After a 9-year hiatus from performing, I landed in Chicago. Tired of my life, tired of feeling as…read moreif I didn't have the right tools to "do this" at my age (I'm in my early 40s). Frankly, feeling tired. I also wasted a lot of money taking classes at places people told me I "should" be taking classes and feeling as if no one cared if I showed up and there was no measure whether I was improving or making progress.
*bangs head on wall*
I first found Black Box's Studio classes through a fellow improv student. From the pre-admissions interview process and then day one in their B1 class, I knew something was different. They weren't going to put up with my BS (or let ME put up with it any longer) and there was no choice except to tell the truth and be myself. It wasn't about getting it RIGHT. It was about being honest.
After B1, I decided to audition for the ACADEMY conservatory program (I just graduated from Winter ACADEMY 2015 last week). I went ahead and took B2 while I was waiting on admission results.
Well, I got in. And here's what I can say about The ACADEMY.
1) It's intense. If you're not ready to redefine your Level 10, keep doing what you're doing. It's one helluva shock to discover your idea of Level 10 was closer to a 6.
2) You're treated like a professional. There is no "hey, you paid -- show up when you want" mentality like most studio classes in Chicago. Our ACADEMY class saw one ensemble member dismissed mid-term. You're an ensemble and your partners rely on you to be there. Black Box won't let you forget that. Just because you paid doesn't mean you get to come and go as you please (how refreshing).
3) The instructors in this program (and the entire school) WORK in the industry. Incessantly. Audrey Francis is in The Herd at Steppenwolf, and no fewer than 4 of our other instructors are also in shows at this time at Step Up, Jackalope, Pegasus, and Red Orchid. They practice what they preach and are working professionals, not just professional instructors.
4) You're going to have days where you feel like crap. But it's good crap. That's your crap dissolving into a pile of crap you no long need. You'll keep going. It's acting. If it were easy, it would be called "beer."
5) The five months in this program transformed who I am as an acting industry professional and gave me a process that I can use on a moment's notice at an audition when they throw another set of sides at you to season generals where you're in a room full of people who hate monologues (but you now love them). My approach to text has been revolutionized, my relationship with my body in space is completely re-thunk (yes, that's a word), and my heart is sad that after graduating a week ago, I don't see my friends' faces every day.
So, if you're looking for a ticket to fame or an easy button to push, keep looking. It doesn't exist. But if you're looking to do some hard (expletive) word and find your place in an industry that can chew you up and spit you out if you don't know your place and value --- then check out Black Box. I've found my voice, learned my value, and have a process to use throughout the continued growth of my career.
*They are kind, but blunt.
*They do not gush praise, but it'll come when you least expect it (probably when you STOP expecting it).
*They will hold you to a higher standard than you've ever held yourself.
*If you think this is solely a Meisner school, you're mistaken. The Black Box Method is a hybrid of many different schools of acting. And if you hate Meisner, that's a damn fine reason to try Black Box.
And above all, for the actor considering where to spend his or her money in Chicago, I have found this to be the best money I've ever spent on my career -- above a beyond my college degree.