Theatre aside, the kitchen and bar is excellent. Top quality small plates and interesting local…read morebeers.

I've been coming to the old vic for many years so not only is it a great venue but for me it holds…read moremany great memories and is where my love of theatre began. The shows you get to see at the old vic are a far cry from the tacky unoriginal touring shows you get at the Hippodrome. Showcasing its own in house productions you find a lot more edgy and original theatre, so it's a must for all theatre lovers. On this occasion I took my one and half year old son to his first ever theatre production, Magic Elves. The show was in the small theatre downstairs and was perfect for small children and adults alike! He was engaged and mesmerised from the off and I hope this starts a similar love of theatre...

I just love independent community theatre companies like this!…read more They've been running since 1996, and they have one major production each year as well as smaller events. They're really friendly and welcoming to anybody who fancies finding out more about it and joining. Their next and upcoming production will be 'Bad Girls' the musical, booked into the theatre at Filton College in October. In fact it's not too late to get involved in this production if you like the idea of it! Tickets are reasonably priced.

Surely the best hidden gem Bristol has to offer…read more Its not often Sam N and I find ourselves in the very centre of Bristol. Historically the haven of neon bars, scantly dressed girls and hot headed lager louts. However, to be fair, the centre has changed somewhat in recent years, and while those places still exist, there are a lot more reasons to visit the centre than to avoid it these days. Smoke and Mirrors lies on Denmark street, a seemingly uninteresting road just beside the hippodrome and the main cluster bars, chicken shops and kebab houses. Its, almost clandestine, location suits it perfectly and it just wouldn't have quite the same amount of charm if it was anywhere else. It labels itself as a theatre pub and I guess thats as a fair description as any. I fell in love with it as soon as I entered. It just feels like a hidden gem immediately, even before you are struck by all the quirkiness that lies within. Quirkiness aside, the place itself is a rather old fashion, small, but quint pub. The whole place is an oxymoron in as much as the very fact that it doesn't try to be 'cool' makes it one of the coolest places I know. Despite its small size there has been live music several times we've been there. Its a very non offensive variety of live music, the kind you can get involved with, enjoy as a backdrop or ignore completely. I feel like there are few places left like this, where you can drink to the backdrop of live music rather than it being so in your face. Last time we were there we had an absolute blast shouting endless requests at the guitarist, who indulged every one of them. He was so good we grabbed a card off him. The bar itself serves all manner of fairly mainstream drinks, it would perhaps be more fitting for it to serve one or two local drinks from the many of the firmly established local breweries bristol has to offer. There is a happy hour on cocktails, my recollection of such times is understandably hazy. They also have a rather tasty array of bar snacks. The scotch eggs and sausage rolls are really rather lovely and basically mean that you never have to leave :) Not surprisingly its a Saturday evening is when its at its peak, and can get rather busy, however it does so without ever feeling too busy, perhaps this is down to the magicians that roam through the crowd blowing everyones minds with various card tricks. Its great fun and never feels over the top. It just adds to the mood, and one of the many compounding factors that make it such a special place in my eyes. There is a small room the back which they use for intimate shows, the dates of which they mix up a bit. It appears that generally Monday it is an open mic comedy night where as Fri and Sat usually hold performances from the house magicians. However they are frequented by special guests so I guess its worth keeping an eye on the events calender. All in all, smoke and mirrors is a great place to go and by far my favorite place in central Bristol.

Described by the NME many years ago as "a floating toilet", the Thekla has thankfully had a few…read moremakeovers since and is now quite possibly the best club and gig venue in Bristol. The downstairs main room is fairly small and generates a great atmosphere, and there are also balconeys overlooking the dancefloor and stage, which are great for gigs. Moving upstairs, there's a decent bar which is open during day times and has a daily happy hour and food offers. On sunny days, though, you're better off taking your pint/burger out on the open air deck, which is heated, has plenty of seating and offers great views across the harbour.

A club on a boat! The Thekla (I don't know if that's the name of the boat as well as the club) is…read moremoored up in Bristol harbour with a few good nights and live music as well. There's no need to worry about sea sickness, the boat doesn't sway or anything. Its over two floors (decks?) and has an outside area at the bow of the ship. The upstairs bar is open all week and the bottom opens for club nights (Socialism, electro-indie on Saturdays is my favourite). Being on a boat, things are a bit crowded, but theres plenty of space on the bottom floor (in the bowls of the ship?) to dance. The staff (bouncers and bar staff) are friendly, and there's always a good atmosphere. There's no premium for floating whilst you drink, with the nights I've been too, priced around a fiver. A novelty that's a good night out too.

