and those lights on Coast Highway are so dreadfully slow at night, and I was terribly late (6 minutes) after deciding to park in my usual spot at the library structure about two blocks away. The nice ladies at the door let me in anyway and told me I could sit in whatever empty seat I wanted. Yes! My favorite kind of seating!
The theatre features artwork from ArtWalk through its hall before turning into a closed double door and intimate playhouse of about 100 people (maybe more?) with the furthest seat about 30 feet from the stage. It is available to the public for rent, on non-production nights I am assuming. The reception has refreshments at intermission. What I like about the playbill at Brooks is that it has a blurb about each actor/actress (at least for The Musical!), and during scene changes (though it might just be this particular production) hilarious tidbits of information help pass the time on the screen.
Ticket pricing (discounts on military, students, and seniors)
Plays $14 to 21
Musicals $16 to 24
Season subscription available.
The musical I had the pleasure of seeing was The musical of musicals (The musical!) and it was a riot! It's a satire of five distinctive musical theater styles based on one storyline - June is an ingenue who can't pay the rent and is threatened by her evil landlord; a matron steps in and gives advice and the hero sometimes comes to the rescue. First up is a Rodgers and Hammerstein version set in Kansas, complete with songs about corn, thick Southern accents and a dream ballet - a fantastic opening that is hard to follow. Next is a creepy Sondheim version, followed by a Jerry Herman version, which is typical of many musicals, featuring lots of dancing without advancement of plot. An Andrew Lloyd Webber version follows with a rock musical and a phantom singing about operas borrowed from Puccini. Lastly, and appropriately so, is a Kander and Ebb version set in a speakeasy that brought down the house in (drumroll..) Chicago! The dialogue and lyrics are sharp, the acting is fantastic and the singing is just amazing. I was grinning from ear to ear if I wasn't busting out laughing throughout the production.
I can't wait to see what else Brooks Theatre has in store! read more