Wow. This was my first LA Conservancy tour and I loved it. Here's what to expect if you go: (warning...I'm fairly passionate about this stuff, so this might be long and/or boring!)
We started out in the lobby of the Million Dollar Theatre on a rainy November morning. You can tell right away that the lobby has been redone since the building's construction. Sure enough, we learned that the tacky, drop ceiling is covering the original murals which can be seen here: http://www.youtube.com/watch?v=xoI1Px6ysIY . Inside the auditorium itself, we got to sit in the seats and listen to a history of the decaying theatre before moving outside and looking at the outside of the amazing building. From what I understand, the Million Dollar has been somewhat rehabbed in the last few years, but it still has a very long way to go!
Next, we went in the Bradbury building across the street. The outside of this building is deceptively simple compared to the ornate, light filled atrium filled with marble and wrought iron. This has to be the most beautiful building in LA!
We were then taken down the street to the ruins of the Roxie, Cameo, and Arcade theatres. I knew when I saw the crumbling, rusted neon marquees on the outside of the buildings that this was not going to be good. We were taken into the Cameo theatre (the lobby of which is now a dusty electronics store. Walkman, anyone?), past a shabby curtain, and into what once had been the auditorium. it was the saddest place ever. The seats are long gone, but the sloped floor and the screen still remain in the rectangular space, crammed full of backstock for the electronics store. DON'T CRY!! DON'T CRY!! EEEEEE. It was hard to look at. Maybe I'm just a big weirdo.
Back outside, we looked at the outside of the other two theatres flanking the Cameo. We found out that there's not much left of the Roxie inside and that the Arcade is still somewhat intact but rotting away and filled with rats.
Next, we walked down the street and talked about the Palace and Los Angeles Theatres. Unfortunately, the tour can't take you inside either on but encourages you to come back for Last Remaining Seats: a yearly series of screenings of old films inside these amazing buildings. We then stepped inside Clifton's Cafeteria - a must see for anyone coming downtown. It looks like the new owner has already begun renovations here! Exciting!!
Continuing down the street, we talked about the Tower (open for special events and filmings), the Globe (now a seedy looking nightclub), the United Artists (now a kooky church, but the building is currently up for sale! Does anyone have $12 million dollars?!) , and the Orpheum (In use!) theatres. I was a little sad when we didn't get to go into any of these, but I know that the conservancy has no control whatsoever over this. We came close to getting into the Orpheum, but had no luck. Oh well! Next up, we got to go inside the State Theatre, which is now a church. It's somewhat in a state of disrepair inside, and the church has made some wacky alterations (baptistmal where the concession stand would be, etc.), but the ceiling in particular was very beautiful here.
The final stop on our tour took us up 7th Street to the beautiful old beaux-arts Pantages (Warner Bros.) Theatre. There's a big hole in the ground at the entrance that used to be an entrance to a Burger King. Nice. We entered on the side of the building, which is now a jewelry center, and suddenly found ourselves on the stage of the old theatre! I was amazed at how much of the ornamentation has survived on the walls, proscenium, etc. The space where the seats once stood is now filled with very gloomy jewelry booths, and the security guards were definitely staring us down the whole time we were there. Huh. This place made me want to cry again, so maybe it was good that the tour stopped here.
Overall, I highly recommend this tour! It was an amazing, if gut wrenching, look at Old LA and the value of historical preservation. Hopefully with the Bringing Back Broadway movement, the LA Streetcar, and Clifton's renovation, this area's darkest days are behind it. read more