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The Tunnels is an exciting new 360 capacity venue with an enviably unique location. Occupying two…read moregrade one listed railway arches, designed by Isambard Kingdom Brunnel, and tucked neatly beneath Bristol Temple Meads central railway station, The Tunnels must be Bristol's most easily accessed nightspot. Not only is it serviced by comprehensive bus and rail transport, almost to the door, there is also, unusually for Bristol, a wealth of free parking immediately in front of the venue, all under the watchful eye of The Tunnels security team. And there can't be too many venues that can boast about having a taxi rank on their roof! Opened in October 2009 this venture has been conceived and realised in the peak of a global recession, showing that creator Gareth Chilcott has the courage to match his ambitions. It's perhaps not surprising considering the achievements of this Bristol-born iconic personality. Sporting his trademark headband, Chilcott, better known as Cooch, made over 400 first team appearances for Bath RFC and was capped for England 22 times between 1984 and 1990. The sweatband that protected Cooch from the telltale condition 'cauliflower ear' throughout his rugby career enjoyed a new incarnation after he hung up his boots and launched Headband Ltd, a hospitality company providing mobile bars to prestigious events around the country. Now considered to be a leading international rugby pundit, Cooch regularly makes celebrity guest appearances, and has graced the stage in a number of regional theatre productions. Resisting the temptation to trade on his name, Cooch branded the venue and launched it without so much as a nod to his former achievements. Caution was inspired by the wholesale media pounding of Mama Stones in Exeter, after Wendy Joseph, (mother of Joss Stone), bought and rebranded The Hub, reopening it as a music venue back in the summer of 2009. This has been a smart move in more ways than one. The Tunnels is the right name for this underground, discretely hidden venue. After visiting it, it is hard to imagine that it could be called anything else. A small doorway, no more than an illuminated dot on a manmade cliff face of blackened rock, is all that betrays the existence of life. The soundproofing is immaculate. Emerging from the dusky car park, lit only by the ambient glow of distant streetlights, the full impact of the scale and industrial grandeur of this rather splendid space hits you with full impact as you step across the threshold. Partially clad in corrugated sheet metal, that gives way to large areas of exposed brickwork, it's clear that the interior has been designed to follow the sweeping lines of the superstructure, a decision that was probably heavily influenced by the ceaselessly stringent stipulations of the Heritage Planning Department, but is one that allows for an optimal use of the space. The layout is intelligent. Although conforming to predetermined dimensions, this is a venue that is custom made for the purpose of delivering quality music to large numbers of people. The first arch, which houses the bar and sprawling lounge, with toilets and smoking area to the rear, has dual access to the performance area running parallel to it. The stage occupies a sizeable portion of the far end of the second arch, allowing the audience to filter, with minimum disturbance, from the side. Disabled access is garnered via a door leading directly from the car park, adjacent to the main entrance. The fact that this leads to a viewing platform that elevates wheelchair bound patrons to a position where they can enjoy great views of the stage is indicative of the thought and consideration that has gone into mapping out the space. This venue is being operated with seeming consummate ease, without a trace of evidence pointing to the problematical process that brought it into being. Cooch had been searching for the right opportunity to put down some roots for several years, but initial attempts to secure a property of the correct proportions were thwarted by costly surveying procedures that resulted in disappointment. "I've always wanted a music venue" he confided, "I looked at the Fleece a couple of years ago, and didn't buy it because of structural problems... And then, after a lot of searching, two derelict arches came up, with a lot of rain, a lot of rats, a lot of dirt and hard work, and, of course, it's a listed building, and so as soon as you touch that you've got to get everything passed by Heritage... But in the end it was worth it. It's a bit quirky. It's a bit different. The acoustics are great, and the bands like playing here. It works." There's no denying that Cooch is right, The Tunnels definitely works, but the timing of the development, with the backdrop of global recession, could hardly be considered ideal. Ever the professional, Cooch takes a philosophical stance... read full review on my blog: http://www.travelpod.com/members/biglove

One of Bristol's oldest music venues, this intimate pub is a bit of a halfway house where you can…read moresee the wannabes on their way up and the never quite weres coming back down the other side. If you know your stuff you can catch some really big pre-fame names (I saw Radiohead for £3.50 many, many years ago, though once turned down the chance to see some new band called 'Oasis' in favour of watching the footie in a pub down the road). Weekends are dominated by tribute nights, which can be fun if you get the right one, while up-and-coming acts vie for your attention during the week, when there are also cheap drinks offers early in the night. Be warned: when stage diving keep an eye on the pillars as a mate of mine almost knocked himself out at a Moonflowers gig in the early 90s...

