Glasgay! is one of Glasgow's great festivals. It takes up most of October and November, features films, drama, dance, night clubs and visual arts and has cultivated the local scene, bringing in big names and first time performers. Since it has become part of the city's calendar, it has managed to become both part of the establishment and kick up the odd fuss: this year, pickets protested an exhibition and one stage show.
The film programme starts things off: it is not the Festival's best programme, but is comprehensive and uncovers a few idiosyncratic classics. The theatre programme is stunning. In past years, it has taken in Tennessee Williams, Louise Welch and inhabits every venue from the Theatre Royal to the Arches. The breadth of events is stunning.
My personal favourites have included Martin O'Connor's monologues- usually on the theme of masculinity- a singalong Hairspray and, for a more difficult choice, Memory Cells, whch looked at the relationship between abducted captive and her guard. The only problem is trying to catch everything: many shows overlap.
By having a vague enough theme, it manages to have something for everyone: the Ma Broon Monologues reinvented a Scottish institution, while the edgier work covered the problems of gay parenting, red hair and even the true meaning of Christianity. Lively and provocation, Glasgay! can satisfy both the radical queer and the general punter. read more