Over a million people visit the Galleria dell'Accademia every year, and they all go to see one…read morething: Michelangelo's David, arguably the most famous statue in the world.
The David was sculpted between 1501 and 1504, then unveiled in the public square in front of the Palazzo della Signoria, where it stood for almost 400 years. It was moved to the Galleria dell'Accademia in 1873, and has been the museum's lifeblood ever since. €20 a ticket and more for merch, plus lawsuits for unauthorized use of the David. Pretty, pretty, pretty good.
We only had about two days in Florence, one of them set aside for a Tuscan wine tour, but we weren't leaving without seeing the David. Our concierge booked us same-day tickets when we checked into our hotel, and we went at the appointed entry time, at 5:00. The museum was plenty busy, even on a Tuesday during low season, but I believe we visited under ideal conditions.
We entered the museum and bam, there was the David, standing majestically in the heart of the Accademia. He was in his own domed alcove lined on one side with bench seating, where people could sit and look up at his giant marble ass. Like everyone else, I'd seen images of the David all throughout my life. But seeing it in person was a revelatory experience.
I know size isn't everything, but when it comes to iconic statues chiseled from single blocks of marble, size certainly matters. The David is 17 feet tall and completely breathtaking. A beautiful colossus, every inch of his famously nude body sculpted in wondrous detail. We took advantage of the thin crowd and spent quite some time circling the statue, while also reading about it on Wikipedia from the comfort of the benches. An extraordinary, educational pleasure.
The rest of the museum was nice, too, if entirely secondary to the David. There were several other statues and old religious paintings, as well as the Hall of the Prisoners, featuring four unfinished Michelangelo sculptures. These cut a path to the David and were fascinating in their incompletion. Michelangelo apparently saw the work of a sculptor as freeing the forms lying inside each block of stone. This sounds like something an artist would tell a reporter, but looking at those unfinished sculptures, I could see the figures trying to make their way out.
The Galleria dell'Accademia is small, and we were in and out in about 40 minutes. If you're a tourist in Florence and have €20 and 40 minutes, I can't imagine a better way to spend them than at David's enormous feet.