The Uffizi Gallery is an absolutely extraordinary museum. It's famous for good reason, the most…read morevisited art gallery in all of Italy, a country not lacking in priceless, important art. The place was built by the Medicis and houses much of the art they collected, all of it given to the city of Florence as the family died off. It's been open to select visitors since the 16th century and to the public since 1769, making it one of the world's first modern museums.
We went with a small group tour (provided by Things To Do In, which dealt with the ticketing), and this was 100% worth the added expense. The Uffizi is huge and full of treasures, and our guide's expertise felt pretty essential.
We met in the courtyard, which was bustling with tourists at 10AM on a cold, off-season Thursday. The courtyard is notable in its own right, beautiful and historic, with a view of the Arno River. Sculptures of famous artists fill the niches between the columns. Our meeting point was underneath Nicola Pisano. We made our way from there into the Uffizi's grand hallways, works of art in themselves, and lined with statuary.
Our tour was an hour and a half long and took us through just a few highlights of the museum, which contains an astonishing collection of Italian Renaissance works. We admired a display of three Italian Madonnas, masterpieces of the 13th and 14th centuries by Cimabue, Duccio, and Giotto (our guide's mini lecture on the Giotto will stay with me for a long time). We saw Simone Martini's Annunciation with St. Margaret and St. Ansanus, with its wtf-no-thank-you Virgin Mary, the Adoration of the Magi by Gentile da Fabriano, embellished with gold and textiles.
I'm ignorant and didn't know what we'd be seeing at the Uffizi and was genuinely surprised to walk into a room and see Botticelli's Primavera and The Birth of Venus. Incredible paintings, and a privilege to see in person.
We hit the ninja turtles next: Leonardo da Vinci's Annunciation and unfinished Adoration of the Magi; Michelangelo's Doni Tondo, his only surviving finished panel painting; and Raphael's Madonna of the Goldfinch.
Our tour ended there, but we had much more to see, and our guide helpfully told us a few paintings to look out for. The Medici portraits by Agnolo Bronzino, especially the Portrait of Eleonora di Toledo with her son Giovanni. Titian's Venus of Urbino, a historically significant nude. And three works by Caravaggio: Bacchus, Sacrifice of Isaac, and Medusa, all of them amazing.
I also enjoyed the extensive gallery of self-portraits and the temporary exhibition on Florence and Europe in the 18th century. This included some great paintings and sculpture, but without a guide to put them in context, I have to admit the giant stone lion dick made the most lasting impression.
We hit the gift shop on our way out, hoping to find a postcard of Florence we could send to our kids. Unfortunately for us, all the postcards were of the gallery's artworks, and we didn't think our three- and five-year-old would get much out of religious paintings or Medusa's decapitated head.
I left the Uffizi with a new appreciation for Italian art, and honestly, a sharpened interest in art in general. This was an enriching visit, full of marvels, maybe the best thing we did on our trip to Florence.