Just over the Bristol Bridge from town, The Fleece is a small pub and music venue mostly catering…read moreto the rock scene. The floor is paved with flag stones, convenient if you spill your drink! Probably easier to keep in a decent state with the dancing and moshing that goes on here too. It's on the circuit for small bands trying to get a break. That means the odd act that will be topping the charts in a few years time and not a few bands that definitely won't It's a good space for a band to play, perhaps not quiet enough for singer songwriter type acts. The drinks on offer here aren't too badly priced (and a lot cheaper than the O2 academy, which also has a very dire range on offer, thanks to the corporate sponsorship). Things tend to be a bit calmer here too. Although this might just be because it's not such a big place. A gig here generally gets going towards the end, and their will be the risk of crowddivers falling on you, but I've never been there when things get out of control. If you like live music have a look for a band you know (or a tribute to them) and get a ticket for a good night.

The Albany Centre is a much-needed resource in the heart of Montpelier. Situated about 30 meters…read moreaway from the Star and Garter this area sees its fair share of adult anti-social behaviour (but is still pretty safe, even at night, unless you are very unlucky). For the kids in the neighbouring streets, the Albany Centre sends out a very different message; one of creative opportunity and a viable alternative to hanging around on street corners achieving very little. This centre is run by an artists collective called the Albany Artists Group which is comprised of circus and street performers, and based at the Albany Centre, They use the centre to rehearse in preparation for performing as an ensemble, or individually, at key events in the city and further afield. Housed in an old Methodist Church, the high vaulted ceiling makes for an ideal space for aerial equipment, and is large enough to accommodate all of the activities of the group. The space is also available for private hire and has been used by palates and yoga groups, amongst others, in the past. Sadly the Albany Centre failed to secure ongoing funding for the project in recent years, and although it remains an active community, the amount of activities held there has reduced.

The Tobacco Factory Theatre is an independent business to the Tobacco Factory Café Bar, but they…read moreshare access to the beer garden and each other, and of course, are located in the same building. The owner, the visionary and philanthropist, George Ferguson, leases the space to the theatre, who also offer acting classes as well as an impressive and innovative theatre programme. There's something special about theatre in the round. Before moving to Bristol and discovering this little treasure, I'd only seen one performance in the round before. It was an Oscar Wilde performance at The Corn Exchange in Manchester on St Anne's Square. A lot of Wilde's work is situational and so lends itself to this kind of treatment. Inevitably, I was a convert. Since arriving in Bristol I've seen a number of productions at The Tobacco Factory. All of them have been consummate, but occasionally a little over-ambitious. There are many restraints to a theatre in the round production, and as these theatres are rare, directors generally have little to no experience of it before they come to stage something here.

If you fancy going to watch a play, comedy, or a bit of Shakespeare then this is the venue for you…read more It's small but intimate and the quality of the shows are always of a high standard. Downstairs they have a bar that serves great food, and drinks, there is a small al fresco outside area and regular Sunday Markets and live music. The Tobacco Factory is independantly owned and is part of a growing campaign to encourage and support independant business in the Bristol area, so go along and support the cause. It's a 'one stop shop' for the perfect night out and one in which you will not be disappointed.

St Georges is a beautiful venue just off Park Street on the way up to Brandon Hill. Its…read moremagnificent palladian facade will prepare you well for a night of classical music. Their usual line up is classical, but they also have a really eclectic mix of Jazz and World Artists perfoming. The latter, especially, are often the type of acts who do tours of rarer artistic and cultural venues around the country. This means the acts are extremely unique, but in my experience so far, they're always utterly phenomenal and very worth knowing about and seeing. This is a venue Bristol should really be proud of - it's lesser well known than the more major music venues in the town, which is perhaps why they still have a massive degree of quality with regards to the acts they invite to perform. I strongly advise getting involved with St Georges, keeping track of the programme, and experiencing a night of music in this phenomenal venue.

A concert hall just off Park Street that puts on a lot of classical performacnes, as well as some…read morejazz and other genres. Run by the council, it offers cheap access to a bit of culture. It's quite an experience climbing the stairs and entering under the thick sandstone pillars, the building is very imposing. Opened in 1999 the interiors stayed smart since then, and they're currently celebrating their tenth birthday. If you enjoy classical music, or just want to sample it, the lunchtime concert series is a good opportunity and at only £7 (£4 for students, children and job seekers) an absolute steal. They have relaxing gardens as well, so you can bring a picnic and make a day of it. As a classical music venue it is excellent, with good accoustics and a grand open space. I've been told that St. Georges is one of the countries, as well as one of Bristol's, finest music venues.